Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Russian Winter: A Novel Review

Russian Winter: A Novel
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This is one of the most beautifully written books I have read in a while. The story was lovely in its simplicity, every description dripping with meaning without being overly sentimental or pedantic. The whole way through I marveled at the language. Despite its length, the book moved at a swift pace. The plot was not one of action, but still I hardly wanted to put the book down. This is masterful writing.
The portrayal of Nina's past in Soviet Russia was fantastic. I have studied the Soviet Union quite a bit, particularly through the writings of Aleksandr Solzhenitsyn. Kalotay did a good job portraying the way Soviet citizens likely felt about their lives. She shows the reverence for Stalin, even in the worst times. Never once does Nina see him as anything but a savior; the problems come from others and he does not know. Shocking though that may be, anything else would probably have been inaccurate. The faith that she had in the country and the small things that lead her to question that are done well. Kalotay confronts rough issues with subtlety, with no overarching need to make her point clear by bashing you over the head with it.
I recommend this one extremely highly (in case that wasn't clear from the above). Do yourself a favor and read this.

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The Lair of Bones (The Runelords, Book 4) Review

The Lair of Bones (The Runelords, Book 4)
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It ends so quickly with so many things unanswered or forgotten that it HAS to be a set up for another book or series. It isn't that I necessarily wanted a "happy" ending. I just wanted some resoultion, good or bad. Here are a few things that I can remember (possible spoilers):
Remember the book that was such a big deal in chapter one of book one? Everyone had to get a hold of it because it had secrets about the Days? Well, forget it because it's barely hinted at.
Daylan Hammer, Borenson's quest, etc.? Dropped. There's mention, and it's key for some of the characters, but after that, nothing.
Waggit who?
Erin has a large part in this book. Ultimately, though, nothing comes of her story and that plot is dropped.
Another key character is introduced in Inkarra, but he's there only to move the story forward, apparently. Repurcussions to his actions were not told.
Borenson discoveres a new rune, and must get to a facilitator to show it to them, but that is forgotten.
There's more, but what's the point. I was going to give this four stars, but with the abrupt ending, I'm giving it 3. It's still a solid read all the way through, I was just hoping for more resolution.

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Fall Asleep Forgetting Review

Fall Asleep Forgetting
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Elegant prose does not a good book make. I dislike that sentence almost as much as I dislike this book. It is a jaundiced look at relationships - which is fine - it is whispery and suggestive, which is also fine. What is not so fine is the forced plot, the inchoate characters, and the rudimentary and repetitive scenes. I picked up this book at a friend's house. She warned me not to read it, but read it I did. Next time, dear friend, I will listen.

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The Princes of Ireland: The Dublin Saga Review

