Showing posts with label wake up calls. Show all posts
Showing posts with label wake up calls. Show all posts

The Satanic Verses Review

The Satanic Verses
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Being a Moslem, and having recently returned from an extended stay in India, I read The Satanic Verses with keen interest and found that both of these experiences contributed immensely to my enjoyment of this complex work. It was a clever showcase of Rushdie's typically brilliant prose, and a thoroughly compelling read. But be warned: many of the jokes and references probably would escape the average Western reader (by average, I mean one not familiar with Islam or Indian culture).
That being said, I noticed that many reviewers here say they do not find the book offensive to Moslems, while simultaneously admitting their own lack of knowledge regarding Islam. As a fairly well-versed Moslem, I can impartially state that Rushdie repeatedly criticizes, and even ridicules, the Islamic faith, in ways both subtle and overt, throughout this entire book.
Did Rushie's criticism bother me? Not at all. Did it justify a Fatwa by the Ayatollah? Of course not. But can the book be reasonably interpreted as being offensive to some Moslems? Those who know the Islamic faith would be hard-pressed to argue otherwise.
Nevertheless, realizing that this is just a work of fiction by a gifted novelist, I enjoyed reading the book and recommend it to all my friends.

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Gloria: The Merlin and The Saint: From the Joan of Arc Tapestries Review

Gloria: The Merlin and The Saint: From the Joan of Arc Tapestries
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I found this book to be very interesting. I did not read the first two books in the trilogy but had no trouble following this book. I think it was an interesting story, combining fiction with a historical character. The way Chamberlin describes La Pucelle througout the book keeps you wanting to read more of the story.

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Cursed Days: Diary of a Revolution Review

Cursed Days: Diary of a Revolution
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The previous customer review refers haughtily to the "hauteur" of Ivan Bunin, a "right-wing, upper class novelist." Say what? Bunin, a master of Russian prose, was understandably aghast as he watched the sudden, violent and senseless destruction of the glorious Russian culture. The reviewer sneers that "the folk, in Bunin's opinion, were ignorant, gullible, violent, dirty, and totally unfit to take a hand in government." Well, it sounds like Bunin got it just about right! Just look what the left-wing thugs ruling in the name of "the folk" did to Russia for the next 70 years.
Strangely, Soviet leaders decided that "Cursed Days" was unsuitable for consumption by "the folk." Hmmm... Talk about hauteur! Only in recent years was the publication of this amazing diary permitted in Bunin's homeland, and now - thanks to Thomas Gaiton Marullo's splendid translation - English-speaking readers can finally see that there were some people who weren't fooled in 1917. I just hope that modern readers will read Bunin's prophetic diary of those cursed days... and remember.
Neal McCabe

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Here is Ivan Bunin's great anti-Bolshevik diary of the Russian Revolution, translated into English for the first time. Set against the backdrop of Moscow and Odessa in 1918 and 1919, Cursed Days is a chilling account of the last days of the Russian master in his homeland-a work banned during the years of Soviet power. Bunin recreates the time of revolution and civil war with graphic and gripping immediacy. Unlike the works of early Soviets and emigrés, with their self-censoring backdrop of memory, myth, and political expediency, Bunin's uncompromising truths are jolting. His pain and suffering in witnessing the takeover of his country by 'thugs" and the chaos of civil war, and his fears for the devastation of 'patriarchal" Russian culture, were with him daily and received vivid expression in his diary. Cursed Days foreshadows the later anti-Soviet memoirs of Nadezhda Mandelstam, Evgenia Ginsberg, and others, and the rebellions of Bulgakov and Paternak. Thomas Marullo's superb translation and annotations reveal Bunin not only as a master of prose (he was the first Russian to be awarded the Nobel Prize for Literature) but as a perceptive social critic engaged in a wrenching struggle to make sense of his shattered world.

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Sunstroke: Selected Stories Review

Sunstroke: Selected Stories
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American and English readers don't generally know the the works of Ivan Bunin, although educated Russians know and love his poetry and short stories, and often can quote them by heart. These stories, unobtrusively translated anew by Graham Hettlinger, vary in length from a couple of pages ('Summer Day', which neatly limns the cruelty arising from boredom) to the seventeen pages of Bunin's best known story, 'The Gentleman from San Francisco.' Most of them, some appearing in English for the first time, are really little more than sharply-etched vignettes which adroitly catch humanity in its variety; sometimes you'll catch your breath with the shock of recognition. If you respond to Chekhov's stories, you'll like these.

