When Prophecy Still Had a Voice: The Letters of Thomas Merton and Robert Lax Review

When Prophecy Still Had a Voice: The Letters of Thomas Merton and Robert Lax
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Voila, the compacted dithers of mutton & larks! Ecco, predicted lathers of metro & lux! Lo, the monastic matters of mirrors & lakes! Zounds, the hermetic spiels of motor & locks! Behold, the gathered deepistles of monachus & littera! Witness the mighty phrasings of miracle lustrum! All hail the bibliotickles, viva the dublintenders, long live the fortunetells of hoy & halloo! Heed the prophetic warblings of minus & linus! Lament the bombastic tangles of mittwoch & letznacht! Observe the respected nightingales, doves & coulombians. Celebrate the valiantimes scattered by freundlich & freud! Three cheers for the bandied ampersands of max & louie, the mingled missives of joyful eremites.

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The Line of Beauty Review

The Line of Beauty
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The effusive press comments quoted on the cover and flyleaf of the paperback edition of Alan Hollinghurst's THE LINE OF BEAUTY are totally correct in everything they actually say; they merely fail to mention one of the most important aspects of the book. Hollinghurst writes brilliantly about life among the movers and shakers of Margaret Thatcher's London in the early 1980s. His ability to portray his characters, as one critic puts it, "from just an inch to the left" of how they would see themselves is masterly, and the result is something like the portraits of Goya, a flattering likeness with just a hint of satire. Hollinghurst has perfect pitch when it comes to the social sensibilities and small hypocrisies of the well-bred. As a lineal descendant of Trollope, James, and Forster, he is a well-deserved winner of the 2004 Man Booker Prize for Fiction.
But none of the reviews quoted in the book mention the gay sex, which is pervasive and often explicitly physical. By portraying the narrator of the book, Nick Guest, as a gay man in an ostensibly straight world, Hollinghurst achieves an oblique angle on the people he observes, moving considerably more than an inch from the axis on which they would ideally see themselves. The glamorous life is glimpsed through a foreground that straight readers might find far from glamorous, especially when it deals with bodily interactions. Ultimately, this becomes essential to the plot, but for a long time it seems merely an authorial device. It is difficult to know whether the author sees these elements as a heightening of the sexual charge, or whether they are deliberately introduced as an antidote to romanticism, and as much an emblem of decadence as the increasingly frequent use of "charlie" (cocaine) by the narrator and his friends. Certainly, the secrecy practised by other characters in the story who have not come out as Nick has done, does seem to point up the falsity of the world in which they cannot admit their preferences.
Not that Nick needs the difference in sexuality to give him detachment. He is presented as a talented boy from a middle-class background who has made some upper-crust friends while at Oxford, so becomes a kind of permanent guest in their lives after college. [This has much in common with my own background, and it was a curious experience to find one of my own Oxbridge friends of this kind, not named but clearly identifiable, appearing as a minor character in the book!] While Nick is clearly thrilled to have been adopted into this world, he remains subtly an outsider, but with an acuteness of perception to compensate for his lack of belonging. His social position is not so very different from that of Kazuo Ichiguro's hero in the first part of WHEN WE WERE ORPHANS -- a peculiarly English awkwardness which both writers capture very well.
The title, THE LINE OF BEAUTY, comes from Hogarth, and refers to the particular elegance of an ogival double-curve. It is emblematic of the genuine aesthetic understanding that is Nick's most appealing quality for this particular reader; the passages talking about art, literature, and music are perceptive and beautifully written. But art is also seen as the province of the rich, who can afford it but don't necessarily appreciate it. As the book goes on, there is increasing emphasis on art objects in a mannerist or rococo phase, seen surely as symbols of decadence, where art is "just make-believe for rich people," as one of the characters says. But the phrase also stands for that fatal line of attraction that leads from one love object to another, or towards some ideal of the beautiful life, that comes crashing down on the characters' heads at the end of this social comedy which turns out to have been a tragedy after all.

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The Gods of Egypt Review

The Gods of Egypt
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I have always considered Traunecker's work to be of the highest quality. He has an insight into the mechanics of ancient Egyptian cosmologies, theologies, and mythologies that is both direct and free of unnecessary random (and rambling) thought. His assessments are clinical but always interesting, and his work on the El Qa'la temple site is NOT to be missed by anyone who can get their hands on IFAO's pub. Be that as it may, this short book packs a scholarly punch. All of Traunecker's hard-earned, on-site assessments of the gods of ancient Egypt -- their cults, qualities, relevance, and destinies -- can be found in rather tidy, enlightening fashion. A must-have quick reference for many of its tidbits...though Dr. Traunecker does contradict at least one or two minor points he previously asserted in some of his published work. Bottom line -- Immortals (and Immortalettes) of Ancient Egypt from one of the best pros in the business! Get it.