The Princes of Ireland: The Dublin Saga
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Having read and immensely enjoyed two of Rutherfurd's previous books - 'Sarum' and 'The Forest' - I was really looking forward to this book. It was slightly disappointing in comparison with the author's other work, but not too much so. Those who've read Rutherfurd before will know that he writes in a style very much like that of the late James Michener (though I find him much more readable than Michener). His books focus on one particular area and trace the lines of several fictional families down through time. This particular novel, the first of a two-book work, is centered around Dublin, Ireland.
There are five basic sub-stories which serve as 'windows' into history. The first begins in AD 430 and tells the love story of an Irish prince and the woman whom he wishes to marry. The king himself wants the girl for his bride, so the prince and his girl are forced to flee and live in hiding. Rutherfurd weaves many real historical events into the writing, which gives the story a great richness. Toward the end of this first section we witness the arrival of Christianity in Ireland, the coming of St. Patrick, and the effect of the new faith upon those who uphold the old druidic traditions.
The second story brings us forward more than five centuries to AD 981, and focuses on the events sparked by the coming of the Vikings to Ireland. The main characters here are direct descendants of those in the first story, and we see some things passed down through the generations. One Irish family carries an old, gold-rimmed drinking skull all the way down to the end of the book. As time passes, Rutherfurd brings in the famous Brian Boru, and we see the way the power balance works in Ireland - an important theme throughout the book.
The middle two stories are where I found most of my disappointment. The first unfolds under the rule of the English Strongbow beginning in 1167, and the second leaps to 1370 and focuses briefly on the ongoing English / Irish struggles. Both of these two sections span only one chapter each and seem extremely underdeveloped, especially the second one. Character development is minimal, a few families are nearly entirely ignored, and the plot is brief and not memorable. The writing seems rushed as well, as if Rutherfurd himself couldn't wait to be finished with it.
The final story, however, redeems the book, and I did enjoy it. Set in the 16th century, it recalls the influence in Ireland of the infamous English king, Henry VIII, his dissolution of the monasteries, and the ill-fated resistance movement of 'Silken Thomas,' the 10th Earl of Kildare. There are several interwoven and well-developed stories here, and the characters are also more fully rounded. The ending is not quite as satisfying as I would have liked, but of course one must remember that there is a second book coming, so perhaps that will give it the needed resolution. Nevertheless, the last few lines of the book are quite well done and are sure to leave the reader with a smile.
Overall, it's a very good book, though not Rutherfurd's best. I wish he'd put a little more emphasis on family ties, as he has done previously. We see the drinking skull passed down, but it isn't ever used (save for the very first story, and then its demise as the end of the book). It just sits there. In Rutherfurd's other books, a passed-down object is used and loved (or sometimes abused) by the family members that possess it through the generations.
Similarly, the green eyes of the Fergus descendants and the red hair of the Harold family are common themes, but there just isn't a real feeling of connectedness within the families from one period of history to the next. I found myself having to constantly flip to the geneology tables to remember who was descended from whom. In addition, not all the families trace back to the beginning of the book. The Tidy family shows up for the first time in the fourth part of the book, and only plays a major role in the final section. There is no real feeling of history behind them.
I did, however, very much enjoy the historical context of the book. Rutherfurd has done a tremendous amount of research and it shows. He has done some tweaking here and there for the story's sake - this is fiction after all - but the basic framework is all there. All the major events in Irish history are wonderfully laid out here, and I even learned many new things. Rutherfurd includes a note at the end that distinguishes the factual elements of the story from the fictional. Solid fans of Rutherfurd's books may be slightly disappointed, but this is still a very good book. I'd recommend it to anyone interested in Ireland, historical fiction, or both.

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When the Beginning Began: Stories about God, the Creatures, and Us Review

When the Beginning Began: Stories about God, the Creatures, and Us
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Wearing simultaneously the hats of story-teller, dedicated scholar, and observant Jew, Professor Julius Lester has crafted an engaging clutch of stories which present the Bible's account of the world's creation. These stories use as their point of departure many of the "midrashim", the rabbinic stories of centuries past, which came into being to amplify and clarify what is sometimes only implicit in the text. He does so utilizing the same skills he has used so effectively before: humor, imaginative language, and a willingness to flirt with irreverence for the sake of opening the reader up to new possibilities to be found in this ancient recounting of how God brought the world and its creatures into being.
Rabbi Marc Gellman's excellent book, "Does God Have A Big Toe?", explores similar territory but Professor Lester's work lends itself especially well to oral presentation. The conversations amongst the minstering angels are hip, funny and thought-provoking, and will send readers of any religious persuasion back to the opening chapters of Genesis with eyes and minds opened wide. Emily Lisker's droll full-color illustrations do a lovely job of opening up the text even further.
This book will find a place of honor on my shelf, alongside others which serve as gateways to a deeper understanding of our Scriptural legacy.

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Watership Down (Scribner Classics) Review

