The Redeemed: A Jenny Cooper Mystery Review

The Redeemed: A Jenny Cooper Mystery
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First Sentence: Jenny was drinking cordial by the stream at the end of her overgrown garden, watching a school of tiny brown trout flick this way and that, quick as lightning.
District Coroner Jenny Cooper is asked by Father Lucus Starr to look into the death of Eve Donaldson, an ex-porn star who professed to be born again and became a crusader against pornography and as a spokesperson for the Mission Church of God. When Jenny discovers two other recent deaths also have links to the church, she becomes more determined to find the truth; even though there are those who do everything they can to prevent it. In her personal life, it seems the blank spot in the memory of her childhood may not remain blank much longer. The question is whether Jenny will be able to deal with what she finds there.
There are definite strengths and weaknesses here. For me, Hall's strength is in writing the inquest scenes. A good courtroom scene, with its questioning and working to find the truth through verbal exchange, can be as gripping and exciting as any chase down a dark alley. Hall writes these scenes very well. I also find it fascinating to learn the way in which a British court of inquiry works and its scope of power and responsibility.
The story itself, seemed a bit cliché. The powerful politicians, the obstructive lawyers and even the missing memories which cause Cooper's dependence on anti-anxiety drugs become a bit worn out. Yes, there was a good twist at the end, but it didn't provide the dramatic "ah, ha" moment one would hope as it seemed a bit convenient. I, for one, am please that the character's "dark secret" has finally been revealed. I should love to see that be the end of that and Jenny grow into a stronger character. But that's just me.
Altogether, it is a good read with some very strong moments. I am actually curious to see where the series goes from here, which is a recommendation in itself.
THE REDEEMED (Legal Mys-Coroner Jenny Cooper-UK-Cont) - Good
Hall, M.R. - 3rd of series
Simon and Shuster, ©2011, US Hardcover - ISBN: 9781439157121

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"DAD, WHAT HAPPENED TO COUSIN KATY?" "YOU REMEMBER, SMILER. YOU KILLED HER." JENNY COOPER has a lot on her mind. Under fire from her superiors for exposing a high-level government cover-up of the disappearance of two Muslim youths, she is also haunted by the discovery that she may have been responsible for the death of one of her own family members. Her college-age son, her therapist, and her neighbor and sometimes lover all seem to be turning their backs on her, driving Jenny to increasingly give in to the temptation to escape through alcohol and pills. The discovery of a dead man lying outside a Bristol church with the sign of the cross gouged into his flesh looks to her at first like another grisly suicide. But the unexpected arrival of an enigmatic Jesuit priest reveals deeper levels of mystery. Father Lucas Starr, the chaplain of a nearby prison, has come to plead for Jenny's intercession on behalf of one of his parishioners, who confessed to murdering Eva Donaldson, a former adult movie actress turned world-renowned anti-pornography campaigner. Persuaded by him to look at Eva's death afresh, Jenny un-covers a sinister series of connections between Eva and the body at the church. After another tragic death, Jenny's suspicions turn toward a powerful new global phenomenon: the politically ambitious and intoxicatingly charismatic Mission Church of God. Answering to no one but the dead, Jenny's lone quest for justice takes her to the heart of the fight between good and evil, sex and the supernatural, and on a dark inner journey to confront ghosts that have haunted her for a lifetime.

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War and Peace (Modern Library) Review

War and Peace (Modern Library)
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Ever since I was a teen (I'm 51) I tried reading War and Peace. The furthest I ever got was something like Page 80. Six summers ago, I thought, what the heck, give it another shot. After Page 100 or so, the book picked up steam, and I was absolutely awed as I've seldom been by all the great books I've read in my life. That's what I want to share with potential readers of this great book. Stick with it. It's like a trickling stream that grows and grows from many tributaries into a grand wide raging river. It's got everything in it, as if it were written by God. Tolstoy saw everything. There are so many, many unforgettable scenes in it. My favorite two are the costume party at the country estate (pure magic!) and the great wolf-hunting scene in which the wolf actually takes on a personality under the all-knowing skill of Tolstoy's great pen. In just a line or two, Tolstoy could actually get inside the "soul" of even an animal! I can only imagine how great this book is in the original Russian. After War and Peace, I devoured Anna Karenina, which is in many ways an even greater book. I'd recommend people read War and Peace with Cliff's Notes, as I did, because you get a sense of the historical background and it helps you from getting the hundreds of characters mixed up. War and Peace is more than a novel. It's an Everest of creation. Please stick with it!

