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The Legends of Tono Review

The Legends of Tono
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Much of what we know of Japanese folklore might have been lost forever if it were not for two authors, Lafcadio Hearn and Kunio Yanagita. Both were avid collectors of the mysterious tales of weird and imaginative creatures that were passed down as oral folklore but never written down. Both did their work at the start of the Meiji era, a time when, in the name of modernization, the government and scholars of Japan were actively attempting to wipe out the beliefs and superstitions of previous eras which were thought to be embarrassing to a country entering the modern age.
"The Legends of Tono" (Japanese title "Tono Monogatari") is the most famous of Yanagita's works, collecting the narratives of the small town of Tono in Iwate prefecture, as told to him by local resident and storyteller Kizen Sasaki. The stories collected in "The Legends of Tono" include some of Japan's most famous monsters like the kappa and the child-ghosts zashiki-warashi. Along with Hearn's Kwaidan: Stories And Studies Of Strange Things and Ueda Akinari's Tales of Moonlight and Rain, "The Legends of Tono" is one of the most classic and important books on Japanese folklore.
A surprisingly small book for one that carries so much weight, there are exactly one hundred and nineteen legends spread out over fifty-eight pages. Many of these legends are only a sentence in length, and often there are three to four different legends on a page. Some of them are a bit longer, maybe a paragraph or two, and typical of Japanese folklore they do not tell a complete story but rather just describe an odd circumstance or the history behind some strange stone or tree local to a certain village. Many explain customs of the time in Tono village, and the movements of household gods and festivals. Some are sexual cautionary tales, and other frights designed to keep people in their proper place for fear of punishment. Yanagita's style was to record the legends in a straight-forward manner without decoration and little elaboration.
However, packed inside Yanagita's short sentences is an ocean of depth, one that is almost impossible to know just through a quick reading. Indeed, in Japanese there are annotated versions of "The Legends of Tono" that go on for four hundred pages or more digging into each of Yanagita's terse sentences as if mining for gold. His simple and direct writing style would become a massive influence on author Mishima Yukio (The Sailor who fell from grace with the sea) who considered "The Legends of Tono" to be the finest-written work of Japanese literature.
There was more to "The Legends of Tono" than simple folklore gathering and writing however. This was a book with a political agenda. Yanagita was protesting against official histories at the time, which concentrated only on the rich and powerful and ignored the lives and hopes of the millions of poor peasants who, in the words of someone with similar inclinations, "did most of the living and dying" in Japan. Yanagita did not want to see the stories of these people lost to the tides of time, and so he gathered them up and wrote them down for future generations.
This "100th Anniversary Edition" celebrates the original 1910 publication of "The Legends of Tono." It reprints the 1975 translation prepared by Yanagita-scholar Ronald A. Morse. Morse includes a preface to the 100th Anniversary Edition, the original forward to the 1975 edition written by Richard M. Dorson who had actually worked and studied with Yanagita, and a new introduction discussing the relevance of Yanagita's work today. These three introductions add a bit of bulk to the publication, and some background on Yanagita and his relevance.
Morse also includes a "Guide to English-Language Writings on Kunio Yanagita and "The Legends of Tono"" in the back of the book for those interested in pursuing further study on the man and his works.


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In 1910, when Kunio Yanagita (1875-1962) wrote and published The Legends of Tono in Japanese, he had no idea that 100 years later, his book would become a Japanese literary and folklore classic. Yanagita is best remembered as the founder of Japanese folklore studies, and Ronald Morse transcends time to bring the reader a marvelous guide to Tono, Yanagita, and his enthralling tales. In this 100th Anniversary edition, Morse has completely revised his original translation, now out of print for over three decades. Retaining the original's great understanding of Japanese language, history, and lore, this new edition will make the classic collection available to new generations of readers.

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The Inheritance of Loss: A Novel (Man Booker Prize) Review

The Inheritance of Loss: A Novel (Man Booker Prize)
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Writing with wit and perception, Kiran Desai creates an elegant and thoughtful study of families, the losses each member must confront alone, and the lies each tells to make memories of the past more palatable. Sai Mistry is a young girl whose education at an Indian convent school comes to an end in the mid-1980s, when she is orphaned and sent to live with her grandfather, a judge who does not want her and who offers no solace. Living in a large, decaying house, her grandfather considers himself more British than Indian, far superior to hard-working but poverty-stricken people like his cook, Nandu, whose hopes for a better life for his son are the driving force in his life.
The story of Sai, living in Kalimpong, near India's northeast border with Nepal, alternates with that of Biju, Nandu's son, an illegal immigrant trying to find work and a better life in New York. Biju, working in a series of deadend jobs, epitomizes the plight of the illegal immigrant who has no future in his own country and who endures deplorable conditions and semi-servitude working illegally in the US. As Desai explores the aspirations of Sai and Biju, the hopes and expectations of their families, and their disconnections with their roots, she also creates vivid pictures of the friends and relatives who surround them, evoking vibrant images of a broad cross-section of society and revealing the social and political history of India.
Though Sai's romance, at sixteen, with Gyan, her tutor, provides her with an emotional escape from Kalimpong, it soon becomes complicated by Gyan's involvement with the Gorkha National Liberation Federation, a Nepalese independence movement which quickly becomes violent. Gyan's commitment to the insurgency offers an ironic contrast with the commitment of his family to the colonial British army in earlier times, just as the judge's hatreds, learned in England, are ironically contrasted with his British affectations in later life.
A careful observer of behavior, with a fine eye for revealing details, Desai brings her narrative and characters to life, illustrating her themes without making moral judgments about her characters--creating neither saints nor villains, just ordinary people leading the best lives they can, using whatever resources are available. Her characters, like people from all cultures, make sacrifices for their children, behave cruelly toward people they love, reject traditional ways of life and old values, rediscover what is important to them, suffer at the hands of faceless government officials, and learn, and grow, and make decisions, sometimes ill-considered, about their lives. Dealing with all levels of society and many different cultures, Desai shows life's humor and brutality, its whimsy and harshness, and its delicate emotions and passionate commitments in a novel that is both beautiful and wise. n Mary Whipple


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