Glory Be to Mars Review

Glory Be to Mars
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Thomas W. Cronin has given readers a satisfying, exciting, nail-biting conclusion to his Mars series. The underlying themes of self-reliance, independence, and self-determination inform a book that is very different from the first two books of the series. Glory Be To Mars is a novel of war and strategy that takes place about 30 years on from Give Us This Mars. The Earth and the U.N. are determined to take Mars from the Martians. Their impetus for war is an alleged weapon of mass destruction that has been developed by the Martians. The Earth has superior numbers and technology - the Martians have their own Martian desert fox. The war plays out on an accurate version of Mars that is informed by data from the latest Mars missions. The children of the characters from the first 2 books are the main players. Once the story gets rolling - an Earth attack on a nonmilitary Martian operation - the action never lets up [leave yourself a big block of time for reading - once you get started, you won't want to quit reading!]. My only concern involves Cronin's use of current biological knowledge [genetics] and that concern didn't take away from my ability to suspend my disbelief - hey it's fiction! - but I would love to have a discussion with Cronin about what traits are heritable in humans. I shall say no more on the subject since I refuse to be a spoiler and I want you to read this book. Besides fans of the first two books in this series and lovers of Mars fiction, Glory Be To Mars should find a whole new audience in lovers of military fiction. I hate to see the series end here, so if Mr. Cronin can find another creative and nonrepetitive way to extend the series, I know I'll be ready for another great Martian read!

