Portobello: A Novel Review

Portobello: A Novel
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I imported Portobello from the UK in an excess of impatience to read the new Rendell, and I am thrilled to report it is horrific, claustrophobic, and yes, droll in turns. Rendell's genius still burns brightly, her sharp edge is unblunted, and we readers may rejoice, while compulsively turning the pages in a chill of ever-increasing dread. In this wicked tale, a well-to-do art gallery owner, Eugene Wren, is hiding a secret addiction from his doctor fiancee, Ella. He finds an envelope containing money and posts an ad, whereupon his fiancee becomes professionally embroiled with the owner of the envelope, Joel, whom we realize is, yes, insane. Meanwhile, a petty thief and burglar, Lance, is on the prowl in Eugene's wealthy neighborhood. Lance is living with his parsimonious Uncle Gib, a reformed thief now member of a fundamentalist church. Lance and Uncle Gib provide much of the comic relief. Goodness knows we need it, as Ella the caring doctor becomes disturbingly involved with Joel, whose madness is growing worse. There are burglaries, murders, drowning of a child, the firebombing of a house, and a pilfered chocolate cake. Tragedy is juxtaposed with absurdity, as in Eugene's terrible addiction to - sugar-free sweets, the euphoniously named Chocorange. The well off characters have the luxury of obsessing over imagined ills, while ignoring the unlocked garden gate, which will, we know, lead to real grief. The lower class characters get by on cunning, ruthlessness, and the dole; while the comfortably cocooned upper classes are chattering and, utterly naive about what it takes to survive, are the natural prey of the lowlifes who haunt the Portobello Road area. It is as if Theodore Dalrymple's social commentary were wedded to Ruth Rendell's story-telling talents. All told, a marvelous read, with a richly satisfying conclusion.

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