Showing posts with label bards and minstrels. Show all posts
Showing posts with label bards and minstrels. Show all posts

Fairy Tales Review

Fairy Tales
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I've read several versions of many of Hans Christian Andersen's fairy tales; since I also read Danish, I can confirm that this is definitely the closest to his style of any translation I've ever seen. Nothing is added, nothing is omitted, and all his unique strangeness shines through in English at last.
Andersen was the first Danish author to break out of the mold of both neoclassicism and romanticism which preceded him, and his genius lay in writing as if he were telling the stories out loud to a group of children -- in the earlier, simpler tales -- and in capturing all the sorrow and joy of life in his later tales for adults. You may think you know these stories (no, there are no singing crabs in "The Little Mermaid," one of the more painful stories you will ever read), but you're in for a big surprise. Finally a translator who dares NOT to rewrite, explain, and simplify Hans Christian Andersen! Truly a magnificent edition in celebration of the author's bicentennial on April 2, 2005. (Read the biography by Jens Andersen too, it's a real eye-opener.)

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The Once and Future King Review

The Once and Future King
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As this is my favorite book, I couldn't help but take a look at all the reviews. It seems to me people either love it (4 or 5 stars) or hate it (1 star to remarks of minus 50). This may be very confusing to prospective buyers. It's very simple, folks:
if you're looking for accurate, 'historic' information on King Arthur or the Middle Ages, if you're the type that likes to finish a book in an hour's reading, if you're only interested in fantasy/action packed novels of the 'Lord of the Rings' type (also an excellent book by the way), if you don't like vast, almost poetic descriptions of landscapes, seasons, moods, etc., or if you simply don't like complicated storylines, then steer clear of this book. There are many other novels which will give you far better value for money. For the others: it takes empathy and erudition to fully grasp the depth of this book. Empathy will make you love it when you're young and erudition when you are older and wiser. Added plus: each time you read it you'll discover something new. For the details, I refer to other reviews...

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The world's greatest fantasy classic is the magical epic of King Arthur and his shining Camelot, of Merlyn and Guinevere, of beasts who talk and men who fly, of wizardry and war. It is the book of all things lost and wonderful and sad. It is the fantasy masterpiece by which all others are judged.

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The Ugly Duckling Goes to Work: Wisdom for the Workplace from the Classic Tales of Hans Christian Andersen Review

The Ugly Duckling Goes to Work: Wisdom for the Workplace from the Classic Tales of Hans Christian Andersen
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I loved this book! This is not your ordinary business book. It is truly an original idea. Mette Norgaard uses the classic tales of H. C. Andersen, to deliver a deep message. This is a book that makes you think, reflect on yourself in your private and professional life. As I read it, I often felt as if the author was talking to me directly and it raised important questions in my mind.
I was actually surprise to realise that I had never read some of the H.C. Andersen tales before, at least not the full version. It was really enjoyable to read them. The historical information before each tale was also very interesting.
I strongly recommend it for anybody doing some soul searching at the moment.

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Apollodorus: The Library, Vol. 2: Book 3.10-16 / Epitome (Loeb Classical Library, No. 122) Review

Apollodorus: The Library, Vol. 2: Book 3.10-16 / Epitome (Loeb Classical Library, No. 122)
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Frazer was one of the great scholars of mythology and his translations and research has laid the foundations in the field of classical mythology. His addition to the Loeb Library is an excellent word for word translation supplemented with references to related tales from other lands. A great reference for both the classicist and the folklorist.

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The Classic Treasury of Hans Christian Andersen Review

