Fall Asleep Forgetting Review

Fall Asleep Forgetting
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Elegant prose does not a good book make. I dislike that sentence almost as much as I dislike this book. It is a jaundiced look at relationships - which is fine - it is whispery and suggestive, which is also fine. What is not so fine is the forced plot, the inchoate characters, and the rudimentary and repetitive scenes. I picked up this book at a friend's house. She warned me not to read it, but read it I did. Next time, dear friend, I will listen.

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With or Without God: Life's Mysteries Continue Ruminations on God, Life, Death, Spirits, Reincarnation and the Future of Humankind Review

With or Without God: Life's Mysteries Continue Ruminations on God, Life, Death, Spirits, Reincarnation and the Future of Humankind
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With or without God was not what I had expected in a book titled with or without God. Mhlaba frequently refers to his youth and early life with the Zulus of Zimbabwe. In fact the very first chapter appears to be an introduction to an autobiography. The reader soon realizes however that this is necessary in order to reveal the deep rooted beliefs of his tribal ancestors and how such attitudes shape the rest of his life. Mhlaba like many of us questions whether there is a god or not and looks to the stories, myths, practices and beliefs of all cultures in order to try and answer this age old question.
He has a keen, questioning scientific mind and in chapters attacks his quest with analytical precision and the fully referenced scientific inquiry that one would expect from a respected fellow PHD. Yet in other chapters it is the voice of the boy from Zimbabwe interviewing his Mother about spirits attempting to shed light on the mysteries of the other life. This is a fascinating book of duality arguing both for and against the existence of spirits and God with compelling evidence that makes the spirit world seem very real to the reader.
Secular TruthfulnessThe Misinformed of God
Hannah Orion author of The Misinformed of God


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Sooner or later, we all face the questions explored in With or Without God, Life's Mysteries Continue, questions about the purpose of life, human mortality, spirituality, God, and life beyond the grave. The title conveys the author's tentativeness, perhaps humility. There are no postulates here, no truths to be revealed. These are ruminations.What makes these ruminations notable is that they are those of a man who, in his own words, "has traversed centuries of human experience in 66 years" and, in the process, acquired a unique perspective on life and nature. Mhlaba grew up in Zimbabwe, in what he calls a pre-modern age. He has lived in fear of spooks and ghosts, worshipping ancestral spirits, and was "subject to the tyranny of witches and the machinations of unseen forces." He could have easily remained in that life as his forebears had done before him. Fortunately, his parents understood that he and his siblings would live much of their lives in a changed world, and prepared them through education.The book ends with a fascinating look into the future of humankind, taking the reader through uncharted territory and a new sense of awe about the meaning of life and what may lie beyond.Mhlaba went on to earn a Ph.D. and taught physics and mathematics at university level. He now lives in Newton, Massachusetts, with his wife, Nancy. They have four grown children. Mhlaba is currently writing a book on global governance.Publisher's website:http://www.eloquentbooks.com/WithOrWithoutGod-LifesMysteriesContinue.html

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The Art of Travel Review

The Art of Travel
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In the past, when I still regularly attended graduation parties, such parties were always teeming with graduates-to-be harbouring fanciful travel plans. Everybody seemed intent on getting away a.s.a.p., as long as possible, and to a very far away and preferably out of the way place. They wanted to become travellers, a breed not to be confused with commonplace tourists. I've never been able to detect any intrinsic motivations driving this graduate travelling habit, e.g. a deep-seated and longstanding interest in a particular country or culture. It was simply a matter of opportunity, this jumping at the a chance to be thoroughly irresponsible for a while, before entering on the responsibilities of a steady job. And of course, everybody was going and it would be very un-cool to stay at home. After these people returned from their well-organised adventures, it invariably struck me how little they had changed, and how little they had to tell about the places they had been; apart maybe from random scraps on local customs that I could as easily and more completely have found in any travel guide book. Nevertheless most of these people, even years later, would be prone to lapse into dreamy states of blissful reminiscence at the slightest cue, expressing a deep longing to go back there, preferably to stay. It got me wondering why it is that the same things we find boring or commonplace at home are suddenly deeply interesting simply because they occur 5,000 miles away.
I remember one such party where I met an acquaintance who just got her degree in philosophy. I asked her if she was planning on her more or less mandatory world trip as well. But she just gave me a weary smile, tapped the side of her head and said: `Travelling is something you do in here'.
In a nutshell that's the question and the essence of the answer in Alain de Botton's thoughtful book on travel. Why do we bother? What do we expect, and why are we so often disappointed? And then again, why do our memories of the trip rarely reflect the disappointments? And what is the clue to not being disappointed? How do you go about really experiencing the place where you are and making it part of yourself? On all such questions De Botton has interesting and often entertaining observations to make. He shows us that the exotic is not defined by long-haul flights and palm trees, but can be found literally on your doorstep if you just know how to look. He explains why a travelling Englishman can be depressed on far away and exotic Barbados and euphoric in nearby, but in many ways equally exotic Amsterdam, or even around the corner in Hammersmith where he lives. As a Dutchman I was fascinated by his detailed analysis of a sign in the arrivals hall of Amsterdam Airport, explaining its exotic nature from a British viewpoint, and the reasons you would never ever find a sign like that in the UK, just across the Channel. De Botton is a master at finding such surprising angles to elucidate his subjects. Moreover he has considerable erudition to add, resulting in an engrossing mixture of philosophical insight, personal experience, and references to artists, writers, explorers and scientists of the past. Mostly these historical figures, Flaubert in Egypt, say, or Humboldt in South America or Van Gogh in the Provence, are exemplary `artists of travel', people who knew how to make the most of their expeditions. By taking their mindset, involving energy, patience and an eye for detail, as a template, De Botton generates some useful suggestions for the modern day traveller who no longer wants to bore himself by `scoring' obligatory highlights in the guidebook star-rating order, or who refuses to be a slave to his camera any longer. He may even give you some clues as to how to deal with that greatest travelling problem of them all, the fact that wherever you go, you always have to take yourself along.
In all, an elegant, intelligent, thought-provoking, amusing and useful little book, that nobody who takes travelling seriously should miss. Don't take it with you though - it won't last you much longer than an afternoon on the beach...

