Showing posts with label russia. Show all posts
Showing posts with label russia. Show all posts

Russian Winter: A Novel Review

Russian Winter: A Novel
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This is one of the most beautifully written books I have read in a while. The story was lovely in its simplicity, every description dripping with meaning without being overly sentimental or pedantic. The whole way through I marveled at the language. Despite its length, the book moved at a swift pace. The plot was not one of action, but still I hardly wanted to put the book down. This is masterful writing.
The portrayal of Nina's past in Soviet Russia was fantastic. I have studied the Soviet Union quite a bit, particularly through the writings of Aleksandr Solzhenitsyn. Kalotay did a good job portraying the way Soviet citizens likely felt about their lives. She shows the reverence for Stalin, even in the worst times. Never once does Nina see him as anything but a savior; the problems come from others and he does not know. Shocking though that may be, anything else would probably have been inaccurate. The faith that she had in the country and the small things that lead her to question that are done well. Kalotay confronts rough issues with subtlety, with no overarching need to make her point clear by bashing you over the head with it.
I recommend this one extremely highly (in case that wasn't clear from the above). Do yourself a favor and read this.

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Cursed Days: Diary of a Revolution Review

Cursed Days: Diary of a Revolution
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The previous customer review refers haughtily to the "hauteur" of Ivan Bunin, a "right-wing, upper class novelist." Say what? Bunin, a master of Russian prose, was understandably aghast as he watched the sudden, violent and senseless destruction of the glorious Russian culture. The reviewer sneers that "the folk, in Bunin's opinion, were ignorant, gullible, violent, dirty, and totally unfit to take a hand in government." Well, it sounds like Bunin got it just about right! Just look what the left-wing thugs ruling in the name of "the folk" did to Russia for the next 70 years.
Strangely, Soviet leaders decided that "Cursed Days" was unsuitable for consumption by "the folk." Hmmm... Talk about hauteur! Only in recent years was the publication of this amazing diary permitted in Bunin's homeland, and now - thanks to Thomas Gaiton Marullo's splendid translation - English-speaking readers can finally see that there were some people who weren't fooled in 1917. I just hope that modern readers will read Bunin's prophetic diary of those cursed days... and remember.
Neal McCabe

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Here is Ivan Bunin's great anti-Bolshevik diary of the Russian Revolution, translated into English for the first time. Set against the backdrop of Moscow and Odessa in 1918 and 1919, Cursed Days is a chilling account of the last days of the Russian master in his homeland-a work banned during the years of Soviet power. Bunin recreates the time of revolution and civil war with graphic and gripping immediacy. Unlike the works of early Soviets and emigrés, with their self-censoring backdrop of memory, myth, and political expediency, Bunin's uncompromising truths are jolting. His pain and suffering in witnessing the takeover of his country by 'thugs" and the chaos of civil war, and his fears for the devastation of 'patriarchal" Russian culture, were with him daily and received vivid expression in his diary. Cursed Days foreshadows the later anti-Soviet memoirs of Nadezhda Mandelstam, Evgenia Ginsberg, and others, and the rebellions of Bulgakov and Paternak. Thomas Marullo's superb translation and annotations reveal Bunin not only as a master of prose (he was the first Russian to be awarded the Nobel Prize for Literature) but as a perceptive social critic engaged in a wrenching struggle to make sense of his shattered world.

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Sunstroke: Selected Stories Review

Sunstroke: Selected Stories
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American and English readers don't generally know the the works of Ivan Bunin, although educated Russians know and love his poetry and short stories, and often can quote them by heart. These stories, unobtrusively translated anew by Graham Hettlinger, vary in length from a couple of pages ('Summer Day', which neatly limns the cruelty arising from boredom) to the seventeen pages of Bunin's best known story, 'The Gentleman from San Francisco.' Most of them, some appearing in English for the first time, are really little more than sharply-etched vignettes which adroitly catch humanity in its variety; sometimes you'll catch your breath with the shock of recognition. If you respond to Chekhov's stories, you'll like these.