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World Made by Hand: A Novel Review

World Made by Hand: A Novel
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It's really good. Surprisingly so, given that most attempts at novelisation by people who are basically pundits on an educational/propaganda mission to save the world are dismal artistic failures. But this novel is good, the guy can actually write.
It's a realistic depiction of the post-collapse USA. What collapse, you ask? Not exactly specifically told, but somehow related to Peak Oil, financial ruination, that kind of stuff. He depicts the after-shocks on the ground, rubber-meets-pavement (or I should say, hooves-meet-pavement, I guess).
The world has shrunk into an uneasy Darwinian jostling, local warlordism and gangsterish Machiavellian counterpunching among various ugly power cells, with a bunch of religion leavening the stink, er ... the stew. One civil gentleman tries to hold onto some kind of rational center.
Here's a powerful message from this book (so don't say nobody clued you in time) - Learn a practical trade, something useful, essential to daily life, that requires neither electric power nor high-tech tools or materials. Butcher, baker, candle-stick maker.
Few Interesting Points:
1. Speech style: Everybody's speech pattern has reverted to an oddly folksy kind of 19th century, Mark-Twain-ish patois.
2. Ism's: Not the slightest hint of feminism has survived The Fall. Women are pretty much seen but not heard. And homosexuality seems to perhaps have been swept away by the dreaded plague of "Mexican Flu" maybe? African-American's don't exist in upstate New York, but racial trouble festers elsewhere across the country.
3. Infrastructure: Town in upstate New York benefits very heavily from left-over 19th century infrastructure, most very especially the robustly designed and constructed gravity-fed water ducts. Rest of the country will not have this legacy! *bite nails*
4. Give thanks for (current) hot showers, razors, modern dentistry. No mention is made of the deodorant situation.
Although presented as a disaster scenario, I feel the author secretly has quite a hard-on for the mid 19th century.
Kunstler's depiction of collapsed upper NY state reminds me more than anything of Ishikawa Eisuke's great (Japanese language) novel '2050 Nen ha: Edo Jidai' (Year 2050: Return to the Edo Period), which also gives a local-eye view of a post-collapse, formerly high-tech society. These two novels are very similar, but Kunstler probably didn't model on Ishikawa's earlier work as that is not available in English.
I've read hundreds of apocalypse / post-collapse books, 'The Postman' type of stuff. Some of them, such as Luke Rhinehart's 'Long Voyage Back' or Jean Hegland's 'Into the Forest', are better written, real literature. And some have wilder gripping action, obviously 'Lucifer's Hammer' comes to mind for that. But for poignant realism, to a reader living exactly where and how we are right now, 'World Made By Hand' strikes closest to the heart.
More than anything, this book is sad. It will make you sad. It's a cliche to say that we take everything for granted. We do, but you need that truth rubbed in your face sometimes to revitalize it. This book really does that.
But if you really want to put yourself through an emotional coffee-grinder in the opposite direction, stomp yourself in the gut by reading "The Road" (Cormac McCarthy) immediately prior to "World by Hand". Then you'll feel that Kuntstler's "World", where at least the grass still grows and the rivers still flow, is for all its horrors, a beautiful Elysian Field, direct from the hand of whatever Lord you care to name.


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God's Lions: The Secret Chapel Review

God's Lions: The Secret Chapel
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I have never read a roller coaster thriller like this before. Well researched and masterfully woven, this novel by John Lyman will glue you to your seat then have you hanging on with your fingernails as you take that unexpected hairpin turn. The struggle between good and evil is not contrived as in many popular thriller novels produced within the past 5-10 years. The manner in which protagonist, Leopold Amodeo (Leo) is presented, leading his band of Lions through the discovery of and confrontation with the antagonist is done with expert craftsmanship. The characters are believeable and vulnerable, not superhuman and all-knowing, which aids in making the novel much more approachable for the reader.
Since I work during the day, I would lay in bed reading at night, grab my husband's arm and with an "oh my gosh..." tell him about the next twist in the plot. From the prologue right though the last chapter this author had my attention. The epilogue left me wishing the book would never end. I can not wait for John's next book to be published!


