Showing posts with label dead souls and dark alleys. Show all posts
Showing posts with label dead souls and dark alleys. Show all posts

Murder in Vegas: New Crime Tales of Gambling and Desperation Review

Murder in Vegas: New Crime Tales of Gambling and Desperation
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"Murder in Vegas" is an interesting anthology of short stories set in and around Las Vegas, all of which contain a murder. The similarity between the stories stops there, with the authors choosing a number of plot lines to tell their tale. We have stories of desperate gamblers, beautiful show girls, down and out druggies, and even a story about bird-watching in the desert. My favorite story was "Killer Heels Kill Twice as Dead", by T.P. Keating, an author who I'd not read before. In this wicked tale of revenge, a smart show girl tries to get out of an unfair contract she signed under duress. She's out for revenge, and the story is a good one.
One of the most enjoyable things about reading an anthology such as this is the exposure to new authors. In addition to T.P. Keating, I also really enjoyed the stories by Wendy Hornsby and Ruth Cavin, other authors whose work I'd not read before.
Not every story in this collection really appealed to me, but there were enough good ones to definitely recommend the collection. If you're looking for to immerse yourself in the glamour and desperation of Las Vegas (without risking your money at the gambling tables), definitely read this book.

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Nabokov: Novels, 1969-1974 (Library of America) Review

Nabokov: Novels, 1969-1974 (Library of America)
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This is a good collection of some of Nabokov's most diverse work. Ada is a beautiful discourse on philosophy and incest that rivals the classic Lolita. Transparent Things is a short but extremely dense book, written in an amazing narrative; a personal favorite. Look At The Harlequins is a fascinating autobiography told theough the perspective of an author with a parallel life. A very worthy buy!

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Writing Los Angeles: A Literary Anthology (Library of America) Review

Writing Los Angeles: A Literary Anthology (Library of America)
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"definitive" is a an overused adjective... but this volume is indeed just that. ulin's winning (and sometimes surprising) selection of material captures the breadth and depth of a literary milieu artfully and evenhandledly. (ulin must be uniquely well read and/or uniquely familiar with his material - some of his choices, e.g. robert towne's intro to chinatown screenplay, are fun just to consider in a potentially crusty dusty Lirbrary of America anthology). forget the heavy intellectual (and physical!) weight of this tome -- this is no door stop or boat anchor, its a joyous sojourn in the searing sun. brevity, clarity and wit!

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Fathers and Sons Review

Fathers and Sons
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This is the first fiction book I've read in a long time, and I have to say I'm not too disappointed. Fathers and Sons relates not only the generation gap in 19th century Russia, but also shows how fragile and fake the entire Russian system was in that time period. Every character symbolizes an important facet of Russian society. Paul Petrovich is the old slavophile nobility, convinced that Russians and their ways are the best in the world while they wear English clothing and speak and read in French. His brother Nicholas is the bridge between the old world and the new world, trying to fit in with the new ways while he only understands the old customs. Arcady, who represents those in society who outwardly follow the latest trendy beliefs but can't shake their emotions or their humanity. And Barazov, who represents youth, with its eternal promise of new ideas and ways, but who are blind to their own naive hypocrisy. Certainly there are other characters, but these major figures shape the plot of the book.
Turgenev manages to leave no stone unturned, casting withering attacks on peasants, psuedo-intellectualism, government officials, corruption, and conventions. The book mentions that Turgenev alienated and angered many in Russia with this book, and the reader will quickly see why.
Turgenev recognized the backwardness of Russia, and that it must change if it were to survive in a new world. The big question was how, and Turgenev shows that while idealists like Bazarov may have new ideas (Bazarov's idea was nihilism, a belief in nothing), those ideas mean nothing if not backed up with solutions to the problems.
An excellent book, and very readable. The price is low enough that most people really don't have an excuse to give this one a shot.

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War and Peace (Modern Library) Review

War and Peace (Modern Library)
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Ever since I was a teen (I'm 51) I tried reading War and Peace. The furthest I ever got was something like Page 80. Six summers ago, I thought, what the heck, give it another shot. After Page 100 or so, the book picked up steam, and I was absolutely awed as I've seldom been by all the great books I've read in my life. That's what I want to share with potential readers of this great book. Stick with it. It's like a trickling stream that grows and grows from many tributaries into a grand wide raging river. It's got everything in it, as if it were written by God. Tolstoy saw everything. There are so many, many unforgettable scenes in it. My favorite two are the costume party at the country estate (pure magic!) and the great wolf-hunting scene in which the wolf actually takes on a personality under the all-knowing skill of Tolstoy's great pen. In just a line or two, Tolstoy could actually get inside the "soul" of even an animal! I can only imagine how great this book is in the original Russian. After War and Peace, I devoured Anna Karenina, which is in many ways an even greater book. I'd recommend people read War and Peace with Cliff's Notes, as I did, because you get a sense of the historical background and it helps you from getting the hundreds of characters mixed up. War and Peace is more than a novel. It's an Everest of creation. Please stick with it!