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The Still Point: A Novel Review

The Still Point: A Novel
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This novel is so beautifully written and so evocative that reading it was almost a sensual pleasure. The author's knack for description brings sounds, scents, and sights alive and reminded me of pleasures I haven't contemplated in years (the feel of wood under bare feet, for instance.) It's been several months since I read it, but I find myself continuing to recommend it! While the plot isn't of earth-shaking import, it moves along nicely, giving the reader plenty of contemplate in the process. It's a book definitely worth your time.

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The Oxford Book of Twentieth Century English Verse (Oxford Books of Verse) Review

The Oxford Book of Twentieth Century English Verse (Oxford Books of Verse)
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Readers of Larkin's excellent letters will have come across frequent complaints about his 'Oxford Book of Two Cent Verse' as he dismissivly calls it. Although he found the task of producing it onerous, it's very good -- if one accepts it for what it is.
Anthologies, having limited space, make a choice between representing the best writers at length, or representing a larger number of writers more briefly. Larkin chooses the latter: the book includes 584 poems by about 200 poets, which this means that many poets (outside the "greats" -- Hardy, Yeats and Eliot -- who are all fully represented) are represented by as little as two poems.
But this approach has virtues. Larkin includes poems by many poets who aren't considered "major writers"; and who, while often well-known in their lives, are not likely to be known to readers now. This is interesting, of course, as it reminds a reader that poets are not only influenced by the best writers, but also by the second best. There is also, perhaps, an attempt here to sketch a certain tradition of English twentieth century writing: one that, although it includes Eliot and Basil Bunting, is in the main, colloquial, unheroic and keen to document domestic events and emotions in poetry that is, if not strictly formal, at least nodding at formal arrangement.
Lovers of Larkin, or of the sort of poetry outlined above, may well find themselves overjoyed by this anthology. Readers whose tastes are for the outlandish, excessive and outragous may be impatient. Personally I think that poetry is at its healthiest when these two groups are not entirely separated: when they both can agree on certain writers to admire; and when both of them at least are aware of and respect the other's tastes.
Perhaps people who find themselves entirely in accord with this anthology should also look at Rosenthal's 'Poetry in English' -- a dull name but a fantastic anthology -- for an alternative view of Twentieth Century poetry. (And perhaps, for fuller coverage of the post-1960s poets, Lucie-Smith's 'British Poetry Since 1945'; and for a look at where this alternative English tradition can lead to, Crozier and Longville's 'A Various Art' or Sinclair's 'Conductors of Chaos'.) And for the opposite group: this anthology, with the reminder that Pound, the key figure in the Modernist movement, thought very highly of the key poetic figure in Larkin's English tradition, Thomas Hardy.

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William Faulkner : Novels 1930-1935 : As I Lay Dying, Sanctuary, Light in August, Pylon (Library of America) Review

William Faulkner : Novels 1930-1935 : As I Lay Dying, Sanctuary, Light in August, Pylon (Library of America)
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There is nothing quantitative in this volume that you can't get in other editions of Faulkner's work; however, the Library of America copy is to be strongly commended for the clarity of its typeface, its sturdy cloth-bound hardcover, and its designed ability to *lie flat* at each page. The only fault I could find with this volume is that it would be nice to have _The Sound and the Fury_ included in a Library of America edition as well (currently, the Modern Library edition is the best that can be done). I strongly recommend this edition to the serious reader who, familiar with Faulkner, is looking for a reference copy of these works that will not deteriorate over time (did I mention acid-free paper and a cloth bookmark?). Considering the price of each of these titles in paperback, this volume's value to the casual reader speaks for itself; you, too, are advised to invest in this worthy tome.