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First Lady Florence Harding: Behind the Tragedy and Controversy (Modern First Ladies) Review

First Lady Florence Harding: Behind the Tragedy and Controversy (Modern First Ladies)
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Professor Sibley claims that "this book is the first to offer a full treatment of Florence as first lady, rather than as a supporting actress in a drama of scandalous dealings, womanizing, and illicit booze." (page 2), but is incorrect on two counts. First, historian Carl Anthony has already done a masterful job detailing the life of Florence Harding ("Florence Harding: First Lady the Jazz Age and the Death of America's Most Scandalous President"). Second, her book unsuccessfully tries to divorce the life of Florence from her adulterous husband Warren. You cannot write in a vacuum. This is unfortunate, for in order to understand Florence, you have to deal with her husband. And when she does touch on Warren's sordid lifestyle, she does it in a way that always gives him the benefit of the doubt.
The cover-up of Harding's scandalous lifestyle began with the Harding Memorial Association, formed shortly after his death. Family members then, and even now, have managed, through lawsuit, and intimidation, to keep pertinent factual information from competent historians. The author finally tells us on page 240, what all the rest of us have known all along, that because of this continual cover-up, no competent biography can be written, including hers. I quote: "Shrouded in mystery, the Harding years reminded subject to rumor and speculation of the worst kind, chiefly on the basis of the scandals that surfaced after Harding's death. Florence contributed to this poisoned picture in other ways; she refused to endorse any biography or collection of her husband's speeches that she did not direct or edit herself." (Emphasis mine).
Thus, this book is not the final full treatment that the author pretends. It is a rehash of old information. Little is learned from Florence's diary, which the author reports to have seen, but does not correctly cite, nor does she disclose where these papers are at present. Her treatment of Florence as First Lady, which was to main course of this book, has been relegated to an appetizer inserted in chapter four. And it consists of very thinly researched material concerning her life in the White House, her close friends, her kidney illness, and her experiences on the presidential trip out West. Most of this was fluff: tidbits revealed by news articles, but never really getting at the "real" Florence Harding.
Instead of a proper Bibliography, the author follows another Harding rehabilitation entrepreneur, Phillip Payne (who wrote his own version of Harding: "Dead Last"), under the rubric of "Biographical Essay," a final section of the book in which she cavalierly dismisses author upon author, only because they told the truth about the Harding scandals. She needs to heed her own advice given on page 324, note 27: "(There are) dangers of writing biographies and the ways in which perceived partisanship can poison a book's reception." Sibley is guilty herself of "corrosive bias, assiduous mudslinging" against other academic authors, without any proof provided in her refutation of them. Even Professor Sibley's Introduction follows the same pattern as Phillip Payne's book on Harding: a diatribe against previous biographers of Harding...without offering any proof whatsoever. This is pure balderdash. It's almost as if Phillip Payne was the ghost writer for this book. The parallels between the Payne book and this one are striking. In fact, as I read page after page, I wondered who really was writing this book.
Other problems with the book include:
On page 23, the author inaccurately states that Francis Russell kept the Harding love letters to Carrie out of his book, ("The Shadow of Blooming Grove,") "by agreement with the Harding Memorial Association." The truth is that the Memorial Association and Ohio Historical Society, in concert with still-living Harding relatives, brought a lawsuit against Russell's publisher, which publisher had to pay thousands in a settlement to the relatives, and agree to sequester the documents until 2014 in the Library of Congress.
Sibley doubts the veracity of Evelyn McLean, Chief Usher Ike Hoover, Alice Roosevelt Longworth, and Head Housekeeper Elizabeth Jaffray, and their eye-witness, first-person descriptions of Florence Harding's volatile interaction with husband Warren, because it is "completely out of character with mellow Warren." (page 166). Mellow Warren? It's ludicrous that the author denies that Harding had any booze in the White House at all; even though Florence was present serving the mixed drinks herself on many occasions. Grammatically speaking, the author over uses the exclamation (!) point. She has also ignored the issue of Warren Harding's Black heritage: he was an Octoroon. Sibley pleads ignorance on just how Florence discovered Warren's affair with neighbor Carrie Phillips; yet admits that he had purchased her a new Buick car. The author also omits telling about the thousands of dollars of hush money paid by the Republican Campaign Committee to Carrie and her husband, sending them on a round the world tour with a monthly income, keeping them from the prying eyes and ears of reporters. The author's dismissal of the Nan Britton papers opened in 2000 is unfortunate, for she left other sources untapped. She ignores the known facts of Harding's illicit child by Nan, and the other women Warren had affairs with, including his US Senate secretary. Sibley states that Harding didn't father any children because he had had the mumps! (Emphasis mine). While stating that Gaston Means' book on Harding as a fake, she doesn't tell you that Florence had actually hired Means as a private eye to investigate Warren's illicit behavior. No new pictures are included in the book; and several have no caption to identify the subjects. Sibley skips over the Teapot Dome Scandal entirely, by flatly denying that the Harding's knew anything about the scandals early on. Mistakes are everywhere in this book, ad nauseum. Dr. Joel Boone was not a homeopath physician, as stated on page 158. Nothing is said about how "Dr." Sawyer, the homeopathic physician got his job at the White House and his lack of medical training, not to mention the lack thereof of Harding's father. Harding's special train was continuously misspelled as "The Superbe" (p. 182, 215, et.al.) Harding's private Pullman "The Superb" was built in 1911, and is now housed at the Southeastern Railway Museum. This book needs a careful editorial audit and re-write. I also have to wonder about this author's credentials, when she stated that one of her best sources of information was what she gathered from Ebay!
Professor Sibley is an academic "reputational entrepreneur," who has attempted to rehabilitate the reputation of Florence Harding and her husband Warren. It simply cannot be done. Warren Harding remains the worst U.S. President, and Florence knew what was going on in his private life. I wished for more space given Florence Harding as an activist First Lady.