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The author's earlier, widely acclaimed Mars stories were about the beginning years of the first human settlement on Mars, but you don't have to read them to enjoy this latest, fast-paced, stand-alone novel. In the first story, As It Is On Mars, three explorers, abandoned in 2038, found a prosperous settlement on Mars. A stand-alone second story, Give Us This Mars, takes place in 2048, as rival European and American "rescue" missions fight to take control of the fledgling settlement. This latest story takes place twenty-six years later. It has new lead characters, and enough of the settlement's early history for new readers to join the tale effortlessly. Two scheming, aristocratic brothers, Harold and Oliver Derk, are the instigators when a United Nations coalition dispatches a massive armada to attack the settlement in 2074. The independent settlement is illegal, but has been growing prodigiously, thanks to a secret machine the Martians have built. It is very well defended too, and getting the better of it is now a serious military matter. The Martians also control a vital copper deposit, the largest ever found, now worth over ten trillion dollars. Gaining control of that copper will make the brothers rich and powerful beyond dreams. Their lust for the copper is matched only by their passion for avenging the public disgrace of their father, years earlier; the Derk brothers are determined to erase the demeaning stain of dishonor that Martians have etched on their ancient family name. One shadowy brother, Harold Derk, is the CEO of the world's largest resource company, Condor Copper Inc., and a master of political intrigue. He paid corrupt, warmongering political leaders to terrify their citizens, and deceive them into believing that the secret Martian machine is a horrible weapon of total annihilation, capable of wiping out all human life on Earth. The fabricated fear worked as intended, and led to popular support for the obscenely expensive armada, to put an end to the dangerous, illegal settlement and its abominable machine. The other brother is the armada commander, four-star General Oliver Derk. He is a rogue general, with genocide in mind. He has all the military strength he needs to defeat the settlement quickly, and kill everybody in it. As this very fast-paced tale opens, we find a ten-man Martian work crew in a desolate place south of Mariner Valley, over a thousand miles from home. One of them is a mysterious young man called Edward Russell. The ten have just finished hiding the secret Martian machine, to keep it out of the hands of the coalition. But that evening, they make a fluke discovery. Coalition forces have made a stealth landing, unexpectedly early, clearly intent on an overwhelming surprise attack on the settlement. The workers now have to get home at once, and sound the alarm. They have no choice but to take an impossible shortcut, up along the treacherous thirty-mile long Hell Ridge. But then, in Chapter Two, with their four rovers perched high on the ridge, over three miles above the floor of Coprates Canyon: Disaster! Shortly after, a deadly enemy of the coalition appears out of the southern waste, at the head of a dusty column of tanks and rovers, intelligent, nuclear-powered predator drones flying overhead. It is Edward Russell, with desert warfare in his genes, and for good reason. Soon he will be known on two planets as the desert fox of Mars, feared for his vicious, lightning attacks on the coalition, but revered for his tactical genius. The elaborate setting for this epic novel takes in a great deal of the Western Hemisphere of Mars, which the war turns into a gigantic military chessboard. The plot is multi-threaded, and tragic too, a subtle blend of politics, war, human relationships, and the relationship of man to his planetary environment. It's even a tale that is not primarily science fiction, that anybody can enjoy at any time of life, and likely find something profound in too. The story unfolds at a rapid pace, as the war intensifies and the suspense builds. The plot also builds to a perplexing tactical puzzle, which armchair generals will no doubt try to solve, as they pit their brains against the desert fox. It is also the story of the daring journey of a courageous Martian company in search of an elusive goal, as the company is sought high and low, and attacked too, by the forces of the coalition. The journey starts south of Mariner Valley in Chapter 1, and weaves its way through the entire novel, and over much of the Western Hemisphere, and does not end until the novel's final Chapter 20. The author deploys military technology in the Martian war consistent with the known Laws of Nature. His intelligent nuclear-powered tanks, predator drones, and laser-gun armed fighter drones are all extrapolations of current capabilities that we can reasonably expect. The book has five separate maps of the spectacular terrain of the Western Hemisphere. They are strictly not necessary, but are included for readers' convenience and enjoyment.EXCERPT From CHAPTER TWO: Hell Ridge [SCENE: A rocky outcrop is blocking the company's upward advance along the treacherous ridge. They are trying to blow up the outcrop, about to detonate a second blast sequence, when a predator drone spots the four rovers.] ...The predator drone was now almost upon them. Two seconds later it shot across the ridge, directly over the lead rover, barely thirty meters above them. This time the booming scream from the jet motors was quite loud. "Stop driving, everybody! Now!" shouted Edward. Astrid obeyed. "It didn't fire. How come?" cried Lucy, looking out the driver side window to her left, as the aircraft shot away to the west. "Our sudden motion confused it, I think," explained Edward, still watching the drone through his field glasses. It was now turning toward the escarpment wall to the north. "It had set things up for a stationary target. Probably didn't have time to reconfigure for a moving target. But you can be sure by now it's figured out the best way to attack us as a moving target-head on, or at our tail." "That means it'll come at us along the line of the ridge," said Astrid. "Right," said Edward, his field glasses focused on the drone, "probably from the north, out of the sun." The predator drone had already turned right, to the north, and climbed, and turned right again. Now it was headed back eastward along the top of the northern escarpment wall. "I think you've won us only a few minutes reprieve, Edward," said Astrid. "Any more good ideas?" "Don't know," said Edward, still tracking the aircraft through his field glasses. "A sudden motion won't help us next time, if it comes at us along the ridge." "What if we try and drive off the crest, down the slope to the right?" suggested Lucy. "Wouldn't help. There's no shelter on the slope either, and anyway we wouldn't get very far. It'll be here in twenty seconds." The machine now began to veer to the south, as it approached the point where the north-south running ridge met the east-west running escarpment wall. The aircraft was just under three miles away. "The explosives!" cried Freda, suddenly. Neither Astrid nor Lucy responded. They were both very frightened. They did not need to be reminded about the explosive charges in the trailer, equivalent to over a quarter ton of TNT. Edward just said: "I know, Freda." His mind was racing, thinking tactics at high speed. But thinking time was short. The predator drone was now coming straight at them again, very fast, this time along the line of the ridge. "ETA fourteen seconds," shouted Edward. "Quick! Switch seats, Freda! Quick!" Freda was agile, and almost jumped over Edward. Edward quickly pulled himself into Freda's seat at the right side of the rover, his eyes never leaving the oncoming aircraft. The deadly predator drone was shooting down along the ridge, slightly to the east side of the crest. Edward now estimated a ten-second time to arrival. "Call out the seconds, somebody! Quick!" shouted Edward. "One...two...three...four...five...six...seven...," came from Astrid, calm despite a feeling of impending disaster. The nuclear-powered aircraft was now within a second of flying past the ridge outcrop that had been blocking their advance. Suddenly, Edward jammed his finger onto the third button on the communications panel on the dash in front of him. Once more they saw the explosion before they heard it, the outside audio sensors picking up the sound, a machine-gun-like rattle of twenty rounds being fired. The explosion was even more spectacular than the first one. A long strip of rock at the outcrop on the ridge once more lifted in small fragments, starting at the south end, producing an even larger cloud of dust, with rocks flying out of the dust cloud and at least thirty or forty meters into the air. For an instant the cloud of dust and hail of flying rocks completely hid the oncoming aircraft from view, and the sun too. But then, less than a second later, the machine appeared again, above the dust cloud, just to the right of the hail of debris. It was still headed straight for them, apparently undamaged. At the same instant they saw it fire the missile. Everything now happened so fast there was no time for anyone in the lead rover to react. Whooosh. The missile streaked past them on their right side, only a few meters from them, so close they actually heard it. A split second later they heard a sharp bang, not very loud. It was followed a fraction of a second later by a booming screech, as the supersonic jet shot above them, also on the right side. "Missed us," said Edward, with a sigh of relief. "The explosion debris must have affected its aim in some-" "But that bang-it's hit something!" cried Astrid. Her hand flew to a button on the dash to open up the voice communications channel. "Paul, Werner, Carol! Report damage!" "No damage," said Paul, at once. "No damage here," said Werner. "Loud bang behind." There was no reply from Carol and Eva's rover. "Carol, Eva! Please report!" Still nothing. Astrid began feeling sick. The tail rover must have been hit. She wanted to believe that there was only damage to the rover's communications equipment, maybe only the antenna, but her gut told her it was not so. The idea of something happening to Eva and Carol was too painful even to think about. "Bastards!" hissed Freda angrily. "And it's still got three more missiles." "That first missile was intended for this rover," said Astrid in a much calmer voice, although she was still feeling sick. "Looks like your explosion saved us, Edward. I just hope Carol and Eva are all right. Can you save us one more time?" Edward shook his head. "That was my best shot. I'd hoped to damage the drone with the explosion. It obviously didn't work...