Watership Down (Scribner Classics)
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When I went off for my first semester of college my father gave me $100 with which to buy textbooks, which certainly dates me. After buying everything for my classes I had enough money left over to buy a hard cover copy of "Watership Down" by Richard Adams for $6.95, which for people who love books is certainly a great way of representing the ravages of inflation over the years. I decided to read a chapter of "Watership Down" each night before going to bed, thereby marking the beginning of my obsession with reading a chapter of something each day that has nothing to do with school. When my dorm roommate became as hooked on the story as much as I was he and I would read chapters aloud. Fifty days I got to the book's epilogue with the same sort of sadness that it was all over that I experienced getting to the end of the "The Lord of the Rings" trilogy.
Living in the Sandleford Warren with its Chief Rabbit and Owsla maintaining a comfortable social order, Hazel and his little brother Fiver are content enough. But Fiver has the gift of prophecy, and when he warns that the warren has to be abandoned right away or they are all going to die, Hazel and a small circle of friends believe him and leave despite the fact that have no idea where they are going. Fiver envisions a great high place where they can be happy and safe, but there are a series of imposing obstacles to overcome, from not only humans and predators, but other wild rabbits as well. Consequently the basic story of "Watership Down" is the ancient quest for home, although in this case it is a new home that represents a wild rabbit's idea of utopia.
The greatness of "Watership Down" rests on the sense of realism that Adams brings to his story wild rabbits. Adams studied Lapine life in R. M. Lockley's "The Private Life of the Rabbit" in order to keep his rabbits real. But beyond the way rabbits live in nature Adams provides them with a history and a culture, represented not only in the stories they tell of El-ahrairah (the Prince with a Thousand Enemies), but their beliefs in Frith the lord sun, and their simple games such as bob-stones. When confronted with sticky situations they are able to use their ingenuity to come up with surprising solutions that are still within the realm of possibility for real rabbits. I always liked the way Hazel, Blackberry and the others have to work out these puzzles, straining for a leap of intuition and cognitive insight that seems just beyond the reach of their relatively simple minds. So while these rabbits are capable of doing more than others of their kind, Adams keeps their efforts remarkable rather than magical.
We also pick up a few choice words from the language of the rabbits (e.g., "silflay" is to go above ground to feed, "homba is a fox), which ends up paying off with one of my favorite moments in the book when Bigway utters a simple but effective curse. The lesson of the story is clearly that bigger does not mean better, for Hazel is neither the strongest nor the smartest of the rabbits that he leads, but he had the best qualities of leadership. Each of the rabbits that join Hazel on the quest to find Watership Down and build a new life there offers something to the ground, and the distinctive personalities that Adams creates for each of them adds to the novel as well.
Of all the books that I have that I like to pick up from time to time and read again my favorite parts, "Watership Down" is the oldest. As a children's story is it simply one that is too good for most children, but without the deep allegorical elements that afflict so many other great children's stories. Perhaps that is why this novel has become so beloved, because it speaks to the child in all of us and the simple virtues that we all want the world to embody. Having read the book again from start to finish, I was not surprised to find that it is still as good as I thought it was when I first read it many years ago.

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The Bark Of The Bog Owl (The Wilderking Trilogy) Review

The Bark Of The Bog Owl (The Wilderking Trilogy)
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There is a distinct lack of good fiction geared toward young people, specifically ages 10-14. Harry Potter isn't an option for some families. Artemis Fowl isn't nearly as well-known (which is unfortunate).
Now there's another option. Jonathan Rogers has written The Wilderking Trilogy, and offers us a series for young readers that is fun, exciting, and based on Christian ideals and principles.
Book 1, The Bark of the Bog Owl, was actually released back in 2004. The premise is familiar to Christians -- a young boy, Aiden Errolson, tending his father's sheep, is chosen by a mysterious prophet to be the next King -- the Wilderking, who comes to lead his people back to prominence in the world, and to reclaim the traditional ideals that the people have forgotten.
The only real weakness in this first book is that the main plot is far too predictable. Once I read that Aiden was a shepherd, I had a feeling that this would be the story of King David retold. Then the Phillist -- I mean, the Pyrthens -- show up with their "peace treaty," which leads to war. Then Aiden goes to his brothers at the front carrying cheese and other food. And guess what? There's this giant ...
That said, I really enjoyed this book. The subplots involving the aboriginal "feechies" is very enjoyable, especially the Feechiefeast that Aiden enjoys. The characters are familiar, but still deep. It's going to be interesting to see Aiden mature over the course of the next two books, and it's a relief to read about a boy who is actually boyish -- he likes to roam, play, and have adventures. He's a twelve-year-old who writes to the King volunteering his services as "an adventurer." And suddenly, he's got a huge responsibility dropped on him. He reacts the way any normal kid would react.
Rogers has a Ph.D in 17th Century English Lit, but this book reads as if he'd spent his academic career studying 18th Century American literature instead. The differences in dialect between feechie and 'civilizer' are distinct, American dialects, and the setting certainly reminds me of the American southeast -- fitting, since Rogers grew up in Georgia. The series has promise, and after I finished this book I was relieved that I'd gotten the second one to review as well. THAT review will be up in a half hour or so ...

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North River: A Novel Review

North River: A Novel
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Pete Hamill's writing is a joy to read. Sometimes you need to read a book where there is a happy ending. His descriptions of New York City during the Depression actually outshine his characters and his charaters are really portrayed magnificantly, especially his main characters. This is a good read, no high brow stuff here, meat and potatoes love story New York style. But it is a love story of many people on different levels, not just two people in love. This is one of the few books I read as I was reading it there was an actual picture in my mind of what was going on. Many books you read you would rather not have a picture of the action. Again no great revelations here but a heart warming love story, on many different levels. Read it.