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T. S. Eliot (Lives & Legacies (Oxford)) Review

T. S. Eliot (Lives and Legacies (Oxford))
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For an installment in an Oxford University Press series called "Lives and Legacies", T. S. ELIOT contains surprisingly little about Eliot's life and it discusses his legacy even less. What it is is an intelligent and scholarly, yet readable, overview of Eliot's writings, principally his poetry. If, like me, you already are a fan of Eliot's poetry, I recommend the book. If you are not a fan, I doubt this book will turn you into one or otherwise do much for you.
To me, reading the book was most notable for encouraging the reader to look at Eliot's poetry as a body of work, as one extended poem. Over the years I have read many of Eliot's poems multiple times, but - in part, no doubt, because they are so complex and fecund - I have tended to think of the poems, or even discrete parts or stanzas, in isolation. Raine attempts to present Eliot's work as "one significant, consistent and developing personality." Towards that end, he identifies and explicates two overarching themes in particular: the failure to live fully (either as illustrated in the poems or ruefully recognized by many of the voices of the poems), and "classicism", an aesthetic stance that is skeptical of theatrical, exaggerated emotion (i.e., anti-Romantic). Raine also registered a point with me in describing Eliot's poetry as "impersonal", in the sense that in order to appreciate it a reader need know little or nothing about the biographical background of its author (unlike, for example, Sylvia Plath).
Raine makes his way through Eliot's oeuvre more or less chronologically, though his rather brief discussion of "Prufrock" is postponed until the middle of the book. He devotes one chapter each to "The Waste Land" and "Four Quartets", and then individual chapters to Eliot's dramas and to his literary criticism. For me, the first two chapters were the most rewarding, in part because they include insightful discussion of several of the lesser known (and, thus, less written about) poems - for example, "Animula", "Gerontion", and "Marina".
Raine's book is NOT a "reader's guide". He does not attempt, thankfully, to explicate each and every line of each and every poem. He confines himself to the thematic points he wishes to make, and he avoids the drudgery and stuffiness of an Oxford don (though he long taught there). Nonetheless, in discussing sources, models, and influences, he obviously draws on impressive Eliot scholarship. By and large, his writing is spare and taut, somewhat poetic and much less verbose than the typical texts of poetry criticism/exposition. (Still, there are quite a few 50-cent words, such as "oneiric" and "euphistically".)
At the end of this relatively brief book there is a lengthy (30-page) Appendix in which Raine discusses the charge, delivered by many critics, that T.S. Eliot was anti-Semitic. Here the tone of the book changes and Raine engages in rather prosaic academic polemics. I don't follow all of Raine's arguments in defense of Eliot, but then neither do I follow many of the accusers' arguments. For the general reader, it perhaps suffices to report that in Raine Eliot has an intelligent and reasoned defender, and before anyone (based on reading Anthony Julius, George Steiner, Louis Menand, etc.) mentally pigeonholes Eliot as an anti-Semite, in fairness they should read Raine's Appendix.
I bought the so-called "hardcover" edition. It is rather cheap and tacky, surprisingly so for a publication by such an august publishing house. The cover is some sort of pressed cardboard (I don't know the precise term) with a glossy finish on which the cover photo and text are directly emblazoned - i.e., there is no dust jacket. The edges of the pages are almost coterminous with the edges of the cover, and the paper itself is ordinary. The book is "bound" - more accurately, glued - indifferently, so that the first few pages of my copy have been given permanent waves in close to the gathering. These rather mediocre production features probably influence my four-star assessment.