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Divine Comedy Review

Divine Comedy
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I must confess that the large format makes reading the formal translations a bit easier on the eyes. The volume also includes a preface and section introductions/interpretations in contemporary english which make the text much more approachable. And the woodcut illustrations are simply gorgeous - it's worth getting the book just for these. They really bring to life the imaginations from when they were created in the 19th century all the way back several hundred years more to when Dante wrote the text. They also help to explain the perceptions that our predecessors had of religion, sin, and piety. This is a terrific volume - highly recommended.
One tangential note - if you like the illustrations in this you should also check out "Barlow's Inferno", published a few years ago. Wayne Douglas Barlow synthesizes interpretations of hell from many cultures and periods into illustrations of terror and frightful beauty. Barlow is the spiritual inheritor of Dore's vision.

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Long narrative poem originally titled Commedia (about 1555 printed as La divina commedia) written about 1310-14 by Dante. The work is divided into three major sections--Inferno, Purgatorio, and Paradiso--which trace the journey of a man from darkness and error to the revelation of the divine light, culminating in the beatific vision of God. It is usually held to be one of the world's greatest works of literature. The plot of The Divine Comedy is simple: a man is miraculously enabled to visit the souls in Hell, Purgatory, and Paradise. He has two guides: Virgil, who leads him through the Inferno and Purgatorio, and Beatrice, who introduces him to Paradiso. Through these fictional encounters taking place from Good Friday evening in 1300 through Easter Sunday and slightly beyond, Dante the character learns of the exile that is awaiting him (an actual exile that had already occurred at the time of writing). This device allowed Dante not only to create a story out of his exile but also to explain how he came to cope with personal calamity and to offer suggestions for the resolution of Italy's troubles as well.

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The Story of Doctor Dolittle (Books of Wonder) Review

The Story of Doctor Dolittle (Books of Wonder)
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I liked the story of Dr. Dolittle. However I would like to warn modern readers, that the full version of this book is Racist. So the Editors have carefully changed the story of the African Chief who wished to become Cacausion in appearance to one where he wishes to become a lion. Now, I agree that the story is better this way, but mucking around with books after the author is dead and can't defend or fix them is right out. So in that vein I can't recommend this edition of this book. The editors should have changed the title to "The Modern Dr. Dolittle" or some other name which implies that the story isn't the orginal. They do it all the time with the bible, "King James Ed.", "Good News for Modern Man" etc.
If you are going to read to children, books which treat people unfairly you should take the time explain why this was a poor idea even in its day. Or not read them at all. Or own up to the fact that you've changed the story.
On the plus side the illustrations are great, M. Hague is a great artist.

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Peter and the Sword of Mercy (Starcatchers) Review

Peter and the Sword of Mercy (Starcatchers)
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I loved, loved, loved this book! I was so excited that the authors had gone ahead and written a part 4, and it was in no way a disappointment. The adventure was uniquely different from the other books in the series, and there was lots of action and many sinister characters. Thanks for another wonderful book!

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The Message Distressed Black Lthr-Lk HB Review

The Message Distressed Black Lthr-Lk HB
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i bought this Bible for my grandma as a christmas gift. she wanted to have this version to read along at church when the preacher uses it in his sermons. i flipped thru it but didn't realize until she told me...other message Bibles all have the verses written out in paragraph form. my own Bible is this way, and it makes it hard to find a verse sometimes. but this one i bought for my grandma has everything numbered individually like other versions of the Bible. i thought that was helpful! she likes it a lot too :-)

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This version of The Message numbered personal size brings to life the original biblical text. Its attractive distressed black leather-look cover makes it great for gift giving.Features:• exclusive verse numbering system• and study helps and chartsTrim size: 5 1/2 x 8 1/3

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The Sword in the Stone Review