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Save the Whales Please Review

Save the Whales Please
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A whale drive from the Arctic to the Antarctic is a pretty cool concept. The book reads like "24," with a lot of parallel action. The chapters are short. You can stop and start without having to go back. But once you start reading, I think it's pretty un-put-downable. My recommendation: Surely buy and read.

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A young, beautiful eco-terrorist, the American president's wife is determined to stop the overhunting of whales by the Japanese, the Norwegians, and others, so she embarks on a daring plan to drive a stranded herd of blue whales from the Arctic to the opposite end of the earth—the Antarctic. Her husband, the President, has promised to let the Japanese take the blue whales in exchange for their support in a looming economic crisis. On board a hijacked whaling factory ship, the First Lady defies her husband and—with the help of the ship's captain, a recently reformed whaling pirate—confronts the Japanese fleet and threatens to sink it. This big, bold rescue adventure blends romance with a generous dose of dirty politics.

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Gloria: The Merlin and The Saint: From the Joan of Arc Tapestries Review

Gloria: The Merlin and The Saint: From the Joan of Arc Tapestries
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I found this book to be very interesting. I did not read the first two books in the trilogy but had no trouble following this book. I think it was an interesting story, combining fiction with a historical character. The way Chamberlin describes La Pucelle througout the book keeps you wanting to read more of the story.

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The Wind in the Trees Review

The Wind in the Trees
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The Wind In The Trees: From The Farm To The Front Line Of Television's Influence by television broadcast executive James E. Duffy (a 46-year veteran of the American Broadcasting Company), is the compelling story of television's pervasive ability to influence American society and culture. Written by an "insider" familiar with the complex business of corporate television and its inescapable bottom line of network programming, The Wind In The Trees combines history with an invaluable and eyewitness view of power politics, scandal, the struggle for artistic integrity, and much, much more to present the non-specialist general reader with a fascinating, informative, "behind-the-scenes" look at this American institution and pastime that has formed and shaped a universal part of American and global culture.

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The Wind in the Trees is a personal tour through the evolution and emergence of radio and television as major corporate entities. Additionally, it chronicles the personal and professional life of a broadcast executive who struggled to balance the business of running a television network with the social responsibility that is inherent in the industry.This is a candid, poignant, powerful and often humorous story based on Jim Duffy's life and professional experience in the worlds of broadcasting, media, and entertainment. A farm boy from Moweaqua, Illinois, Duffy spent fifty years in the business, and in a dizzying ride, reached the executive suites of Manhattan and Hollywood.The reader gets a revealing look into how decisions are made by the powerbrokers of the broadcasting industry, which affects millions of lives every day. Duffy has strong feelings on the growing influence of the mega-mergers in communications by the giants of industry. He writes candidly how those mergers, often strained by heavy debt loads and with an insatiable thirst for profits, affect the quality of programming and messages that are received by the American public.As the president of the ABC Television Network, Duffy rubbed shoulders with dignitaries, athletes, international celebrities and show business personalities in America and Europe. The book delineates his adventures with some of the personalities, and features pictures from his own life and with many dignitaries and celebrities.The author also describes the public service dimension of broadcasting, illustrated by his work with Barbara Bush in the Project Literacy US (PLUS) campaign.The book's title has strong personal meaning to the author. Duffy found inspiration and guidance from listening to "the wind in the trees" from the time he was a young boy. Later in his life, he suffered severe tragedies, losing three children. From those deaths, he has found solace and a spiritual connection to the sounds and beauty of nature.In a much broader sense, Duffy, with deep love for the broadcasting industry, feels the wind in the trees symbolizes the programs, messages and commercials that are presented to television and radio audiences everyday. He expresses great concern that too many programs and producers are conveying and portraying inappropriate and destructive messages to the value system and basic principles of our country.The Wind in the Trees issues a critical challenge to those who will steward the communications industry into the twenty-first century.

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War Story Review

War Story
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Scottish lass Maggie Dunlop works as a nursery maid at Dulcimer Hall when war breaks out in Europe. Maggie and others are evacuated to America where she meets and falls in love with her employer's cousin David Voist, married with children. Because David's eyes and secretly his heart constantly search for Maggie, her beloved's spouse sends her back to England.
As the war hits England hard, Maggie joins the effort as a driver. When she goes to pick up an American airman, she meets David. Though both recognize their mutual love for one another, she knows he would never leave his wife for he cannot "abandon" his children. Even as Maggie tries to start anew back in her homeland of Scotland, she dreams that, one-day when David's children are adults, they will be together.
Though the probability of David and Maggie encountering each other by chance during the war seems somewhat remote because the circle they share is so vast, readers will appreciate the depth to this World War II romance though the war itself plays a tertiary role. The background brings to life the era more so in England, but somewhat in America also. The cast is fully developed so those key secondary players enable the audience to value the star-crossed lovers and obtain a sense of 1940s life while demanding Sara Hely deliver more period pieces like this delightful historical.
Harriet Klausner

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