Showing posts with label slavery. Show all posts
Showing posts with label slavery. Show all posts

Roots Review

Roots
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In 688 pages, Alex Haley has captured in his history of one family, the history of an entire race of people whose names and identities were stolen from them. It's hard to say if this book is fiction, history or biography, since it reads so much like all three. Haley found sizeable gaps in his efforts to trace his family roots, and of necessity had to fill in the blanks from his own imagination, but it reads so convincingly that none of the fictionalized parts detract from the overall story. Probably millions of American blacks, I among them, have wondered where we came from and tried to trace our family lines, only to inevitably run up against a brick wall. (I managed to trace my own family reliably back to my great-great-great-grandmother, who arrived here at the end of the 18th century on a slave ship, but I'll never know her tribe or her nationality.) Haley begins his story fittingly in a small African village, where a 17 year old boy named Kunta Kinte is abducted by slave traders after venturing out of his village alone. His harrowing voyage to America is told in some 50 of the most gut-wrenching pages ever written. It's been reliably estimated that the death rate on the slave ships was between 35 and 40%; translated into numbers, that means that besides the 14 million Africans who were dragged, more dead than alive, onto the shores of the Americas, another 11 million died en route. Sold into slavery to a Virginia planter, Kunta lives out his life in bondage, struggling to hold onto the few remnant of his African identity. Haley is a great storyteller and the narrative sweeps through succeeding five generations, bringing his subjects vividly to life, and it all reads like a great novel until we are brought up short by his own arrival on the scene a century and a half after his ancestor's birth, and then it hits us like a knockout punch: forget the novel, this is real. This is Haley's family and every black family in America that has struggled to survive and has not only survived, but has succeeded despite enormous odds. The most mind-blowing part of the book, for this reader, was when Haley returned to his ancestor's native Gambian village of Juffure and heard his own family history narrated by the Griot. Haley has written, in his history of one family, the story of every family in America that traces its roots back to Africa from the 16th through the early 19th centuries. In the words of old African-American saying, which has relevance for everyone, you can't know where you're going, if you don't know where you've been. Haley shows us, in vivid and at times excruciating detail, where we've been, and what we've come through to be who we are.

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The monumental bestseller! Alex Haley recaptures his family's history in this drama of eighteenth-century slave Kunta Kinte and his descendants.

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The Wishing Box Review

The Wishing Box
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What a beautiful novel! I found it remniscent of Isabelle Allende and Barbara Kingsolver in its slightly mystical tone and its strong, likable female characters. The main two, Julia and Aunt Simone, are both quirky, intelligent, and very real; they are people that I would like to know and hang out with. The book is filled with incredibly creative and vivid imagery, and the prose is absolutely lyrical in parts. I had to ration the book to myself, night by night, to put off its ending. I highly recommend this book, and hope that Ms. Slater has more stories to tell us, and soon.

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Queen of the South: New Orleans, 1853-1862 Review

Queen of the South: New Orleans, 1853-1862
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Journals are my favorite historical reading. I was amazed at TKW's World - and his view of the final antebellum years in New Orleans.
The read is interesting for what it includes and what it excludes. TKW knew and met every major citizen of the time; from Polk to Beauregard to Dr. Barton. You get a very detailed picture of what it was like for a man of the times; his everyday travels and travails. What it excludes is equally interesting - very little on the women he lived with, slavery, Mardi Gras and occupation.
The accent is definitely architecture and I found myself scanning - rather than reading - page after page of discussions on bricks and beams. Also, novice that I am, I found two errors (in the footnotes).
Still when I reached the end, it was a shock to the system. It felt as though TKW could not deal with occupation - of New Orleans and of his beloved Custom House - and just decided to die. It left me wanting more.
A very luxurious book, richly printed with tons of illustrations.
Favorite passage: "Some are Americans, but the French predominate, and the difference between them appears to be that the former have a little to say about everything, the latter a great deal to say about nothing at all."