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Family Matters Review

Family Matters
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As Mistry makes clear in this novel, the "one important story [is] of youth, and loss, and yearning for redemption...Just the details are different." With these themes as the bedrock of his story, he depicts the world of a multigenerational Parsi family in Bombay, their world changed forever when Nariman Vakeel, a 79-year-old former professor and sufferer from Parkinson's disease, falls and breaks his leg, effectively ending any possibility of an independent life. His stepchildren, Coomy and Jal, quickly dump Nariman in the two-room apartment of their younger half-sister, Roxana Chenoy, her husband Yezad, and two sons, supposedly for only three weeks, while his leg heals. Beset with financial problems, lack of space, and resentment of Coomy and Jal, who remain in their father's 7-room apartment, the family does its best, but tensions rise and slowly erode their relationships, precipitating intense personal crises for each family member.
Concentrating more on the world writ small than on the broader, more expansive views of A Fine Balance, Mistry creates a number of vibrant and fully drawn characters. Nariman Vakeel, recalling his dreams and disappointments, his 11-year love for Lucy Braganza, and his disastrous arranged marriage, is touching in his neediness and in his apologetic helplessness. His grandchildren delight in his stories and seek ways to help out; Roxana makes do in every way possible, tending to Nariman's most personal needs; and Yezad, frustrated by the lack of financial support from Coomy and Jal and a job in which he is underpaid, feels jealous of the old man's claims on Roxana. Mistry's dialogue, the subtle and not-so-subtle undercurrents it reflects, the often humorous interactions, the honest but naïve motivations of some of the characters, and the meticulously depicted and subtle decline of the family are the work of a master.
The one jarring note for me was the use of Shiv Sena, a fanatic political/religious group, as a motif thoughout the novel, their threats, extortion, violence, and fundamentalist rhetoric intruding periodically (and often dramatically) on the lives of the characters. While this obviously broadens the scope of the novel and offers a context in which to evaluate Coomy's religiosity, the fears of small businessmen like Yezad and his boss, and Yezad's eventual conflicts with one of his sons, it felt contrived to me, too strong and too obvious in what is otherwise a novel of more subtle interactions. Mary Whipple

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Mr. Rosenblum Dreams in English: A Novel Review