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Purgatorio Review

Purgatorio
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The Hollanders translation is akin to the restoration of the Sistine Chapel ceiling and altar for english speaking lovers of Dante not yet able to read his works in italian. A work of tremendous beauty has been made available - this after generations of only being able to experience a forbidding, darker version of the original.
This scholar/poet team has given us a wonderful gift. Thank you Robert and Jean Hollander.

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Anton Chekhov Later Short Stories, 1888-1903 (Modern Library) Review

Anton Chekhov Later Short Stories, 1888-1903 (Modern Library)
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I studied Russian literature for years and would ultimately rank the prose biggies as follows: Tolstoy, Chekhov, Gogol, Dostoyevsky, Turgenev. I frankly prefer Chekhov, however, to the megalomaniac Tolstoy. Reading Chekhov is truly uncanny. He utterly refutes our common cliche'd notions about "Russianness." His is really the most modern voice of nineteenth century literature, without the "modernism" of our century that has so easily dated. I fell in love with Chekhov partly because his Russian is the simplest and most prosaic of any Russian writer and I was consequently able to read him without mediation. I would have included certain stories in an anthology in lieu of others, namely: "In the Ravine" (V ovragie) "Murder" (Ubiijstvo) "An Attack of Nerves" (Pripadok) "The Peasants" (Muzhiki) "Gusev" (Gusev) ...and many others....

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David Copperfield (Oxford World's Classics) Review

David Copperfield (Oxford World's Classics)
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David Copperfield was always a favorite of mine. It is wonderful, how, circling with the years, I can make my own retrospect and read it again from my older perspective.
When I was younger, I too, wanted to complain that all of Dickens' heroines were the same, and now I realize how wrong I was. Agnes is good and beautiful and patient of course, but what about the heroine Aunt Betsey? What about Miss Mowcher, who gives David a piece of advice "from three foot nothing ... Don't confuse bodily defect with mental!" she exclaims, and this is advice we coudl still use today! What about Peggotty, who is true and good and occasionally silly? Then there are the women who are not so good: Mrs Heep, Miss Murdstone, Mrs Markleham (the Old Soldier) and Rosa Dartle?
Dickens' characters are marvelous, but what I find most wonderful is the love that brings them together. Aunt Betsey takes David in, and is rewarded by the softening of her own heart; Mr. Peggotty seeks and finds his niece; Traddles finally marries "the dearest girl" and long-suffering Mrs Micawber will never desert her husband and something at last turns up Down Under. The characters who are courageous enough to choose love over pride are almost always rewarded at the end -- assuming that they survive, of course! (I'm thinking of Ham.) Perhaps it is just a novel, and those who have courage to love are not always rewarded in real life, but the idea is wonderfully satisfying.

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David Copperfield (1849-50) was Dickens's favorite novel: 'Of all my books', he wrote, 'I like it the best.'Strikingly autobiographical in its childhood scenes, it relates David's history from birth to young manhood, and the host of characters he meets on his journey of self-knowledge: Mr Micawber, the Peggottys, Betsey Trotwood, Steerforth and Uriah Heep among them.

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Tales of the Jazz Age (The Cambridge Edition of the Works of F. Scott Fitzgerald) Review

Tales of the Jazz Age (The Cambridge Edition of the Works of F. Scott Fitzgerald)
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Tales Of The Jazz Age is an anthology of classic short stories by the renowned 20th Century American author F. Scott Fitzgerald, who is best known for his enduring classic "The Great Gatsby". Satirizing the selfishness of the wealthy, depicting revelry that escalates into a destructive mob, while offering a sharp look at the flaws of society, and enhanced with introductions to each story by the author, Tales Of The Jazz Age is highly recommended, and this Pine Street Books edition would make a perfect choice for school and community libraries needing to replace worn copies of previous editions.

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The Columbia Anthology of American Poetry Review

The Columbia Anthology of American Poetry
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I've owned and loved this anthology for a decade. I'm especially fond of its choices in American nature poetry; it follows the transcendentalist line from Emerson and Thoreau and Dickinson through such Emersonian contemporaries as Louise Gluck and Charles Wright. This is also one of the few American poetry anthologies on the market that reaches back to pre-colonial times and moves right into the present. One of its interesting features is its representation of women's voices from the 18th and 19th centuries as well as the 20th century. There are also many African American poets. The book has obviously been through many printings, and over the years the editors have cleaned up copy-editing errors that appeared in the original edition. The introduction is fresh and appealing to students and readers of all levels. A great classroom book, although it's skimpy on the Beats and the West Coast school, and even the New York school (although the selection of poems by John Ashbery is particularly original).

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The Complete Poetry and Essential Prose of John Milton (Modern Library) Review

The Complete Poetry and Essential Prose of John Milton (Modern Library)
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For many of us, this is the volume of Milton for which we have been waiting. The Notes are useful without being overwhelming & the selection from his prose work is very generous. Overall, this is a significant offering to all lovers of poetry, 17th Century literature, and theology. Together with the newly published edition of Shakespeare's First Folio, this edition of Milton is the bedrock of English Literature and should not be read, but re-read for a lifetime.