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Nabokov: Novels, 1969-1974 (Library of America) Review

Nabokov: Novels, 1969-1974 (Library of America)
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This is a good collection of some of Nabokov's most diverse work. Ada is a beautiful discourse on philosophy and incest that rivals the classic Lolita. Transparent Things is a short but extremely dense book, written in an amazing narrative; a personal favorite. Look At The Harlequins is a fascinating autobiography told theough the perspective of an author with a parallel life. A very worthy buy!

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Fathers and Sons Review

Fathers and Sons
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This is the first fiction book I've read in a long time, and I have to say I'm not too disappointed. Fathers and Sons relates not only the generation gap in 19th century Russia, but also shows how fragile and fake the entire Russian system was in that time period. Every character symbolizes an important facet of Russian society. Paul Petrovich is the old slavophile nobility, convinced that Russians and their ways are the best in the world while they wear English clothing and speak and read in French. His brother Nicholas is the bridge between the old world and the new world, trying to fit in with the new ways while he only understands the old customs. Arcady, who represents those in society who outwardly follow the latest trendy beliefs but can't shake their emotions or their humanity. And Barazov, who represents youth, with its eternal promise of new ideas and ways, but who are blind to their own naive hypocrisy. Certainly there are other characters, but these major figures shape the plot of the book.
Turgenev manages to leave no stone unturned, casting withering attacks on peasants, psuedo-intellectualism, government officials, corruption, and conventions. The book mentions that Turgenev alienated and angered many in Russia with this book, and the reader will quickly see why.
Turgenev recognized the backwardness of Russia, and that it must change if it were to survive in a new world. The big question was how, and Turgenev shows that while idealists like Bazarov may have new ideas (Bazarov's idea was nihilism, a belief in nothing), those ideas mean nothing if not backed up with solutions to the problems.
An excellent book, and very readable. The price is low enough that most people really don't have an excuse to give this one a shot.

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A Red Boyhood: Growing Up Under Stalin Review

A Red Boyhood: Growing Up Under Stalin
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A boy's-eye view of life during wartime-first the Soviet Union's vicious internal struggles under Stalin and then its horrific ordeal after the Germans invaded in 1941.
Konstantin begins his memoir in dramatic fashion, recalling the night of April 17, 1938, when his father was taken away by the Soviet secret police and never seen again in their little town in the Ukraine. The early passages of the book do a fine job of explaining the climate in which such an incident could occur; Konstantin describes an Orwellian regime full of furtive police activities, mysterious disappearances and a terrorized populace.
What makes Konstantin's recollections so captivating is his ability to effectively divide the text between small details vividly rendered, such as a trip to the movie theater, and the larger story of a global political and military struggle. Despite the upheavals that roiled his childhood, the author somehow managed to get a decent education; he refers frequently to inspirational teachers and to devouring books ranging from The Grapes of Wrath to Das Kapital. But these moments of enlightenment in Konstantin's young life were tempered by the unbearable wartime conditions; often, as he left school for the day, he saw corpses piled high on wagons to be carted away.
His mother married a Polish refugee in 1944, and they were able to return with him to Poland in 1945, happy to escape the "cursed" Soviet Union. But the Soviets soon consolidated their grip on Poland, and the family fled west, finally winding up in a UN refugee camp in Germany. As a displaced person, Konstantin qualified for free tuition at a local university, and after three more years of struggle was finally able to emigrateto "the land of my dreams"-America. Uneven, but full of engaging details about a tumultuous period in world history.


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The Brothers Karamazov (Modern Library) Review

The Brothers Karamazov (Modern Library)
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In his most comprehensive (and not coincidentally, his final) masterpiece, Dostoyevsky addresses and discusses a number of the most fundamental and universal issues which face man. His multiple perspectives are embodied in seperate characters -- taken together, these characters form the whole of the Karamazov family, and these perspectives constitute the whole of Dostoyevsky's view.
Each of the brothers represents a distinct school of thought or values -- the impulsive Dmitri portrays the instinctive and carnal desires of man; the nihilist, Ivan, displays the cold and unforgiving intellectual, governed by the rules of logic alone; the religious Alyosha, student to the Great Elder Zossima, depicts the humble and devout spiritualist. While the murder of their father, Fyodor Karamazov, is the catalyst to the real action of the book, it is certainly not the central focus -- a fact that might be surmised in light of the fact that the murder is not carried out until more than halfway through the text.
Instead, the work is a discussion and analysis of man's values and beliefs, and an affirmation of Dostoyevsky's fundamental conviction: that the presence of the human spirit cannot be denied without disastrous results, and that despite the assertions of the nihilists, God is a necessary element in the world of man.