Mr. Rosenblum Dreams in English: A Novel
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Do you remember that magic moment when you first open a book and realized you've met what will be an old friend, one of those books you know you will think about for ages, that you will reread over and over again (if you read like that, which I do), and that stands a chance at actually changing your life? Do you get all tingly inside? Do you walk around with a goofy grin on your face? Do those feelings of new love make you glow?
Yeah, that might be a bit much, but my feelings for Mr. Rosenblum Dreams in English are pretty extreme. I have met my favorite book of the year my dears and... well... I'll try to keep the gushing to a minimum.
Jack Rosenblum, his wife Sadie and their daughter Elizabeth have fled Nazi Germany for the safety of England before World War II. Upon their arrival, they are given a pamphlet on how to fit into England's world. Jack is a diminutive man, standing only five feet three and a half inches, but don't let his size fool you. Inside there is the heart of a lion-hearted Englishman and Jack is determined to prove it. So he takes the list, takes it to heart, and begins to live by the list. So when Jack is arrested as a "Class B Enemy Alien" and thrown into prison, Jack's hopes for life in England are almost crushed.
Lucky for Jack, his friend Edgar gets him declared a "Class C Alien," which means he is no threat to the country, and he is released. Jack, feeling more exposed and threatened than ever, begins to add new items to the list. Jack's list grows and grows, until it is well over 100 items of What it Takes to be English. He obtains all these items except one. The last item on his list is membership in an English golf club.
"For Jack membership of a golf course was the rebuilding of Jerusalem, Atlantis and the perfect salt-beef sandwich all at once-but it was proving troublesome."
They wouldn't admit him because he's Jewish and German to boot. So he decides he will build one himself.
"If you couldn't get milk from someone else's cow, you had to get your own. No golf course would admit him and so he must build his own."
So Jack takes Sadie and moves her to Bulbarrow Hill, the new acreage and cottage Jack build for his golf course. A Jewish business man with a thick German accent is an anomaly, to say the least, in their new village and, not surprisingly, the village folk don't know what to think of Jack. Jack is so desperate to change, to fit in, to be safe, that he will move mountains. He wants assimilation, to "seep unnoticed into village life, like rain into the damp earth, and he did not like" the "scrutiny" of the village folk. However, he doesn't let this deter him and he begins to work on his course alone.
Sadie doesn't know what to think of Jack. She is stuck in the past, with the mother, father and beloved brother she had to leave behind in Germany. She cooks, day in and day out, from her Mutti's cookbook. All the recipes she grew up with are her way of remembering; of saying I love you, to those who are dead and gone.
"Once Sadie tried writing down her memories, attempting to preserve them in a nice book to pass on to her daughter but it did not work. The meaning kept disappearing in the spaces between the words, and her story was written was never quite how she remembered it. Now Sadie wondered whether it would be better for her to cook her way home to them. Perhaps she would find them in the smell of slowly simmering cholent or cinnamon rugula."
One cake in particular, a baumtorte, that Sadie bakes, takes time, patience, and love and remembrance for those gone, and was bittersweet to read about.
Sadie has so much patience for her cooking, but very little for Jack. When Jack declares that he will build the course by himself, Sadie retorts:
"My mother warned me that craziness ran in your family. I should have listened but no, I was young and foolish and easily impressed by your red bicycle and your thick hair."
Isn't that great? I hope you can tell how much I adored these two characters. I am absolutely in love with Jack. He reminds me of my grandmother's family; small, short, and furiously stubborn. And Sadie. Oh, how I just want to scoop her up and give her a hug. Knowing that Solomons based these characters on her grandparents makes me adore them all the more. The writing is utterly charming. Solomons does an excellent job of shaping these characters, of presenting their flaws and their strengths, their humor and sadness, their complete will to survive, to thrive! It's simply gorgeous. This book made me laugh, cry, scream in frustration for these two people, and hug myself in rapturous contentment at their successes. I feel as proud of Jack and Sadie as I'm sure Ms. Solomons does for her own grandparents.
I hope I have convinced you that reading Jack and Sadie's story is something you want to do. The book will be out June 21st. Thank you, Reagan Arthur, for sending me this unexpected treasure.
This book is called Mr. Rosenblum's List in England.

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Two Moon Princess Review

Two Moon Princess
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When I was growing up, many young girls might have envied the life of Princess Andrea, the heroine of Two Moon Princess. She lives in a castle in a world resembling medieval Spain. Horses, servants, beautiful scenery--what's not to like? But for Andrea, a headstrong young woman, that life is stifling. She'd rather train to be a knight, but her fourteenth birthday is only months away, and she must become a "lady." That means staying inside the castle, learning to curtsy and smile and do needlework ad nauseam. No more hunting in the woods.
One day, in the midst of this unwanted transition, Andrea is accidentally transported to modern California. Now we're talking! Andrea is awed by the freedom of the teenagers she meets on a beach. Here as well, she sees her uncle, and is taken to his beautiful home. He travels freely between the two worlds by entering a forbidden cave on the night of a full moon, and tells Andrea she must return to her father's kingdom the next month. But knowing Andrea as we do, it won't be that easy.
Unfortunately, her plans don't work out, and her return to the Kingdom of Zeltia is accidental. She brings back a California boy who falls in love with the lore and swordplay of Zeltia and puts his life at risk.
The relationships between Andrea and her parents, her sister, and the young men she is attracted to in both worlds, are expertly drawn. These are no two-dimensional characters. The author skillfully exposes the motivations of everyone who plays a role in Andrea's burgeoning adolescence. We see both the good and bad sides of people who have the heroine's best interests at heart.
Andrea matures during the course of the story, traveling from her world, which has two moons, to California and back again. She gets into more than a few hair-raising predicaments along the way, but this is no "damsel in distress" story. Andrea keeps busy saving a life or two on her own, learns to accept help, and never gives up trying for the best outcome for everyone in her parallel lives.
This is a princess story to keep a young adult reader turning the pages until the end. Even after the last word, though, you'll wonder what happens to Andrea next. Lucky for us, the author has written a sequel called The King In the Stone for the same publisher.
by Linda Wisniewski
for Story Circle Book Reviews
reviewing books by, for, and about women

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In this coming-of-age story set in a medieval kingdom, Andrea is a headstrong princess longing to be a knight who finds her way to modern-day California. But her accidental return to her family's kingdom and a disastrous romance brings war, along with her discovery of some dark family secrets. Readers will love this mix of traditional fantasy elements with unique twists and will identify with Andrea and her difficult choices between duty and desire.