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Egyptian Scarab Oracle Review

Egyptian Scarab Oracle
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The 4 Star Rating breaks down this way: 5 for the book, 1 for the scarabs.
I just bought this set and was really expecting something wonderful from the previous reviews. However, upon opening the box, I found myself vaguely dissapointed. The first thing I noticed was that in my set of 30 scarabs, I recieved a duplicate of one so I am missing the 30th scarab, because I have two of another. The second thing I noticed is that the scarabs are made from a soft, rubber-like plastic (they feel like erasers). Though they're well-formed and artistically attractive (I didn't care for the cheap-looking gold paint), they're not made from ceramic, clay or even acrylic, as I thought they might be. The included satin baggie is lovely, a better quality bag than the .35 organdy bag (I can get that exact same bag from CraftMart for .50 at most) that's included with the Llewellyn Deck and Book Tarot sets.
The book appears to be worth its own cover price of $12.95, but for $35 I was expecting something less cheaply made in the area of the scarabs.
I will be making my own scarab stones to use with this divination system eventually. For now I will have to mark one of the duplicates so it's disingushable from its twin in order to use the set and hope that Llewellyn sends me a proper replacement scarab.
I'm still trying to contact them (their customer service office was closed when I called this afternoon. I've emailed their customer service office).
I do think the system is really wonderful, being familiar with the basic system as described in deTraci's lovely "Mysteries of Isis" and expect to get quite a bit of use out of it.
I'd recommend buying the book alone if you can find it (it has been released as book only) and making your own scarabs with scarab beads or making them from polymer clay. The eraser-like scarabs included aren't worth the $35 price tag, I'm sorry.
Buy the book. Make your own scarabs.
Blessings,
Stormraven