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The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries. "The Brothers Karamazov stands as the culmination of Dostoevsky's art--his last, longest, richest, and most capacious book," said The Washington Post Book World. "Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading."The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

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Anton Chekhov Later Short Stories, 1888-1903 (Modern Library) Review

Anton Chekhov Later Short Stories, 1888-1903 (Modern Library)
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I studied Russian literature for years and would ultimately rank the prose biggies as follows: Tolstoy, Chekhov, Gogol, Dostoyevsky, Turgenev. I frankly prefer Chekhov, however, to the megalomaniac Tolstoy. Reading Chekhov is truly uncanny. He utterly refutes our common cliche'd notions about "Russianness." His is really the most modern voice of nineteenth century literature, without the "modernism" of our century that has so easily dated. I fell in love with Chekhov partly because his Russian is the simplest and most prosaic of any Russian writer and I was consequently able to read him without mediation. I would have included certain stories in an anthology in lieu of others, namely: "In the Ravine" (V ovragie) "Murder" (Ubiijstvo) "An Attack of Nerves" (Pripadok) "The Peasants" (Muzhiki) "Gusev" (Gusev) ...and many others....

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Absurdistan: A Novel Review

Absurdistan: A Novel
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Sometimes the 2nd novel is a let-down. ABSURDISTAN follows a debut, THE RUSSIAN DEBUTANTE'S HANDBOOK that is frankly, hard to top. Shteyngart has done it. ABSURDISTAN is the story of Misha Vainberg aka "Snack Daddy." The son of a Jewish Russian Gangster, "Snack" got an education at a ritzy private American college called Accidental, kind of a cross between Antioch and Oberlin. After his father assassinates a competitor, a guy from Oklahoma, "Snack Daddy" is unable to obtain a visa to return from Russia to his beloved New York. His girlfriend is back in New York and Misha finds out that she is being seduced by one of his former classmates, a Professor Shteynfarb. Misha is determined to find a way back to America. He heads to Absurdistan, an oil-rich former Soviet republic on the Caspian. From his perch in the penthouse of the Hyatt Snack Daddy watches the country dissolve into civil war. All he wants is a Belgian passport and his next meal. ABSURDISTAN is a comic farce and a tour de force. I laughed my way through it.

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The Elagin Affair: And Other Stories Review

The Elagin Affair: And Other Stories
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I loved this book. Bunin's lush stories reveal a Russia that even the great geniuses of Russian literature have never quite depicted. His descriptions of physical experience are almost intoxicating, and his careful attention to the vivid details of Russian culture and customs reveal a new side of that country to English langauge readers. I have read Bunin in other translations, but they, by comparison to this one, were awkward and stiff. Here Bunin's sentences move with true elegance.

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The Collected Tales (Everyman's Library) Review

The Collected Tales (Everyman's Library)
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The reborn Everyman's Library is so uniquely head and shoulders above every other publishing venture available today that it seems ungrateful to append even a small caution about this newest title in the series. Especially so as the fresh translation really is a miraculous breakthrough--a huge improvement over previous efforts. What then is the problem? Simply that this is NOT a "collected" tales in the common understanding of that term, but a "selected" one. Not a great problem unless one is seeking a particular omitted piece, but it does raise some question about at least one link in the editorial chain--a failure of oversight that has marred certain series titles irretrievably and that is uncomfortably disrespectful to the quality of the project overall.

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(Book Jacket Status: Jacketed)From the acclaimed translators of War and Peace, Crime and Punishment, and The Brothers Karamazov, a brilliant translation of Nikolai Gogol's short fiction.Collected here are Gogol's finest tales—stories that combine the wide-eyed, credulous imagination of the peasant with the sardonic social criticism of the city dweller—allowing readers to experience anew the unmistakable genius of a writer who paved the way for Dostoevsky and Kafka. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know. The wholly unique blend of the mundane and the supernatural that Gogol crafted established his reputation as one of the most daring and inventive writers of his time.

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