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John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author's genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton's texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton's canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time.In these pages you will find all of Milton's verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton's non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton's passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods. With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton's verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author's philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.Praise"Over the coming months, [John Milton's] 400th anniversary will be celebrated in many different ways, but it is highly unlikely that any of the tributes he receives will do as much for him as the appearance of the Modern Library edition of his collected poetry and selected prose. The edition is a model of its kind, well designed and attractively produced. There are scholarly but unintimidating footnotes and helpful introductions to the major works. Spelling and punctuation have been modernized -- a difficult decision but the right one….A great deal has been packed in, but Milton has still been left room to breathe. The whole enterprise is meant to be reader-friendly, and it succeeds." — The Wall Street Journal"This magnificent edition gives us everything we need to read Milton intelligently and with fresh perception. You could take it to a desert island, or just stay home and further your education in a great writer."–William H. Pritchard, Amherst College"For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation this new Modern Library volume will be the standard: it is meticulously edited, full of tactful annotations that set the stage for his work and his times, and it brings Milton, as a poet and a thinker, vividly alive before us."–Robert Hass"Years ago I began a series of poems about Milton and his daughters. Ever since, I have been combing through Milton's poems and prose for those moments when the poet would turn and speak to the poet in me. It is in the new Kerrigan-Rumrich-Fallon edition that I now find prompt rejoinders to questions, ready clarifications of problems, and a more intimate dimension of that formidable adjective Miltonic." –Richard Howard "A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations of poems in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too."–Leo Damrosch, Harvard University"The introductions alone constitute a fine new book on Milton, beautifully written, challenging and balanced, with equal care and insight given to textual, biographical, historical, literary-historical and literary-critical concerns. It is a book to last a lifetime."–James Earl, University of Oregon"In this landmark edition, teachers will discover a powerful ally in bringing the excitement of Milton's poetry and prose to new generations of students. In the clarity of its overall conception, its thoroughness, and its never-faltering attention to literary and historical detail, the Modern Library Milton serves almost as another teacher–patient, thoughtful, endlessly concerned with genuine comprehension."–William C. Dowling, Rutgers University"The editors display a remarkable combination of scholarly rigor and sensitivity to literary values, expressed in prose of exemplary clarity and extraordinary grace; even the notes, concise as well as precise, approach a kind of epigrammatic brilliance. A superb edition."–Edward W. Tayler, Columbia University"The editors succeed gloriously, meeting the needs of the whole spectrum, from general readers to advanced students. A modernized text, one sensitive to Milton' s poetic rhythm, illuminates both the author's meaning and artistry. It's a beautiful edition–a home worthy of its subject." –Marina Favila, James Madison University

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Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America) Review

Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America)
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Three classic novels and a solid screenplay adaptation -- Vladimir Nabokov's literary genius is perhaps best shown in the second volume of Library of America's collections. The classic "Lolita" is paired with its own screenplay adaptation, and the comic "Pnin" and witty "Pale Fire."
"Lolita" is the tale for which Nabokov is best known. The redundantly-named, middle-aged (dirty old man) Humbert Humbert is haunted by some teenage love he had long ago, and which he thinks he has refound in the prepubescent Delores Haze (called "Lolita" by Humbert). He sets out to seduce the unsuspecting girl, but her mom is standing in the way...
"Pnin" is a gently comic tale about Timofey Pnin, a timid, moderately neurotic Russian professor who now lives in the United States. He's amazed by technology, fussy, a bit weird about his health, and has problems with American train schedules. The unfortunate Pnin stumbles from one problem to another, trying to keep everything under control in uncontrollable circumstances.
"Pale Fire" is perhaps the best literary satire out there. Poet John Shade wrote the sprawling 999-line poem "Pale Fire," shortly before being murdered. After his death, the poem is being painstakingly dissected and annotated by his neighbor, Charles Kinbote. Except Kinbote is a nutjob, who interprets "Pale Fire" as being all about him, and will come up with weird symbolism to justify his belief.
"Lolita: A Screenplay" is almost a different version of "Lolita." Here Nabokov recounted the same events of the novel, but from an ominiscent perspective -- that of the person who would be watching the movie. Very rich, very well-adapted, very evocative for a screenplay, this is almost as good as a book in itself.
Nabokov could handle just about any kind of writing, this collection shows us. From the opulent poetry of "Pale Fire" to the solid screenplay, from the erotic drama of "Lolita" to the chuckling comedy of "Pnin," he handles it all. His writing is detailed and lush, rich almost to the point of choking. He shifts perspectives, tells a story through annotation, sees through the eyes of a pedophile, and does it all with a certain winking flair.
Nabokov's writing is a combination of believable characterizations and rich language. Humbert Humbert, for example, is a horrendously believable person, especially since he makes constant excuses for his pedaphilic behavior -- the characterization is so good, in fact, that newcomers might even think (incorrectly) that Nabokov sympathized with the creep. At the same time, he creates the rather pitiful, absentminded Pnin, the self-serving nutcase Kinbote -- and they're all delightfully three-dimensional. You could bump into people like these on the bus at any time, and they would be just as he describes them.
Comedy, drama, satire and screenwriting are collected in the second Library of America collection of Nabokov's novels. Sexy, funny, brilliant and exquisitely written, these are among the best of Vladimir Nabokov's works.

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