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The Fifth Skull: A Historical Novel of the Civil War and the American West Review

The Fifth Skull: A Historical Novel of the Civil War and the American West
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There is only one problem with Terrell Garren's writing. You can't stop reading them once you start! This book as with all Mr. Garren's work appeals to me as I live in the same area as my forebearers who served in the War Between the States and their unit is refered to in this work. I also had a WBTS ancestor who died in a Union prison at Rock Island Illinois. The boys in this story are based on actual 17 year olds from Western North Carolina who end up in Camp Douglas, outside Chicago.They became "Galvanized Yankees" to escape torture, starvation, and freezing to death. Once out west they became entangled in the Modoc Indian war with tragic results. There have been a number of books published recently discussing the conditions in Union prisons. Most people think Andersonville when the topic is brought up. But as The Fifth Skull points out the Union prisoners received the same rations as the typical Confederate soldier. Remember the Confederacy was under a Union blockade and could hardly feed themselves. The Union was under no such pressure however the prisoners in Union custody died of malnutrition,exposure,and lack of medical treatment for what reason? I highly recommend this book for WTBS history buffs and folks interested in the old west in the period right after the war.

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A new book by Civil War author and historian Terrell T. Garren is a compelling story of the Civil War, life as a prisoner of war, and one of the most bizarre of America's Indian wars. Garren, author of the regional best-seller, The Secret of War: A Dramatic History of Civil War Crime in Western North Carolina, and Moutain Myth: Unionism in Western North Carolina, "holds no punches" as he exposes abusive and barbaric acts committed by U.S. Army officers. He says, "This is a story that has long needed to be told." The story follows the lives of two seventeen-year-olds conscripted by Confederate authorities in the last year of the Civil War. The two are sent to Camp Vance in Morganton, North Carolina, as members of the Ninth Battalion, Confederate Junior Reserves. They and the other boys are without weapons or training when the camp is raided by Union soldiers. The two boys are captured and taken to the horrific Union prison at Camp Douglas in Chicago, Illinois. They endure the hardships of prison life until they are at the breaking point. Eventually they join the Union army's Galvanized Regiments to save themselves, and they end up on the western frontier where fate takes them to California. After serving on the plains and joining the regular army the two are assigned to duty as scouts during the Modoc War in northern California and southern Oregon. Always, they find themselves fighting for their very survival.

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Doctor Zhivago Review

Doctor Zhivago
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And see the revolution of the times
Make mountains level, and the continent,
Weary of solid firmness,--melt itself Into the sea! "
King Henry IV, Part 2, Act III. Scene I
Boris Pasternak's Dr. Zhivago takes us back to a time when fate took Russia through a perfect storm of revolution, war, revolution, and civil war. This was a time that did not just level mountains and melt a continent but also melted and cruelly leveled the lives and fates of untold numbers who were caught in these turbulent waters. Josef Stalin is reported to have said that "One death is a tragedy. A million deaths is just a statistic." What Pasternak has done so masterfully in telling this story is to paint a picture on a huge canvas that stretches from Moscow to Siberia while at the same time telling an intimate story that allows the reader to maintain that feeling of tragedy.

