Showing posts with label 20th century european fiction. Show all posts
Showing posts with label 20th century european fiction. Show all posts

The Satanic Verses Review

The Satanic Verses
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Being a Moslem, and having recently returned from an extended stay in India, I read The Satanic Verses with keen interest and found that both of these experiences contributed immensely to my enjoyment of this complex work. It was a clever showcase of Rushdie's typically brilliant prose, and a thoroughly compelling read. But be warned: many of the jokes and references probably would escape the average Western reader (by average, I mean one not familiar with Islam or Indian culture).
That being said, I noticed that many reviewers here say they do not find the book offensive to Moslems, while simultaneously admitting their own lack of knowledge regarding Islam. As a fairly well-versed Moslem, I can impartially state that Rushdie repeatedly criticizes, and even ridicules, the Islamic faith, in ways both subtle and overt, throughout this entire book.
Did Rushie's criticism bother me? Not at all. Did it justify a Fatwa by the Ayatollah? Of course not. But can the book be reasonably interpreted as being offensive to some Moslems? Those who know the Islamic faith would be hard-pressed to argue otherwise.
Nevertheless, realizing that this is just a work of fiction by a gifted novelist, I enjoyed reading the book and recommend it to all my friends.

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Cursed Days: Diary of a Revolution Review

Cursed Days: Diary of a Revolution
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The previous customer review refers haughtily to the "hauteur" of Ivan Bunin, a "right-wing, upper class novelist." Say what? Bunin, a master of Russian prose, was understandably aghast as he watched the sudden, violent and senseless destruction of the glorious Russian culture. The reviewer sneers that "the folk, in Bunin's opinion, were ignorant, gullible, violent, dirty, and totally unfit to take a hand in government." Well, it sounds like Bunin got it just about right! Just look what the left-wing thugs ruling in the name of "the folk" did to Russia for the next 70 years.
Strangely, Soviet leaders decided that "Cursed Days" was unsuitable for consumption by "the folk." Hmmm... Talk about hauteur! Only in recent years was the publication of this amazing diary permitted in Bunin's homeland, and now - thanks to Thomas Gaiton Marullo's splendid translation - English-speaking readers can finally see that there were some people who weren't fooled in 1917. I just hope that modern readers will read Bunin's prophetic diary of those cursed days... and remember.
Neal McCabe

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Here is Ivan Bunin's great anti-Bolshevik diary of the Russian Revolution, translated into English for the first time. Set against the backdrop of Moscow and Odessa in 1918 and 1919, Cursed Days is a chilling account of the last days of the Russian master in his homeland-a work banned during the years of Soviet power. Bunin recreates the time of revolution and civil war with graphic and gripping immediacy. Unlike the works of early Soviets and emigrés, with their self-censoring backdrop of memory, myth, and political expediency, Bunin's uncompromising truths are jolting. His pain and suffering in witnessing the takeover of his country by 'thugs" and the chaos of civil war, and his fears for the devastation of 'patriarchal" Russian culture, were with him daily and received vivid expression in his diary. Cursed Days foreshadows the later anti-Soviet memoirs of Nadezhda Mandelstam, Evgenia Ginsberg, and others, and the rebellions of Bulgakov and Paternak. Thomas Marullo's superb translation and annotations reveal Bunin not only as a master of prose (he was the first Russian to be awarded the Nobel Prize for Literature) but as a perceptive social critic engaged in a wrenching struggle to make sense of his shattered world.

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The History of the Hobbit, Part 1: Mr. Baggins Review

The History of the Hobbit, Part 1: Mr. Baggins
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Return to Bag End is the second part of John D. Rateliff's History of the Hobbit. It begins with page 469 and contains the Index for both volumes, so its important to start with Volume I, Mr. Baggins.
Return to Bag End begins with the thirteen dwarves and their hobbit companion's arrival at The Lonely Mountain. Rateliff has identified five phases in the writing of The Hobbit, and this volume begins towards the end of the second phase. Tolkien wrote The Hobbit in fits and spurts over a period of several years, and finally finished it in its first published form by the end of the third phase. Rateliff's fourth phase took place in the late 1940s, when Tolkien had nearly finished The Lord of the Rings and needed to rewrite part of The Hobbit to eliminate some inconsistencies. The most important of these inconsistencies dealt with the matter of how Bilbo came to possess the Ring. In the first published version Gollum gave Bilbo the Ring as a gift. Now Tolkien, to make the Ring darker and more ominous, had Bilbo purloin it from Gollum. Then in 1960 came the fifth phase, when Tolkien attempted to make The Hobbit even closer in tone and spirit to The Lord of the Rings by essentially rewriting it. He wisely abandoned this attempt after a few chapters when a friend advised that while it was brilliant, it wasn't The Hobbit.
As in the first volume, Return to Bag End abounds with fascinating textual notes and short essays interpolated with Tolkien's own words. These include some intriguing speculations, including one on whether the Arkenstone was a Silmaril and another on the ultimate fate of dwarves after their deaths. There are also several Appendices, one on the Denham Tracts, a nineteenth century list of imaginary beings which mentioned "hobbit" several years before Tolkien was even born; another on Tolkien's own speculations on the origin of the word hobbit which includes one of my own favorite childhood stories: "The Hobyahs;" and others dealing with the origins of dwarf names and with Tolkien's correspondence with Arthur Ransome.
Both volumes of The History of the Hobbit are essential additions to Tolkien scholarship. They will provide much fascinating reading and speculation for many years to come for all lovers of Middle-earth.