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A Long Way Gone: Memoirs of a Boy Soldier Review

A Long Way Gone: Memoirs of a Boy Soldier
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While I did find this book painful to read, I am very glad I stayed with it. Ishmael tells his story in casual language, almost as if he were sitting next to you, sharing his experiences over (many cups of) tea.
He relays his life to us chronologically, beginning in his home village. He and some friends took a several day trip to a neighboring village to show off their hip-hop skills at a talent show. Little did they know, that little trip probably saved their lives. For while they were away, the rebel army attacked their home village.
From there, we follow Ishmael and his friends as they try to find their families (all had had to flee the village, literally running for their lives) struggling to meet the barest of necessities. It is a long, dangerous road they walk, and they suffer countless difficulties as they try to find somewhere safe to stay. A tunnel with no light. You really feel the desperation, the loneliness and despair that descended upon this poor little boy. Much of the book is about this time of wandering, going hungry, being ill-met by other villages who suspect these young, homeless friends of being a wandering squad of rebel child-soldiers. They are met with suspicion at best, hostility at worst.
It is actually understandable when Ishmael is manipulated into fighting with the government army. He is finally in a village that feels safe, he is eating, there are soldiers protecting the village, that is until the rebels surround the village, leaving no path for escape. All males (even 6 or 8 year olds) must fight for their lives, or die.
It begins as such, fighting for the "good side," the ones who did not kill his family, and fighting to defend himself. But, as this brief portion of the book tells us, he quickly descended into the much darker side of warfare, where the good and bad guys are not so easily discerned. When did he cross the line and become someone who kills some other little boy's family? It is so painful, so sad.
But Ishmael does not delve too deeply into the emotions behind his motivations and reactions. Nor does he tell us much about how he has come to reconcile with himself. He tells us some, and maybe this is my psych degree, but I want to know more, I hope he is able to go deeper within himself. I don't need to read about it, but I hope he can because I want him to truly be alright now. You will, too, because no feeling human can read this book and not find themselves truly caring about this young man.
And now I think of the other children still out there, still being coerced into fighting the wars of horrible adult men. I want to help them, which is, I imagine, part of Ishmael's hope.
Don't wait for the cheaper paperback, this is a book to read now - you will want to talk to people about it. Prepare to be stirred.

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My Last Skirt: The Story of Jennie Hodgers, Union Soldier Review

My Last Skirt: The Story of Jennie Hodgers, Union Soldier
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Written for a middle school audience, this book handles the subject of a girl/woman masquerading as a man with the finesse necessary when addressing this age group. However, the story of Jennie/Albert is just as fascinating for an adult. I read the book as I am interested in the history of women who play roles very different from expectations. The factual portion of the story alone would have held my interest, but a younger audience raised in the 30 second segment world of Sesame Street needs more to keep them reading.
The fictionalized relationship Albert develops with a fellow soldier serves to inform the reader that Albert's true identity was probably known to some of his comrades, but didn't matter as he held his own under very difficult circumstances. The previous review questions the lack of answers to some philosophical questions such as why poor Southern whites fought in a war that would benefit them little. We need to remember that this book is about Jennie/Albert, written from his perspective. Placed in a situation and locale that defies reason, Albert would have been very confused with no one to explain the economic and social issues involved in this war. He joined to escape an uncomfortable situation (his employer wishing to bring him into the family as a son-in-law) and make money. This is what is interesting to middle schoolers. As for nature's call along the march as well as bathing, the author does deal with these issues. The old adage "truth is stranger than fiction" comes to mind here and probably accounts for Albert's ability to handle these situations without being discovered.
The book is primarily about Jennie/Albert's role as a soldier in the Civil War. We need the early history to understand how and why she got to the United States, left her job in New York, eventually ended up in Illinois and finally enlisted. The book could have ended with the end of the war, but we - kids and adults - have a natural curiosity about the whole life of unique individuals like Jennie. The other reviewer states "Another thing I couldn't quite figure out was why Jennie was so determined to remain disguised as a boy her entire life. Durrant gives us two possible answers: Jennie wasn't a fan of the restrictive nature of female clothing and she felt that as a boy she could make more money. I'm willing to believe all of that, of course, but once Jennie grows old and is living a truly sad life as a safety-obsessed old man, the reader is left baffled. Why do that?" Well, this is probably historically accurate, and as in all life, there just is no explanation. Middle schoolers unless very unusual are more apt to read without questioning. Jennie/Albert's life after the war until death was strange, but no more bizarre than many of those we read about in the paper.
In all, I think this is a fascinating, well-written work that will hold the attention of those for which it was written. History can be a difficult subject to teach to middle school students who see little value in learning about the past. Durrant manages to tell us much about the conditions that brought immigrants to our shores as well as depicting realistically one of the most important periods of our history. Through the vehicle of historical fiction, Durrant has written a book that conveys true events to a middle school audience in a manner that will keep kids reading and learning until the end of the book. And adults just might find it interesting, too!


