Showing posts with label dover thrift editions. Show all posts
Showing posts with label dover thrift editions. Show all posts

The Best American Short Stories of the Century Review

The Best American Short Stories of the Century
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One of the things I have always liked about Updike is that he is willing to undertake something like this--even though it will inevitably make him vulnerable to criticisms like the ones raised in other reviews here. I can see why some omissions rankle: but, but BUT! Look at what's here! Almost all of the stories are nothing short of brilliant. Yes, "The Lottery" was probably amongst the best of the century, but it is anthologized everywhere in the universe: many of these are not. Many are not-so-well-known works by the best writers the 20th century had. I could quibble about many of the selections. For instance, I wouldn't have chose "Greenleaf" to represent one my favorites, Flannery O'Connor, or "The Killers" to represent Ernest Hemingway. But they're still great stories, worth including and worth reading.
The best I think are those from the early part of the century, but that's probably my own bias talking. I'm not a fan of many of the representatives chosen for the latter half of the century, and the selection for 1999--yuck! But I'm willing to trust Updike's judgment over my own for a little while, and if he thinks Annie Proulx is worth reading...ok: It's worth a few pages of my time to find out.
The anthology also does a good job of tracing in fiction the transformations of American culture: the first are immigrant stories, the next are primarily rural-based farming stories (A Jury of Her Peers--great story), and then the last are urban, ex-urban, and suburban stories.
Read and enjoy.

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Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (A W Mellon Lectures in the Fine Arts) Review

Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (A W Mellon Lectures in the Fine Arts)
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I got this when I ordered the new Emily Dickinson review.
For any level of reader the discussions are great, opening up new vistas either in discussion of meter and construction or review of literary precedents used or known by the poet.
For one long out of the field these are great reintroductions to good and great poetry

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In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.


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