I've had a copy of Dr. Zhivago sitting on my shelf for decades, one of the books I inherited from my father's collection. I never bothered to pick it up. I'd seen David Lean's classic film and wrongfully decided that there was no need to invest any time in reading an epic novel about the tragic romance of Yuri Andreevich Zhivago and Larissa Fyodorovna Antipova. When I saw that Pevear and Volokhonsky had done a new translation I decided to give Zhivago a shot. What a revelation. As good as the movie was it didn't begin to plumb the depths of the book. The movie focused, understandably enough, on the relationship between Yuri and Lara and it seemed that the Russian Revolution and Civil War was merely the back-story to the relationship. But in Pasternak's hands I think it was close to being the other way around. The first two-thirds of the book takes two separate lives that contain just a few incidental touch-points where those lives intersected.
The emotional heart of the story for me was elsewhere. It was a story of the dissolution of Russian life in the years between the 1905 Revolution and WWI where the decadence and debauchery of a life lived in fancy clothes and salons played out against the turmoil bubbling beneath the surface. It was a story of the disruption and destitution set in motion by WWI and the October revolution. It was a story of the story of hunger and desperation brought on by a vicious Civil War in which the phrase "man is wolf to man" comes to the fore and the fragile web that keeps a society civilized is swept away in a sea of inhumanity. It is into a world that has already been rent asunder that the relationship of Yuri and Lara comes into bloom. The story of Yuri and Lara almost seemed to me to be the back story, the context that illuminated the age of unreason that Pasternak wrote about.
One passage set this out for me in stark terms: "This was the sickness of the age, the revolutionary madness of the epoch. In thought everyone was different from his words and outward show. No one had a clear conscience. Each with good reason could feel himself guilty, a secret criminal, an unexposed deceiver." The passage concludes that people denounced themselves, "drawn on by a destructively morbid inclination, of their own free will, in a state of metaphysical trance and passion for self-condemnation that, once set loose, could not be stopped." This struck me immediately as Pasternak's version of Yeats' "Second Coming" where the centre cannot hold and where "the best lack all conviction, while the worst are full of passionate intensity. It was one of the many touch-points in the book that were immensely moving to me.
The Russian poet Yevgeny Yevtushenko has said, perhaps tongue-in-cheek, that a "translation is like a woman. If it is beautiful, it is not faithful. If it is faithful, it is most certainly not beautiful." My high-school level Russian does not permit me to speak to this translation's faithfulness but I can certainly attest to its beauty. Pasternak's prose, as rendered by the team of Pevear and Volokhonsky, flows beautifully. As I read through the book I did not feel I was reading a translation. Any time I read a piece in translation and feel compelled to underline or highlight particularly noteworthy passage I think of the translation as one that does justice to the book. Time after time I found myself highlighting passages that I wanted to remember. This strikes me as being my own testimony not just to the beauty of the translation but what also must be its faithfulness.
Dr. Zhivago is not, as I imagined, a eulogy for a pair of tragic Russian lovers but an elegy for an age in a specific time and place. It is a beautiful, moving story that was a pleasure to read.
L. Fleisig


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Boris Pasternak's widely acclaimed novel comes gloriously to life in a magnificent new translation by Richard Pevear and Larissa Volokhonsky, the award-winning translators of War and Peace and Anna Karenina, and to whom, The New York Review of Books declared, "the English-speaking world is indebted." First published in Italy in 1957 amid international controversy—the novel was banned in the Soviet Union until 1988, and Pasternak declined the Nobel Prize a year later under intense pressure from Soviet authorities—Doctor Zhivago is the story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara: pursued, found, and lost again, Lara is the very embodiment of the pain and chaos of those cataclysmic times. Stunningly rendered in the spirit of Pasternak's original—resurrecting his style, rhythms, voicings, and tone—and including an introduction, textual annotations, and a translators' note, this edition of Doctor Zhivago is destined to become the definitive English translation of our time.