The Sword in the Stone
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"Sword in the Stone" is the must-read book of Arthuriana, an imaginative fantasy romp that has inspired all our ideas about the venerable Merlin and about King Arthur's boyhood. White infuses the book with whimsy, poignancy, and a mixture of early 20th-century England and medieval times.
Sir Ector's ward Arthur (known as "Wart") has no idea what he's in for when he accompanies Ector's son Kay out on a hunt. When a bad-tempered hawk escapes and refuses to come out of a tree, Wart ends up staying behind all night in the hopes of recapturing it. But he's interrupted by an odd old man called Merlin and his talking owl Archimedes. Merlin captures the hawk -- and then comes home with Wart. Soon he is firmly established as tutor to the two boys.
But they soon discover that nobody is quite like Merlin, and the lessons he has to teach Wart are more than just math and Latin. Merlin transforms Arthur into a fish, an owl, a hawk, and sends him on bizarre journeys with Robin Wood (Wood, not Hood -- a common mistake) and his band of Merry Men, a duel with an evil witch, a gathering of trees, a fumbling King and the Questing Beast, and capture in a sinister giant's castle.
T.H. White was a wonderful author, and an even better comic author. His characters are fully fleshed and endearing (even the nasty ones), but at the same time there is a delightful lightness to them. There isn't a speck of realism in the entire book -- chronology is bent and spindled, magic and realism are twisted together, and readers won't care at all. In a sense, "Sword" seems almost to exist in a parallel universe where animals talk, Robin Hood chit-chats with the once and future king, and carnivorous humanoids roam through Britain.
"Wart" is a good hero -- quiet, unassuming, thoughtful, and occasionally puts his foot in his mouth. His foster brother Kay is also good -- Kay is hot-tempered and a little loud-mouthed, but he is a nice person at heart. Merlin is the perfect crabby gray wizard, eccentric and unashamed to use his magic in a perfectly casual manner, and constantly a little befuddled due to his ability to live backwards in time. He'll endear himself to readers from the first page onward. There are dozens of equally funny characters: The always-questing King Pellinore and his Beast, the worried Sir Ector, the walking mustard-pot, the crabby but kindly owl Archimedes, and many, many more.
White's writing goes at a slightly uneven clip: Sometimes it zips along quickly, at other times it crawls. He displays plenty of knowledge about medieval times, and seems a little too eager to reveal it to the readers. But his descriptions and dialogue are delightful, a mix of the modern and the medieval. There are some extremely frightening scenes, and some (such as the having to put down a fatally-injured dog) that will make you cry.
Readers will come out of this book feeling like they have made a number of memorable, kindly friends. It's a must-read for anyone who loves the legends of Arthur.

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NIV Holy Bible Review

NIV Holy Bible
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This is the only Kindle Bible I have found (including free Bibles from non Amazon sources) which has a full table of contents. Each Book is easily accessed from the TOC and there is a clickable numeric list of chapters in each book when you open it.
I don't understand how T.Heyn could have misread this. Maybe he had an earlier Kindle version which has since been updated.
I can find John 3:16 or any other verse in this Bible in just a few seconds. Buy this one and you will not be disappointed.


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Henry Wadsworth Longfellow: Poems and Other Writings (Library of America) Review

Henry Wadsworth Longfellow: Poems and Other Writings (Library of America)
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J.D. McClatchy here presents a thoughtful selection of Longfellow's verse. Although ignored by contemporary readers and dismissed by the academy, Longfellow is a wrtier who, though never profound, is sincere, engaging, accessible, and humble--qualities rarely associated with modern poetry. It is difficult to read such saccarhine classics as "The Children's Hour" and "A Psalm of Life" without either shrivelling from the sweetness or retreating into a shallow camp perspective, but for the reader willing to make the effort, Longfellow offers the deep rewards of meter, rhyme, and narrative--and the rare pleasure of lines that do not dazzle or daunt by ambiguity. As the poet writes, "Such songs have power to quiet / The restless pulse of care, / And come like the benediction / That follows after prayer."
One's only regret with this volume (a criticism one might make, I suppose, of any selection) is that McClatchy did not include more--specifically, the complete "Tales of a Wayside Inn," which, though represented rather amply, surely should have been included in its entirety as the happiest vehicle for Longfellow's story-based strengths. "The Bell of Atri," one of the most charming of the tales, should certainly be here. Then, too, the editor seems rather determined in his selection to present a more somber presentation of the poet than is warrented by his full corpus. (Perhaps he aims to make Longfellow more attractive to an audience accustomed to the confessional and the dour.) Oh, well. In compensation we do get useful notes, an excellent chronology, and the delightful novella "Kavanagh"--all of which make this surely the most pleasant poetry revival of the past several years.