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A Splendid Madness: A Man, a Boat, a Love Story Review

A Splendid Madness: A Man, a Boat, a Love Story
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This book could have been set anywhere, but it takes place on the Hudson River, a half hour North of NYC. It is written by an editor by trade, and it shows. It is a well written book! It explores the writers chance notice of an ad for a beginners sailing class, and how that class reawakens a former love of sailing. Then it goes on to his adventures and misadventures as he continues to learn the art of sailing and then goes on to buy his own boat, a 22 foot tanzer, and join a local club. It has a lot of detail about this section of the Hudson River, but very little about other areas. The brigde in the background of the bookcover is the Tappan Zee. An enjoyable read, nothing earthshattering, a nice story of why sailing is so appealing to those of us with busy lives, a chance for some adventure!

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The Napoleon of New York: Mayor Fiorello LaGuardia Review

The Napoleon of New York: Mayor Fiorello LaGuardia
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Paul Jeffers is a master of the popular biography, and he has produced another laudable work in this genre with this chronicle of Fiorello LaGuardia. I approached this book with only a cursory knowledge of LaGuardia, but came away with an enriched understanding of the Little Flower's far-reaching influence on New York City.
I was struck repeatedly by the parallels between LaGuardia and another successful, highly influential Mayor, Giuliani. Both wielded absolute power ("dictatorial," to their detractors), did not brook dissent easily, ran as anti-machine reformers (barely gaining office initially but subsequently amassing larger majorities), assailed corruption and malfeasance, and left New York City a markedly better place than they found it.
By his own admission, Jeffers's is NOT the definitive LaGuardia biography. He writes with broad brushstrokes, painting a colorful, big-picture portrait, and avoiding the pitfalls of needless minutae. Jeffers also has a talent for placing his subjects in the context of history. (To wit: LaGuardia spent his formative years in Prescott, Arizona, whose Mayor was the famous Bucky O'Neill of the "Rough Riders" lore. During the Spanish-American War, young LaGuardia was a stringer for a St. Louis newspaper, where he was in the company of such legendary war correspondents as Richard Harding Davis and Stephen Crane.)
As a result of this style, all of Jeffers's biographies are entertaining, easy to read, and provide a succinct overview to laypersons with a passion for history. If you fit that description, "The Napoleon of New York" is for you.

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Skeleton at the Feast (Yorkshire) Review

Skeleton at the Feast (Yorkshire)
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DCI Michael Thackeray is sent back to Oxford, to the college where he'd studied, while his superiors work out what to do with the disaster of a case he left behind. Back at Yorkshire, his detectives try to get on with their lives and cope with the death of one of their own. All is not well at Oxford. His college, which has always hidden its crimes, has continued to do so but a missing professor, the professor's missing girlfriend, and considerable missing money compound Thackeray's old memories of a murder that took place when he was a student.
Author Patricia Hall balances the Oxford mystery with the case of a 13-year old girl who was raped and beaten back in Yorkshire. Reporter, and Thackeray's girlfriend Laura serves as a bridge, spending weekends in Oxford with Thackeray and working on both cases.
Virtually all of Hall's male characters are damaged, trying to make a life for themselves despite the loss of so much. Thackeray has never recovered from his years at Oxford, and now must relive that terrible time and the cover-up that he has never forgotten. His sergeant, Kevin Mower, is slowly self-destructing out of grief for the loss of his love. Strong women, Laura, her grandmother, and DC Val Ridley provide the strength to keep the males moving.
Hall's writing is vivid and American readers are likely to enjoy her judicious use of Yorkshire dialect. The mysteries themselves are fairly anti-climactic, however. In particular, the the Oxford murders seem a little too disconnected. I kept waiting for the other shoe to drop--but it never did. Likewise the Yorkshire mystery was quickly resolved once Thackeray returned to the job--so quickly that I wondered why it took so long in the first place. SKELETON AT THE FEAST is interesting and thought provoking, but needs a bit of sharpening to be a really compelling mystery.