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The Making of an Ink-Stained Wretch: Half a Century Pounding the Political Beat Review

The Making of an Ink-Stained Wretch: Half a Century Pounding the Political Beat
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If you are a fan of Timothy Crouse's Boys on the Bus; or you read Witcover and Germond's Presidential election analyses; or you followed their column (and later just his), then this book will be a blast. Highly insightful and full of great anecdotes (and several practical jokes), I thoroughly enjoyed a more personal perspective about many of the same events detailed in his other books. The book provides an insider's view of the political writer's world with great characterization and great storytelling. Mr. Witcover has had a wonderfully exciting life and has been witness to some of our greatest (and worst) moments. I have always respected his logical and well-researched analysis. All around great stuff!

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Olympic Wandering: Time Travel Through Greece Review

Olympic Wandering: Time Travel Through Greece
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Just as no one would try to understand the American character without learning about George Washington, it's impossible to understand the Greek character without knowing something of Ulysses.
Lundberg adds a third factor, a wife who was born in Greece where he served after graduating from the US Air Force Academy. The combination serves him well; his first sentence sums up the whole meaning of Greece and the USA, "The gods ordained this country for individualism".
Sometimes we best recognize ourselves in the portrait of another; in this book, the rampant individuality of the Greeks within a strong cultural framework presents an interesting parallel to the US. If it's read merely as a travelogue, the book is interesting for anyone planning a visit. But it is more; again and again, without tiresome comparisons being made, it is also a reflection of American attitudes.
Democracy in America was built on two foundations; first, that of centuries of English individualism, and second, a study and appreciation of the basics of Greek democracy from the age of Pericles. It is much more than the spirit of 'Zorba' and 'Never on Sunday', Lundberg delves into the Greek love of personal freedom from the Trojan War to independence from Turkey.
Even though he is a scholar, he writes with the calm skill and clarity of a friend rather than the precise obfuscation of a pedant. The usual travel books emphasize objects, from ancient monuments to modern taxi fares; this book offers a clear introduction to the spirit and attitude of the Greeks. It is a nice introduction to the 'Iliad' and 'Odyssey', as well as classics such as 'The Greek Way' by Edith Hamilton.
Most books emphasize the landscape and monuments and weather and other such abstractions, with the result the depth of insight for many tourists is limited to "saw the Acropolis, it was nice". Read this and you'll come home with the warm feeling "saw the Acropolis, the Greeks are wonderful people".
And, for those who don't travel, there will be an increased appreciation of America. Think of the fate of this country without 'Ulysses' -- as in Ulysses S. Grant. Lundberg doesn't offer such comparisons; but, this book is likely to unleash any reader's imagination and insight.

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Absurdistan: A Novel Review

Absurdistan: A Novel
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Sometimes the 2nd novel is a let-down. ABSURDISTAN follows a debut, THE RUSSIAN DEBUTANTE'S HANDBOOK that is frankly, hard to top. Shteyngart has done it. ABSURDISTAN is the story of Misha Vainberg aka "Snack Daddy." The son of a Jewish Russian Gangster, "Snack" got an education at a ritzy private American college called Accidental, kind of a cross between Antioch and Oberlin. After his father assassinates a competitor, a guy from Oklahoma, "Snack Daddy" is unable to obtain a visa to return from Russia to his beloved New York. His girlfriend is back in New York and Misha finds out that she is being seduced by one of his former classmates, a Professor Shteynfarb. Misha is determined to find a way back to America. He heads to Absurdistan, an oil-rich former Soviet republic on the Caspian. From his perch in the penthouse of the Hyatt Snack Daddy watches the country dissolve into civil war. All he wants is a Belgian passport and his next meal. ABSURDISTAN is a comic farce and a tour de force. I laughed my way through it.

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Evolutionary Architecture: Nature as a Basis for Design Review

Evolutionary Architecture: Nature as a Basis for Design
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Eugene Tsui has added another gospel to his bible for evolutionary architecture. What can't be captured in merely addressing his architecture is the clarity, force and intelligence of his writing. In addition to being one of the few architects who can write coherently, Eugene Tsui has a unique, compelling presence felt throughout the book. When finished, I felt braced, urged on and encouraged in my own life pursuits. This book is worth every cent of its price, and is priceless for its spiritual value.