The Classic Treasury of Hans Christian Andersen
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I have grown up loving fairy tales, and I collect books of fairy tales. I happened to be at [the store] one day, sometime before Christmas, and I noticed Christian Birmingham's book of Charles Dickens' classic "A Christmas Carol". I looked at it for a while, surprised that I haven't seen any of this illustrator's previous work. I continued to look around and I found "The Classic Treasury Of Hans Christian Andersen". I looked at it, and was amazed at how magical and beautiful the illustrations were. All of the illustrations in this book capture the timeless fairy tales of Andersen perfectly. I was once again reunited with some of the stories I grew up loving like "The Little Mermaid", "The Little Match Girl", among others.
The luminous illustrations complement the black and white drawings so that it's just the right amount of artwork to capture pivotal scenes from the stories without overdoing it. I love the color illustrations of Thumblina flying through the air with her bird friend, the black and white drawing of the Little Mermaid saving the prince from drowning, the color illustration of the nightingale signing on the branch of blossoms as the captivated people watch it, and the black and white drawing of the Little Match Girl being taken to Heaven by her Grandmother. These are truly beautiful stories brought to life by an outstanding illustrator. Although you would expect all fairy tales to have perfectly happy endings, many of Andersen's do not. It is up to the reader to decide if the endings are happy or not. I would say they are bittersweet, but beautiful just the same. Anyone who is looking for an excellent book of these stories, or just for a good picture book, I HIGHLY recommend this!!!

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Award-winning English illustrator Christian Birmingham--one of the rising stars of children's illustration--brings eight time-honored fairy tales to life in dazzling, full-color artwork for this charming collection. Sure to become a treasured part of any childhood library, this sumptuously illustrated book includes the read-aloud favorites The Ugly Duckling, Thumbelina, The Steadfast Tin Soldier, The Emperor's New Clothes, The Little Match Girl, The Little Mermaid, The Nightingale, and The Princess and the Pea.

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The History of the Hobbit, Part 1: Mr. Baggins Review

The History of the Hobbit, Part 1: Mr. Baggins
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Return to Bag End is the second part of John D. Rateliff's History of the Hobbit. It begins with page 469 and contains the Index for both volumes, so its important to start with Volume I, Mr. Baggins.
Return to Bag End begins with the thirteen dwarves and their hobbit companion's arrival at The Lonely Mountain. Rateliff has identified five phases in the writing of The Hobbit, and this volume begins towards the end of the second phase. Tolkien wrote The Hobbit in fits and spurts over a period of several years, and finally finished it in its first published form by the end of the third phase. Rateliff's fourth phase took place in the late 1940s, when Tolkien had nearly finished The Lord of the Rings and needed to rewrite part of The Hobbit to eliminate some inconsistencies. The most important of these inconsistencies dealt with the matter of how Bilbo came to possess the Ring. In the first published version Gollum gave Bilbo the Ring as a gift. Now Tolkien, to make the Ring darker and more ominous, had Bilbo purloin it from Gollum. Then in 1960 came the fifth phase, when Tolkien attempted to make The Hobbit even closer in tone and spirit to The Lord of the Rings by essentially rewriting it. He wisely abandoned this attempt after a few chapters when a friend advised that while it was brilliant, it wasn't The Hobbit.
As in the first volume, Return to Bag End abounds with fascinating textual notes and short essays interpolated with Tolkien's own words. These include some intriguing speculations, including one on whether the Arkenstone was a Silmaril and another on the ultimate fate of dwarves after their deaths. There are also several Appendices, one on the Denham Tracts, a nineteenth century list of imaginary beings which mentioned "hobbit" several years before Tolkien was even born; another on Tolkien's own speculations on the origin of the word hobbit which includes one of my own favorite childhood stories: "The Hobyahs;" and others dealing with the origins of dwarf names and with Tolkien's correspondence with Arthur Ransome.
Both volumes of The History of the Hobbit are essential additions to Tolkien scholarship. They will provide much fascinating reading and speculation for many years to come for all lovers of Middle-earth.

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First published in 1938, The Hobbit is a story that "grew in the telling," and many characters and events in the published book are completely different from what Tolkien first wrote to read aloud to his young sons as part of their "fireside reads." For the first time, The History of the Hobbit reproduces the original version of one of literature's most famous stories, and includes many little-known illustrations and previously unpublished maps for The Hobbit created by Tolkien himself. Also featured are extensive annotations and commentaries on the date of composition, how Tolkien's professional and early mythological writings influenced the story, the imaginary geography he created, and how he came to revise the book in the years after publication to accommodate events in The Lord of the Rings.