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First published in 1938, The Hobbit is a story that "grew in the telling," and many characters and events in the published book are completely different from what Tolkien first wrote to read aloud to his young sons as part of their "fireside reads." For the first time, The History of the Hobbit reproduces the original version of one of literature's most famous stories, and includes many little-known illustrations and previously unpublished maps for The Hobbit created by Tolkien himself. Also featured are extensive annotations and commentaries on the date of composition, how Tolkien's professional and early mythological writings influenced the story, the imaginary geography he created, and how he came to revise the book in the years after publication to accommodate events in The Lord of the Rings.

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Sunstroke: Selected Stories Review

Sunstroke: Selected Stories
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American and English readers don't generally know the the works of Ivan Bunin, although educated Russians know and love his poetry and short stories, and often can quote them by heart. These stories, unobtrusively translated anew by Graham Hettlinger, vary in length from a couple of pages ('Summer Day', which neatly limns the cruelty arising from boredom) to the seventeen pages of Bunin's best known story, 'The Gentleman from San Francisco.' Most of them, some appearing in English for the first time, are really little more than sharply-etched vignettes which adroitly catch humanity in its variety; sometimes you'll catch your breath with the shock of recognition. If you respond to Chekhov's stories, you'll like these.

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Joseph and His Brothers: The Stories of Jacob, Young Joseph, Joseph in Egypt, Joseph the Provider Review

Joseph and His Brothers: The Stories of Jacob, Young Joseph, Joseph in Egypt, Joseph the Provider
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Joseph and His Brothers was Thomas Mann's "Humane Comedy" of the 1930's and 1940's. As his European world was collapsing in ideological extremism and descending into chaos, Mann turned his imagination to the Semitic and Egyptian worlds of 1600 BCE and invested the prodigious gifts of his ironic imagination in the all-too-human desires and deities of that world. Though it is enormously long--over 1400 pages of smallish print--the Joseph Saga unfolds its treasures of humane perception to the patient reader who savors Mann's delicious comedy. Read it slowly for full effect.
Formerly available in Lowe-Porter's impossibly stilted Biblical prose, John Woods continues his Mann-cycle of translations here in what must have been a labor of love. No doubt the audience for this work is only a tiny fraction of that for his earlier Mann translations--especially Magic Mountain and Buddenbrooks. Let's hope Woods is still game for Felix Krull or, perhaps, a large selection of the shorter works. Woods' English is smooth and agreeable most of the time (consistent with Mann's German) and tart and biting when Mann's irony deserves it.

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Embers Review

Embers
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I was moved to add my voice to your reviews of "Embers" for two reasons: because it is such an excellent piece of literature, and because I have read it in its original Hungarian and now in English. Viewing it from such a unique perspective, I can say that it is an outstanding translation and is as effective in English as in Hungarian. While the setting may seem exotic to Americans, the problems it explores are deeply psychological and universal to mankind. While it may not be the choice of readers of popular action novels, it would appeal to serious readers of fine literature. (I speak as one who has worked as a translator, written fiction, and holds degrees in psychology.) The book explores the friendship and love of two men and the meaning of the rift that tears them apart for 41 years and defines the existence of at least one of them for the remainder of his life. The novel is developed masterfully, solely from the viewpoint of one of the men, through his well planned monologue in the presence of his friend, during which he wrestles aloud with the great questions that have defined his life. In the end we realize that the presence of his friend is almost incidental, as the speaker has come to grips with his questions through internal dialogue and soul searching over 41 years of self-enforced withdrawal from the world. In the end he seems content with his conclusions and complete within himself, having answered his own questions, although the presence of his friend was necessary in order to achieve his piece of mind.

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The Rings of Saturn Review

The Rings of Saturn
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Sebald's book is full of destruction and loss, yet hope radiates from the objects that remain. The author is deeply curious and impressively educated, which allows him to see cycles of life and death in cities, buildings, artifacts, and engravings. A marvelous storyteller, he weaves fantastic yarns so full of digressions that the reader seems to be dreaming. "I'll just push to the end of the chapter," I would think, but when I reached it, the pattern of each story was so plain, the sense of distance so sharp that my head was clear, my mind refreshed. I'd be left with a few strands of meaning that would serve as the warp for the woof of the next chapter. I was never sure where Sebald was going on his ramble through Suffolk - it was almost like accompanying a somnambulist - but in the end I had entered his dream and luminous ghosts paraded before me, full of light and forgiveness. Leaving the spell of his book, I looked at the old, familiar world with new horror and wonder, a stranger on a new planet with my first inkling of the real story.

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The Elagin Affair: And Other Stories Review

The Elagin Affair: And Other Stories
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I loved this book. Bunin's lush stories reveal a Russia that even the great geniuses of Russian literature have never quite depicted. His descriptions of physical experience are almost intoxicating, and his careful attention to the vivid details of Russian culture and customs reveal a new side of that country to English langauge readers. I have read Bunin in other translations, but they, by comparison to this one, were awkward and stiff. Here Bunin's sentences move with true elegance.

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