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"Queen of the South is a selected edition of the journal of Thomas Kelah Wharton, superintendent of construction for the New Orleans Custom House. His journal entries tell the story of daily life in antebellum New Orleans from 1853 to the outbreak of the Civil War.For nine years, Wharton faithfully recorded and sketched in his journal contemporary reports on epidemics, luxurious Mississippi River steamboats, thundering sermons, society balls, moneymaking, architecture, and such technological breakthroughs as gaslights and piped river water.He loved the city like a native even during the scorching heat of its six-month summers. Wharton wrote about an extraordinary time in the city's history, a time when fortunes were made and multiplied, the population doubled and redoubled, mansions and grand hotels were built, yellow fever raged, and armed men took to the streets during elections. It was a time of splendor and prosperity for New Orleans, a true golden age that ended abruptly with the outbreak of the Civil War and the capture of the city by the Union fleet. It was the end of an era. Queen of the South invites the reader to walk the unpaved streets of nineteenth-century New Orleans, to marvel at a white Lamarque rose blooming in winter, to pass doors adorned with crepe for yellow-fever victims, and to look downriver at Federal ships approaching to claim the city.

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The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party Review

The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party
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"I do not believe they ever meant unkindness."
So Octavian says of those to whom he was an experiment, to those who claimed him as chattel, to those who weighed his excrement daily and compared it to his intake.
It is perhaps this book's most frightening truth that he is correct.
Octavian and his mother were sold into slavery in the 1760s, in Boston, to The Novanglian College of Lucidity. These men were rationalists, and sought to discover - once all of the niceties are removed - whether the Negro was inferior to the European. Octavian was taught "the arts and knowledge of the physical world...the strictest instruction in ethics...kindness, filial duty, piety, obedience, and humility," Latin, Greek, the violin, and while learning these things, he was dressed in silk and lavished with luxuries.
Yet we see the detached scientist immediately in his caretakers, as Octavian describes an experiment whereby they drowned a dog to time its drowning, and another where they dropped alley-cats from high places to "judge the height from which cats no longer shatter," and yet another where they tried to teach a girl "deprived of reason and speech" the usage of verbs, and when the girl could not master verbs, they beat her "to the point of gagging and swooning."
And yet they never meant unkindness.
While this is a book of fiction, it is useful to remember (as the author calls us to at the end) that while the College of Lucidity is a fictional entity, the kind of experiments they conducted indeed took place, and the question of inferiority was one that was much discussed.
Octavian, with his mother, Mr. Gitney, and Dr. Trefusis, excelled. He became literate beyond their hopes, and could play the violin as a virtuoso. Without a doubt, his education was better than the vast majority of children his age, white or black. But then the College's benefactor dies, and a new benefactor arrives, represented by Mr. Sharpe, who presupposes the inferiority of the Negro and demands that Octavian's studies be changed...changed to ensure his failure.
As with all stories, once change is introduced, the stakes increase.
Anderson tells this story with a remarkably sure hand, using spot-on eighteenth century diction and grammar as much as he could without losing his intended audience, young adults. The majority of the story is told through the backward-looking eyes of Octavian himself, but Anderson also employs newspaper clippings and a variety of letters (most entertaining were the set from the soldier, Evidence Goring, to his sister and mother) to further authenticate the tale and ground it.
All of the characters are three-dimensional. The plot is handled with meticulous care, moving cautiously in the beginning, like an orchestral score, building with intensity to the moment of change, the crescendo which, not surprisingly, also occurs side-by-side with a telling of a part of the War.
Setting his story against the backdrop of the Revolutionary War proved brilliant, for the irony of slave-owners sending slaves not promised freedom to fight in their stead for the cause of liberty, can be lost on no one.
This is without question one of the most moving books I have read in some time. The character of Octavian is one of the most unique and fully realized I have ever encountered in young adult fiction.
That this won the National Book Award should be no surprise.


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Preaching with Sacred Fire: An Anthology of African American Sermons, 1750 to the Present Review

Preaching with Sacred Fire: An Anthology of African American Sermons, 1750 to the Present
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This is a very unique collection of the history and dynamics of African American preaching. The text presents a well rounded selection of hermeneutical and homiletical content. A must have for scholars and clergy.

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