Showing posts with label british historical fiction. Show all posts
Showing posts with label british historical fiction. Show all posts

Why Mermaids Sing: A Sebastian St. Cyr Mystery Review

Why Mermaids Sing: A Sebastian St. Cyr Mystery
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I enjoyed the first two books in this series and found this one even better than the others. (It's not necessary to read them in order, although it can help with some background elements.)
Sebastian St. Cyr, Lord Devlin, already weary from recent experiences with death and secrets in his past, as well as seeing action as a soldier, is asked by his friend, a magistrate, to aid in what looks like a series of shocking murder-mutilations involving a banker's son and now the son of a lord. When someone threatens him in order to stop him from asking questions, Devlin digs in, determined to solve the mystery and stop the killer.
Woven deftly into the hunt for the killer is Devlin's personal life. In a lighter vein of this relatively grim tale, there is his need for a valet who will understand the ungentlemanly pursuit of murderers and the occasional need for suits of ordinary clothes that will let Devlin move through parts of society closed to the aristocracy. There is also the complications involved in his steadfast love of Kat Boleyn, an actress who refuses to marry him because it would ruin his position in society--and because of her secret past as a spy for the French, something that has been found out by the wrong people who are putting pressure on her. And there is Devlin's uneasy relationship with his father.
These elements never stall the pace of the mystery. Devlin is relentless in his pursuit of answers. The mystery is nicely complex, involving an incident in the past and connections that are not immediately apparent. There is plenty of action, plots, intrigue, red-herrings, curious situations, broken taboos, deadly secrets and desperate moves. The historical details are also there, subtly in the background: the illegal boxing matches, the high society parties and husband-hunting, the press-gangs, the clubs, the gaming hells.
The characters are all interesting and complex. The mystery and action good. The setting enjoyable. It is a perfect historical mystery, as far as I'm concerned. I hope there are many more to come in this series.


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It's September 1811, and someone is killing the wealthy young sons of London's most prominent families. Partially butchered, with strange objects stuffed into their mouths, their bodies are found dumped in public places at dawn. When the grisly remains of Alfred, Lord Stanton's eldest son are discovered in the Old Palace Yard beside the House of Lords, the local magistrate turns to Sebastian St. Cyr, Viscount Devlin, for help. Ranging from the gritty world of Thames-side docks to the luxurious drawing rooms of Mayfair, Sebastian finds himself confronting his most puzzling--and disturbing--case yet. With the help of his trusted allies--young servant Tom, Irish doctor Paul Gibson, and his lover Kat Boleyn--Sebastian struggles to decipher a cryptic set of clues that link the scion of a banking family to the son of a humble Kentish vicar. For as one killing follows another, Sebastian discovers he is confronting a murderer with both a method and a purpose to his ritualized killings, and that the key to it all may lie in the enigmatic stanzas of a haunting poem...and in a secret so dangerous that men are willing to sacrifice their own children to keep the truth from becoming known.

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New York: The Novel Review

New York: The Novel
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I have read and loved all of Edward Rutherfurd's books (starting with Sarum, 20 years ago). When I heard that his latest book "New York" was being released a few weeks earlier in the UK than in the USA I ordered it from Amazon.co.uk as I was so eager to read it.
"New York" is just as good as Rutherfurd's other works. The author takes us on a 350 year ride through New York's history, from the 1600s to the present day. The fictional characters are well-developed and interesting and we follow them through multiple generations alongside all of the major events in New York's history. New Amsterdam, the Dutch, the War of Independence, Tammany Hall, the Triangle Shirtwaist Fire, through to the inevitable and tragic conclusion at the World Trade Center. The chapter covering the Panic of 1907 is especially fascinating, given the obvious parallels with recent events: the near-collapse of the financial system, narrowly averted with millions of Government money, and the ability of J.P. Morgan himself to bring Wall Street's top money men together and convince them to do what was needed.
With Rutherfurd's books it feels more like you're living through the history than reading a history book. There are many enjoyable storylines involving the fictional families, with the historical events as a backdrop, and several of them incorporate real characters from history. George Washington, Ben Franklin, Abraham Lincoln, Churchill's family, Boss Tweed, and many others, are all here.
At school I thought history was a boring subject. But I found it very hard to put this book down, and very much missed my daily excursions into New York when I was finished.

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21 Aldgate Review

21 Aldgate
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What I most loved about this book was - for me - the spot on insiders' view of such a
rich and wonderful East End Jewish community that I cannot recall having been portrayed before
in this or any other way. I loved the seder, the wedding, the pub episodes, the music hall references.
I looked up Paul Maze and saw his soldiers-in-formation paintings (the glass case when Clara first entered his sitting room!). I like his paintings; his eclectic style may have been harder
to pinpoint for so-called art critics (I hate art criticism) which may have held
him back in terms of wider recognition. He is hard to pigeonhole although he is
considered a postimpressionist.
Clara, his lover and collaborator in both his memoir and clandestine antiNazi adventures is so
well defined (as everyone was).
The suspenseful Munich trip, undertaken to gather information on the preWorld War II German mood amongst Jews and gentiles alike at the behest of Maze's friend Winston Churchill is unique in its freedom from the usual sterotypical portrayals of Germans of that period.
I must say the entire Jewish community in England and most of all world wide
owes Friedberg a debt of gratitude for portraying a part of 20th century history which
has been so astutely and sensitively recounted.

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21 ALDGATE, a story of love and war, set in England during the buildup to the Second World War, bears witness to prejudice and bias, aggression and propaganda, which influenced a privileged society. . . . When young Clara Simon suddenly quit her steady job in Ernest Maxwell Abbott's law firm over his increasingly shabby treatment of Jewish clients, she soon realized the seriousness of her actions. Giving up any job in struggling, post-WWI London meant taking a chance. Clara knew her family at 21 Aldgate would not be supportive. With that in mind she did the only thing a Londoner could do: she looked for a quiet place to have a cup of tea and think over her hasty decision. A coincidental meeting with a former Abbott employee resulted in the suggestion of a job offer in Chelsea. Clara, reluctant to consider venturing into affluent Chelsea, finally agreed to meet with the important French artist, Paul Maze, who needed an assistant to help write his memoir of his work as a field artist during the First World War. Their working relationship ignited a passionate love that forever changed and haunted her. On the tides of political and social chaos prior to the Second World War, Clara was forced to make decisions that risked both her life and her marriage. . . . 21 ALDGATE is about a place in time, a place that no longer exists except in rapidly fading memories. It tells a story of class distinction, people and their traditions, a family and its fate, a country and its fight against fascism and a woman with a secret she must take to her grave.

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