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The Condition: A Novel Review

The Condition: A Novel
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As a woman with turner syndrome and as a librarian, I found this book to be extremely well written and researched. The author gets the details about turner syndrome right without failing to make the character Gwen fully human. She is neither overly sympathetically portrayed, or used as a foil for the other characters. Some curious readers may find themselves running to Wikipedia to find out more details about the biology referenced in the story (phenotype, knockout mice?) but this doesn't distract from the main story and adds interest. This isn't a book about turner syndrome; it's about the Human Condition (as the jacket blurb says) that we all have. I would heartily recommend "The Condition" to anyone interested in an engaging, realistic read.

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Joseph and His Brothers: The Stories of Jacob, Young Joseph, Joseph in Egypt, Joseph the Provider Review

Joseph and His Brothers: The Stories of Jacob, Young Joseph, Joseph in Egypt, Joseph the Provider
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Joseph and His Brothers was Thomas Mann's "Humane Comedy" of the 1930's and 1940's. As his European world was collapsing in ideological extremism and descending into chaos, Mann turned his imagination to the Semitic and Egyptian worlds of 1600 BCE and invested the prodigious gifts of his ironic imagination in the all-too-human desires and deities of that world. Though it is enormously long--over 1400 pages of smallish print--the Joseph Saga unfolds its treasures of humane perception to the patient reader who savors Mann's delicious comedy. Read it slowly for full effect.
Formerly available in Lowe-Porter's impossibly stilted Biblical prose, John Woods continues his Mann-cycle of translations here in what must have been a labor of love. No doubt the audience for this work is only a tiny fraction of that for his earlier Mann translations--especially Magic Mountain and Buddenbrooks. Let's hope Woods is still game for Felix Krull or, perhaps, a large selection of the shorter works. Woods' English is smooth and agreeable most of the time (consistent with Mann's German) and tart and biting when Mann's irony deserves it.

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One Day. David Nicholls Review

One Day. David Nicholls
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I absolutely loved this book. I became a big fan of Nicholls with his first novel (A Question of Attraction -- originally titled "Starter for Ten" with its U.K. edition.) I was a little letdown by his second -- The Understudy, which was fun, but not quite as good as his first. This book exceeds his first. He takes a great device -- following the lives of one couple on the same day over a period of 20 years -- and does a masterful job of storytelling with it. We go from the couple's idealistic college days -- they meet on the day of their graduation -- all the way into their late 30s, with all the physical and emotional changes that come during that timespan. We see the career missteps along the way, and all the various relationships they have while still remaining friends -- and the woman, Emma, always secretly in love with Dexter Mayhew, who has more than a few wild oats to sow before he realizes the woman he should be with is the one who's always been his best friend. The writing is absolutely marvelous. The dialogue is absolutely terrific -- the couple have a teasing/kneedling way of talking to each other and the reparteee between them remains funny and fresh throughout even though the novel is long -- 435 pages.
To say much more would be to give too much away. But if you like insightful books about relationships that can touch all of your emotions, this is the book for you. I think structurally the way Nicholls manages to take you on an extraordinary trip from the first page to the very last is a tour de force.
I had to buy this from amazon/uk because it was available in Britain a year before it became available in the United States, but I'm so happy I got it. This is definitely a book I will re-read several times -- and I hope Nicholls continues to have a prolific career.


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1877: America's Year of Living Violently Review

1877: America's Year of Living Violently
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1877: America's Year of Living Violently follows the aftermath of the American Civil war, when the country was gripped by depression and white supremacist mobs in the South drove out the last of the Reconstruction state governments. It was a period of scandal, violence, confusion and even many high-profile murders as well as some of the last battles between the U.S. Army and Native Americans. The lives of famous and lesser-known Americans come to life in this fine survey of 1877's lasting impact on modern life and values.


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