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What a Time I Am Having: Selected Letters of Max Perutz (History) Review

What a Time I Am Having: Selected Letters of Max Perutz (History)
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This is a fascinating book on many levels. It is somewhat unfamiliar to learn of important events through the personal letters of a participant. Max Perutz writes of pre-war Europe, his experiences during the war and his life after it, all interesting. The book is not a history of molecular biology, but many of the letters touch on this and some excellent background is given. Not only was he a great scientist, but his contribution in causing the MRC laboratory of molecular biology to be built in Cambridge and then in directing it was immense; some of this is apparent in his letters. Above all one gets the impression of an unusually rounded, humane and generous man. The editing and selection of the letters are excellent, so it never becomes dull. A thoroughly good read.

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There You Are: Writings on Irish and American Literature and History Review

There You Are: Writings on Irish and American Literature and History
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There are scholars and there are critics, and then there are enthusiasts: Thomas Flangan falls somewhat into the latter camp. While this collection of pieces on Irish and Irish-American cultural figures he wrote for The New York Review of Books is often quite fine and imaginative, at times Flanagan is severely hampered by his inability to maintain a critical distance from his subjects, especially when it's someone he greatly admires, like John Ford or James Joyce or F. Scott Fitzgerald. The first two may be worthy of such high and unadulterated praise, but Fitzgerald? Even when dispelling popular myths about the latter, Flanagan has trouble reining in the gush, e.g. on THE GREAT GATSBY's status as a novel about the American Dream, Flanagan writes, "Scholars exchange their learned articles on the subject, and generations of college freshmen are told about it. If you whispered into a reader's sleeping ear the words 'Scott Fitzgerald's THE GREAT GATSBY,' she would murmur drowsily, 'and the corruption of the American dream.'"
There's a pretty unhelpful introduction by Seamus Heaney that's more of a personal memoir of Flanagan than a way to orient oneself with regard to Flanagan's writings.

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Thomas Flanagan became famous as the author of a trilogy of novels, starting with The Year of the French, about Ireland from the rebellion of 1798 to the civil war of the 1920s. But the novelist who began by reimagining the mental and physical world of eighteenth-century County Mayo had long been immersing himself, as a scholar, essayist, and reviewer, in the literature and history of his ancestral land.In the nonfiction writings collected here, many of them unpublished in his lifetime, Flanagan brings what Christopher Cahill calls his "keen eye and strong gaze and sharp tongue" to reassessments of key figures of Irish culture. They range from Richard Brinsley Sheridan and Lord Edward Fitzgerald, through W. B. Yeats and James Joyce, Charles Stewart Parnell and Michael Collins, to contemporaries and friends like Brian Moore and Frank O'Connor, and American Irish like the Molly Maguires and the director John Ford.Flanagan probes the tragically intertwined origins of celebrity and literary modernism in the careers of Irish-American writers such as F. Scott Fitzgerald, Eugene O'Neill, and John O'Hara. He reflects on what his own novels have taught him about the possibilities of historical fiction. And his thoughts on Irish-American identity sum up the long-pondered mixture of experience and scrutiny he brought to his heritage.Witty, lively, and learned, this collection reveals that Thomas Flanagan was not only as a master of the historical novel but a writer who meditated broadly and deeply on the Ireland he once described as "a complex, profound, historical society, woven of many strands, some bright and some dark."

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