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The Best American Short Stories of the Century Review

The Best American Short Stories of the Century
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One of the things I have always liked about Updike is that he is willing to undertake something like this--even though it will inevitably make him vulnerable to criticisms like the ones raised in other reviews here. I can see why some omissions rankle: but, but BUT! Look at what's here! Almost all of the stories are nothing short of brilliant. Yes, "The Lottery" was probably amongst the best of the century, but it is anthologized everywhere in the universe: many of these are not. Many are not-so-well-known works by the best writers the 20th century had. I could quibble about many of the selections. For instance, I wouldn't have chose "Greenleaf" to represent one my favorites, Flannery O'Connor, or "The Killers" to represent Ernest Hemingway. But they're still great stories, worth including and worth reading.
The best I think are those from the early part of the century, but that's probably my own bias talking. I'm not a fan of many of the representatives chosen for the latter half of the century, and the selection for 1999--yuck! But I'm willing to trust Updike's judgment over my own for a little while, and if he thinks Annie Proulx is worth reading...ok: It's worth a few pages of my time to find out.
The anthology also does a good job of tracing in fiction the transformations of American culture: the first are immigrant stories, the next are primarily rural-based farming stories (A Jury of Her Peers--great story), and then the last are urban, ex-urban, and suburban stories.
Read and enjoy.

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What the Trout Said Review

What the Trout Said
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Forget the huge, illustrated books with thousands of color plates, the long historical tracts, and the mind-numbing quasi-scientific inquiries into trout, their diets and their feeding patterns. In one short book, Proper has distilled all the wisdom of the great fly tiers and added his own insights into the feeding behavior of fish. This is simply the single best book ever written on attracting trout with an artificial fly.

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Portobello: A Novel Review

Portobello: A Novel
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I imported Portobello from the UK in an excess of impatience to read the new Rendell, and I am thrilled to report it is horrific, claustrophobic, and yes, droll in turns. Rendell's genius still burns brightly, her sharp edge is unblunted, and we readers may rejoice, while compulsively turning the pages in a chill of ever-increasing dread. In this wicked tale, a well-to-do art gallery owner, Eugene Wren, is hiding a secret addiction from his doctor fiancee, Ella. He finds an envelope containing money and posts an ad, whereupon his fiancee becomes professionally embroiled with the owner of the envelope, Joel, whom we realize is, yes, insane. Meanwhile, a petty thief and burglar, Lance, is on the prowl in Eugene's wealthy neighborhood. Lance is living with his parsimonious Uncle Gib, a reformed thief now member of a fundamentalist church. Lance and Uncle Gib provide much of the comic relief. Goodness knows we need it, as Ella the caring doctor becomes disturbingly involved with Joel, whose madness is growing worse. There are burglaries, murders, drowning of a child, the firebombing of a house, and a pilfered chocolate cake. Tragedy is juxtaposed with absurdity, as in Eugene's terrible addiction to - sugar-free sweets, the euphoniously named Chocorange. The well off characters have the luxury of obsessing over imagined ills, while ignoring the unlocked garden gate, which will, we know, lead to real grief. The lower class characters get by on cunning, ruthlessness, and the dole; while the comfortably cocooned upper classes are chattering and, utterly naive about what it takes to survive, are the natural prey of the lowlifes who haunt the Portobello Road area. It is as if Theodore Dalrymple's social commentary were wedded to Ruth Rendell's story-telling talents. All told, a marvelous read, with a richly satisfying conclusion.

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Living Lies Review

Living Lies
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This was such an enjoyable book....once I started reading, it was hard to put it down. It touches all of the elements such as mystery, suspense, humor, romance....you end up falling in love with Agent Melanie Ward. Kate Mathis did an excellent job making the reader feel like they were really a part of the story....I can't wait to find another book by Kate!!!


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Brida: A Novel Review

Brida: A Novel
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This is one of the worst books I have ever read. I have always enjoyed this author's works, but this was awful. He should stick to writing what he knows, obviously it is not the concepts of Wicca. It is a very misleading book for people who might think they are actually being taught something about Wicca and modern witchcraft. it is strictly fiction and nonsense. Dancing naked around a fire and a woman named Wicca quoting Jesus all the time- puleese!! It's ridiculous, and not only that, but it is badly written and boring. If you want to learn about soulmates and Irish Druids there are many good books that teach the reality of such things. You don't need to dance naked to be a "wise one" which is what wicca means. And you certainly would never want a teacher quoting a bunch of christianity at you if you wanted to learn about the old religion. St Patrick and the church were killing Druids and pagans (the country people who had their own religion) not snakes. This book was just plain silly. I kept reading hoping it would get better, but it got worse.

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