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Sunstroke: Selected Stories Review

Sunstroke: Selected Stories
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American and English readers don't generally know the the works of Ivan Bunin, although educated Russians know and love his poetry and short stories, and often can quote them by heart. These stories, unobtrusively translated anew by Graham Hettlinger, vary in length from a couple of pages ('Summer Day', which neatly limns the cruelty arising from boredom) to the seventeen pages of Bunin's best known story, 'The Gentleman from San Francisco.' Most of them, some appearing in English for the first time, are really little more than sharply-etched vignettes which adroitly catch humanity in its variety; sometimes you'll catch your breath with the shock of recognition. If you respond to Chekhov's stories, you'll like these.

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Zen Poems (Everyman's Library Pocket Poets) Review

Zen Poems (Everyman's Library Pocket Poets)
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This collection of poems from various authors captures, for me anyway, the spirit of zen being. They have a immediacy which touches you directly transporting you by their power, to the situation or place they describe. Reading them is an act of meditation in so far as it directs the mind to a place of calm. Highly recommended

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The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

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T. S. Eliot (Lives & Legacies (Oxford)) Review

T. S. Eliot (Lives and Legacies (Oxford))
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For an installment in an Oxford University Press series called "Lives and Legacies", T. S. ELIOT contains surprisingly little about Eliot's life and it discusses his legacy even less. What it is is an intelligent and scholarly, yet readable, overview of Eliot's writings, principally his poetry. If, like me, you already are a fan of Eliot's poetry, I recommend the book. If you are not a fan, I doubt this book will turn you into one or otherwise do much for you.
To me, reading the book was most notable for encouraging the reader to look at Eliot's poetry as a body of work, as one extended poem. Over the years I have read many of Eliot's poems multiple times, but - in part, no doubt, because they are so complex and fecund - I have tended to think of the poems, or even discrete parts or stanzas, in isolation. Raine attempts to present Eliot's work as "one significant, consistent and developing personality." Towards that end, he identifies and explicates two overarching themes in particular: the failure to live fully (either as illustrated in the poems or ruefully recognized by many of the voices of the poems), and "classicism", an aesthetic stance that is skeptical of theatrical, exaggerated emotion (i.e., anti-Romantic). Raine also registered a point with me in describing Eliot's poetry as "impersonal", in the sense that in order to appreciate it a reader need know little or nothing about the biographical background of its author (unlike, for example, Sylvia Plath).
Raine makes his way through Eliot's oeuvre more or less chronologically, though his rather brief discussion of "Prufrock" is postponed until the middle of the book. He devotes one chapter each to "The Waste Land" and "Four Quartets", and then individual chapters to Eliot's dramas and to his literary criticism. For me, the first two chapters were the most rewarding, in part because they include insightful discussion of several of the lesser known (and, thus, less written about) poems - for example, "Animula", "Gerontion", and "Marina".
Raine's book is NOT a "reader's guide". He does not attempt, thankfully, to explicate each and every line of each and every poem. He confines himself to the thematic points he wishes to make, and he avoids the drudgery and stuffiness of an Oxford don (though he long taught there). Nonetheless, in discussing sources, models, and influences, he obviously draws on impressive Eliot scholarship. By and large, his writing is spare and taut, somewhat poetic and much less verbose than the typical texts of poetry criticism/exposition. (Still, there are quite a few 50-cent words, such as "oneiric" and "euphistically".)
At the end of this relatively brief book there is a lengthy (30-page) Appendix in which Raine discusses the charge, delivered by many critics, that T.S. Eliot was anti-Semitic. Here the tone of the book changes and Raine engages in rather prosaic academic polemics. I don't follow all of Raine's arguments in defense of Eliot, but then neither do I follow many of the accusers' arguments. For the general reader, it perhaps suffices to report that in Raine Eliot has an intelligent and reasoned defender, and before anyone (based on reading Anthony Julius, George Steiner, Louis Menand, etc.) mentally pigeonholes Eliot as an anti-Semite, in fairness they should read Raine's Appendix.
I bought the so-called "hardcover" edition. It is rather cheap and tacky, surprisingly so for a publication by such an august publishing house. The cover is some sort of pressed cardboard (I don't know the precise term) with a glossy finish on which the cover photo and text are directly emblazoned - i.e., there is no dust jacket. The edges of the pages are almost coterminous with the edges of the cover, and the paper itself is ordinary. The book is "bound" - more accurately, glued - indifferently, so that the first few pages of my copy have been given permanent waves in close to the gathering. These rather mediocre production features probably influence my four-star assessment.