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Mark Twain: The Gilded Age and Later Novels: The Gilded Age / The American Claimant / Tom Sawyer Abroad / Tom Sawyer, Detective / No. 44, The Mysterious Stranger (Library of America) Review

Mark Twain: The Gilded Age and Later Novels: The Gilded Age / The American Claimant / Tom Sawyer Abroad / Tom Sawyer, Detective / No. 44, The Mysterious Stranger (Library of America)
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This collection of five Mark Twain novels is the sixth volume of his works published by the Library of America (LOA). Once again, the LOA has performed their usual impressive work of scholarship and quality craftsmanship.
The first five volumes comprised his classics and well known short stories, novels and essays. With this volume, the reader is introduced to five of his least famous novels. The Gilded Age was his first novel (1873) and the only one he ever collaborated with another writer on (Hartford neighbor Charles Warner). The other four books were written toward the end of his career (from the 1890's on).
Three of the novels were sequels : "The American Claimant" was itself a successor to "The Gilded Age" as it follows the further misadventures of Colonel Sellers; "Tom Sawyer, Abroad" and Tom Sawyer, Detective" continues the exploits of Tom and Hucklebery Finn. The final book, "The Mysterious Stranger" was never published in Twain's lifetime as it reflects the tragic darkness of his family life with it dark haunting gloom.
This volume is a must for the Mark Twain fan (along with the other five LOA volumes of his writings). While I do not consider this collection to be Mark Twain at his best, even Mark Twain at 3/4 strength is better than most other writers at their peak. The humorous satire of human nature (and of politics in the first two novels) is present in all five books.

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Walden and Other Writings (Modern Library of the World's Best Books) Review

Walden and Other Writings (Modern Library of the World's Best Books)
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Thoreau masterfully analyzes his in its purest form, he does away his all superfluous details. He forces the read to question his own existence. He forces the reader to imagine life without technology, commotion and anything unnecessary. Besides his analysis in Walden, he takes a stand for the maverick, for the individual, for the non-conformist. Lastly his social commentary especially about slavery shows how wrong our coutry had been.

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Anton Chekhov Later Short Stories, 1888-1903 (Modern Library) Review

Anton Chekhov Later Short Stories, 1888-1903 (Modern Library)
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I studied Russian literature for years and would ultimately rank the prose biggies as follows: Tolstoy, Chekhov, Gogol, Dostoyevsky, Turgenev. I frankly prefer Chekhov, however, to the megalomaniac Tolstoy. Reading Chekhov is truly uncanny. He utterly refutes our common cliche'd notions about "Russianness." His is really the most modern voice of nineteenth century literature, without the "modernism" of our century that has so easily dated. I fell in love with Chekhov partly because his Russian is the simplest and most prosaic of any Russian writer and I was consequently able to read him without mediation. I would have included certain stories in an anthology in lieu of others, namely: "In the Ravine" (V ovragie) "Murder" (Ubiijstvo) "An Attack of Nerves" (Pripadok) "The Peasants" (Muzhiki) "Gusev" (Gusev) ...and many others....

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Eugene O'Neill : Complete Plays 1913-1920 (Library of America) Review

Eugene O'Neill : Complete Plays 1913-1920 (Library of America)
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This is a tremendous source work, providing a sequential study of O'Neill's development as a dramatist. While not all of the plays are particularly successful, they reveal themes and settings that would provide the foundation for the later O'Neill masterworks. And there are many wonderful early dramas, such as the four S.S. Glencairn plays, his first broadway success "Beyond the Horizon," and the daring "Anna Christie," all of which tested and expanded the dramatic form in America. A wonderful collection!

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The Elagin Affair: And Other Stories Review

The Elagin Affair: And Other Stories
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I loved this book. Bunin's lush stories reveal a Russia that even the great geniuses of Russian literature have never quite depicted. His descriptions of physical experience are almost intoxicating, and his careful attention to the vivid details of Russian culture and customs reveal a new side of that country to English langauge readers. I have read Bunin in other translations, but they, by comparison to this one, were awkward and stiff. Here Bunin's sentences move with true elegance.

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Actual Innocence: Five Days to Execution, and Other Dispatches From the Wrongly Convicted Review