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Lullabies and Poems for Children (Everyman's Library Pocket Poets) Review

Lullabies and Poems for Children (Everyman's Library Pocket Poets)
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This book is great for two reasons: 1) it has boatloads of lyrics for the lullabies you'd like to sing to your kids but can't recall the words and 2) it has wonderful poems. I wish I had this book when my first child was born and I was struggling to find words to say to this tiny little person.

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In this enchanting and comprehensive collection, the lullabies we all were rocked to sleep with, such as "Rock-a-Bye Baby" and "Hush Little Baby, Don't You Cry," mingle with traditional lullabies from around the world. Here are beautiful lyrics to sing or read to little ones, from Shakespeare's lullaby for the fairy queen, Titania, to Brahms's "Lullaby"; and from Gershwin's "Summertime" to Langston Hughes's lovely lullaby for a "night black baby." Here, too, are poems for children that range from tender to nonsensical, from quiet to raucous–from Walter de la Mare to T. S. Eliot to Lewis Carroll, Edward Lear, and Ogden Nash.Whether the intent is to soothe or to amuse, there's something here for every mood, every child, and the child in every adult. A delightful, gift-perfect collection.

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Writing Los Angeles: A Literary Anthology (Library of America) Review

Writing Los Angeles: A Literary Anthology (Library of America)
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"definitive" is a an overused adjective... but this volume is indeed just that. ulin's winning (and sometimes surprising) selection of material captures the breadth and depth of a literary milieu artfully and evenhandledly. (ulin must be uniquely well read and/or uniquely familiar with his material - some of his choices, e.g. robert towne's intro to chinatown screenplay, are fun just to consider in a potentially crusty dusty Lirbrary of America anthology). forget the heavy intellectual (and physical!) weight of this tome -- this is no door stop or boat anchor, its a joyous sojourn in the searing sun. brevity, clarity and wit!

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Henry Wadsworth Longfellow: Poems and Other Writings (Library of America) Review

Henry Wadsworth Longfellow: Poems and Other Writings (Library of America)
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J.D. McClatchy here presents a thoughtful selection of Longfellow's verse. Although ignored by contemporary readers and dismissed by the academy, Longfellow is a wrtier who, though never profound, is sincere, engaging, accessible, and humble--qualities rarely associated with modern poetry. It is difficult to read such saccarhine classics as "The Children's Hour" and "A Psalm of Life" without either shrivelling from the sweetness or retreating into a shallow camp perspective, but for the reader willing to make the effort, Longfellow offers the deep rewards of meter, rhyme, and narrative--and the rare pleasure of lines that do not dazzle or daunt by ambiguity. As the poet writes, "Such songs have power to quiet / The restless pulse of care, / And come like the benediction / That follows after prayer."
One's only regret with this volume (a criticism one might make, I suppose, of any selection) is that McClatchy did not include more--specifically, the complete "Tales of a Wayside Inn," which, though represented rather amply, surely should have been included in its entirety as the happiest vehicle for Longfellow's story-based strengths. "The Bell of Atri," one of the most charming of the tales, should certainly be here. Then, too, the editor seems rather determined in his selection to present a more somber presentation of the poet than is warrented by his full corpus. (Perhaps he aims to make Longfellow more attractive to an audience accustomed to the confessional and the dour.) Oh, well. In compensation we do get useful notes, an excellent chronology, and the delightful novella "Kavanagh"--all of which make this surely the most pleasant poetry revival of the past several years.

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Robert Frost: Collected Poems, Prose, and Plays (Library of America) Review

Robert Frost: Collected Poems, Prose, and Plays (Library of America)
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I do not really I believe that all the stuff here merits five stars (books like these throw in the kitchen sink when covering their subjects). Yet, when I ask myself--"how can I possibly not give some of the stuff here more than five stars?" I cannot sufficiently answer the question.
A poet like Frost comes around maybe once in a generation (if we're lucky). Some of his works are undeniably for the ages. This volume is filled with the treasures Frost left to us.
Works like "The Tuft of Flowers," "The Death of the Hired Man," "Blueberries," "The Road Not Taken," "Fire and Ice," and "Mending Wall" (a poem that literally changed my life) are genuine contributions to world literature.
A ton of Frost's poetry is to be found in this edition. I am struck by how consistent and sure he is in his poetry. This man was a great poet. I am not a big fan of reading plays. I'd rather see them interpreted by actors on a stage. I'm not going to lie and say Frost was a great playwright--he was not. But all the same, I am glad to have read the works contained in this volume.
I must say that The Library of America's volume are all handsomely done and attractively presented. The texts are extremely readable for only being in ten-point font. For the most point, I ignored the notes (I prefer to make heads or tales of things on my own.) The few that I read surprised me because they actually were enlightening.
I recommend this volume most highly.

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Embers Review

Embers
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I was moved to add my voice to your reviews of "Embers" for two reasons: because it is such an excellent piece of literature, and because I have read it in its original Hungarian and now in English. Viewing it from such a unique perspective, I can say that it is an outstanding translation and is as effective in English as in Hungarian. While the setting may seem exotic to Americans, the problems it explores are deeply psychological and universal to mankind. While it may not be the choice of readers of popular action novels, it would appeal to serious readers of fine literature. (I speak as one who has worked as a translator, written fiction, and holds degrees in psychology.) The book explores the friendship and love of two men and the meaning of the rift that tears them apart for 41 years and defines the existence of at least one of them for the remainder of his life. The novel is developed masterfully, solely from the viewpoint of one of the men, through his well planned monologue in the presence of his friend, during which he wrestles aloud with the great questions that have defined his life. In the end we realize that the presence of his friend is almost incidental, as the speaker has come to grips with his questions through internal dialogue and soul searching over 41 years of self-enforced withdrawal from the world. In the end he seems content with his conclusions and complete within himself, having answered his own questions, although the presence of his friend was necessary in order to achieve his piece of mind.

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Purgatorio Review

Purgatorio
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The Hollanders translation is akin to the restoration of the Sistine Chapel ceiling and altar for english speaking lovers of Dante not yet able to read his works in italian. A work of tremendous beauty has been made available - this after generations of only being able to experience a forbidding, darker version of the original.
This scholar/poet team has given us a wonderful gift. Thank you Robert and Jean Hollander.

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A Treasury of Children's Literature Review

A Treasury of Children's Literature
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Ok, so I'm a little disturbed by some of the reviews here. These are the classics, and you should read them to your kids. Dark? Maybe, but no darker than reading the old testament or anything else like that. It's literature, children have been reading these stories for GENERATIONS and have turned out OK. And you know what? The original version of Rapunzel by the Brothers Grimm written in 1812 DID have Rapunzel giving birth to twins! These stories are enriching, they are stories of right and wrong, good triumphing over evil, and magic. You can't have great stories without these story lines, and in order to make the stories good - sometimes they have to be a little scary. This book is beautifully illustrated and will be a fantastic keepsake for your children. My little girl loves it. On top of the stories there are poems too, so if you feel need to hold off for some of the 'scarier' stories, get them for the poetry too!

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This one-volume library of classic children's literature contains nursery rhymes, poems, fables, and stories, and is lavishly illustrated with more than two hundred full-color drawings by sixteen different artists.

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Anton Chekhov Later Short Stories, 1888-1903 (Modern Library) Review

Anton Chekhov Later Short Stories, 1888-1903 (Modern Library)
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I studied Russian literature for years and would ultimately rank the prose biggies as follows: Tolstoy, Chekhov, Gogol, Dostoyevsky, Turgenev. I frankly prefer Chekhov, however, to the megalomaniac Tolstoy. Reading Chekhov is truly uncanny. He utterly refutes our common cliche'd notions about "Russianness." His is really the most modern voice of nineteenth century literature, without the "modernism" of our century that has so easily dated. I fell in love with Chekhov partly because his Russian is the simplest and most prosaic of any Russian writer and I was consequently able to read him without mediation. I would have included certain stories in an anthology in lieu of others, namely: "In the Ravine" (V ovragie) "Murder" (Ubiijstvo) "An Attack of Nerves" (Pripadok) "The Peasants" (Muzhiki) "Gusev" (Gusev) ...and many others....

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