Actual Innocence: Five Days to Execution, and Other Dispatches From the Wrongly Convicted
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Everyone with a heart, brain, soul and/or conscience must read this book.
This book tells the stories of many men who were convicted unjustly. While I expected to learn of the stories of the men who were proven "actually innocent" by DNA, I didn't expect to find that in doing so it exposed many other injustices as well.
What I found was that while DNA was the catalyst, and the ultimate proof that set these men free - it did far more than that. It was because of the DNA evidence that the courts were forced to see that there are far more flaws the justice system than any of us would like to admit.
I found myself alternately fascinated and appalled throughout this book.
What truly amazed me was that "actual innocence" is not the be all and end all in the courts as it should be. I was floored that even though a person could be proven "actually innocent" via DNA, there were still hoops that lawyers had to leap through to obtain justice.
I would urge everyone who reads this book to take note to the suggestions peppered throughout and take action to make the changes necessary (whether it be on the state or federal level) to make sure that the guilty are punished, not the innocent.
For anyone who thinks that this book is for "bleeding-heart liberals", remember this - for every person unjustly imprisoned, and God forbid, sentenced to death - there is the very real probability that the real perpetrator is still out there.
I would urge EVERYONE to buy this book and learn from it.
I would really like to give this book a rating much higher that five (5) stars, as I believe it should serve as an educational experience for all of us.
Don't remain anonymous - buy this book, learn from it and act.

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Zora Neale Hurston : Novels and Stories : Jonah's Gourd Vine / Their Eyes Were Watching God / Moses, Man of the Mountain / Seraph on the Suwanee / Selected Stories (Library of America) Review

Zora Neale Hurston : Novels and Stories : Jonah's Gourd Vine / Their Eyes Were Watching God / Moses, Man of the Mountain / Seraph on the Suwanee / Selected Stories (Library of America)
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If Ms Hurston finally gets the readers she deserves, she will take her place among America's finest writers of the 20th Century. She is a joy to read and repays second and third perusals. The oral narrative quality of her writing places her squarely in the company of the best of her Southern contemporaries. She shares their great gifts. By all means, don't deny yourself the pleasure of reading her work.

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Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America) Review

Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America)
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Three classic novels and a solid screenplay adaptation -- Vladimir Nabokov's literary genius is perhaps best shown in the second volume of Library of America's collections. The classic "Lolita" is paired with its own screenplay adaptation, and the comic "Pnin" and witty "Pale Fire."
"Lolita" is the tale for which Nabokov is best known. The redundantly-named, middle-aged (dirty old man) Humbert Humbert is haunted by some teenage love he had long ago, and which he thinks he has refound in the prepubescent Delores Haze (called "Lolita" by Humbert). He sets out to seduce the unsuspecting girl, but her mom is standing in the way...
"Pnin" is a gently comic tale about Timofey Pnin, a timid, moderately neurotic Russian professor who now lives in the United States. He's amazed by technology, fussy, a bit weird about his health, and has problems with American train schedules. The unfortunate Pnin stumbles from one problem to another, trying to keep everything under control in uncontrollable circumstances.
"Pale Fire" is perhaps the best literary satire out there. Poet John Shade wrote the sprawling 999-line poem "Pale Fire," shortly before being murdered. After his death, the poem is being painstakingly dissected and annotated by his neighbor, Charles Kinbote. Except Kinbote is a nutjob, who interprets "Pale Fire" as being all about him, and will come up with weird symbolism to justify his belief.
"Lolita: A Screenplay" is almost a different version of "Lolita." Here Nabokov recounted the same events of the novel, but from an ominiscent perspective -- that of the person who would be watching the movie. Very rich, very well-adapted, very evocative for a screenplay, this is almost as good as a book in itself.
Nabokov could handle just about any kind of writing, this collection shows us. From the opulent poetry of "Pale Fire" to the solid screenplay, from the erotic drama of "Lolita" to the chuckling comedy of "Pnin," he handles it all. His writing is detailed and lush, rich almost to the point of choking. He shifts perspectives, tells a story through annotation, sees through the eyes of a pedophile, and does it all with a certain winking flair.
Nabokov's writing is a combination of believable characterizations and rich language. Humbert Humbert, for example, is a horrendously believable person, especially since he makes constant excuses for his pedaphilic behavior -- the characterization is so good, in fact, that newcomers might even think (incorrectly) that Nabokov sympathized with the creep. At the same time, he creates the rather pitiful, absentminded Pnin, the self-serving nutcase Kinbote -- and they're all delightfully three-dimensional. You could bump into people like these on the bus at any time, and they would be just as he describes them.
Comedy, drama, satire and screenwriting are collected in the second Library of America collection of Nabokov's novels. Sexy, funny, brilliant and exquisitely written, these are among the best of Vladimir Nabokov's works.

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