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The Orthodox Study Bible: Ancient Christianity Speaks to Today's World Review

The Orthodox Study Bible: Ancient Christianity Speaks to Today's World
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For purposes of full disclosure, allow me to say, first off, that I'm a practicing Catholic Christian of the Latin Rite, whose previous experience as a teacher of the English Language Arts will hopefully provide a unique perspective regarding the offerings of this particular Bible. I've been in possession of the leather-bound edition since I received it two months after my original pre-order; it's taken me a couple years, but I've really come to love it. As I mentioned in the title of this treatise, this Orthodox Study Bible has recently dethroned my trusty, old-RSV New Oxford Annotated Bible as my study Bible of choice. I had little notion that this would happen. Understand that I have quite an extensive collection of Bibles of the most varying translations that I use for comparative study; but, probably like you, I also have a preferred Bible to go to by default for prayerful reading. Over the last two years, I just found myself picking up the OSB more and more and the NOAB less and less. Allow me to articulate exactly why:
The case for the Septuagint Old Testament:
The unique and most compelling reason to acquire the OSB: it is the only complete Bible in English to be published with the Greek OT right next to the NT. If you have one of those reference Bibles, I'm sure you've noticed that many of the OT quotes used in the NT mismatch when you actually look them up, sometimes to a great degree--this is because Jesus and the disciples quoted from the Septuagint Greek, as opposed to other Hebrew sources, a vast majority of the time. This is so, because Greek was the common language of antiquity in the region and the Septuagint translation (which includes the apocryphal/deuterocanonical "hidden books" of the "second canon") was completed more than a century before Christ's birth. By the time of Jesus' ministry, it was in widespread use by Jews throughout Palestine, particularly outside of Jerusalem by those who couldn't speak or read Hebrew. Bear in mind: the Hebrew OT that 99% of modern English Bibles are translated from rely on Masoretic Hebrew (Hebrew with fixed vowels) whose manuscripts didn't exist until the high middle ages, approximately the 9th century AD--almost a thousand years after Christ! By then, the philosophy behind Jewish biblical scholarship had transformed immensely and the original meaning of certain passages were irrevocably changed. Isaiah 7:14 is the classic casualty of this: Masoretic Hebrew renders "young woman" while Septuagint Greek renders "virgin"--a pretty significant paradigm shift. Ever wonder why the OT books of the Christian Bible are in their current order as opposed to the way the Hebrew Bible orders them? That's right, the Septuagint lists them in order of Law, Histories, Writings, and Prophecy; the NT books are similarly ordered by Gospel, Acts, Epistles, and Revelation. In the end, the Masoretic/Septuagint wars will rage on; but the latter is still the most ancient and reliable source of the OT, it's quoted extensively by the Fathers of the early Church, and it was the de facto scriptures of Jesus and His Disciples. If you don't already have a Septuagint, it's well worth picking one up, and the OSB version is preferable to the aging Brenton translation and even to the flawed-NRSV-based NETS (if you're a conservative practitioner of your faith, it's really hard to take the NRSV seriously with its intentionally literal-but-unorthodox renderings of scripture and its politically-motivated gender-sterilized language).
The case for the New King James Version New Testament:
Other reviewers have mentioned a distaste for the NKJV and, though I can empathize somewhat as a Catholic, I must humbly admit I'm rather fond of it. Perhaps it's because of my teaching background, but I have a respect beyond the average non-Protestant for the old KJV due to its indisputable impact on linguistic and literary spheres ever after (doctrinal ramifications notwithstanding). The result of this is that it has shaped our ear in the English-speaking world--its rhythms and cadences so familiar to us in certain passages that we take it for granted. The NKJV retains the phraseology and eloquence of its predecessor to an extent unmatched by any other contemporary translation, while updating the language and spelling to much needed modern standards. Because it adheres strictly to the formal equivalence methodology, it maintains a vocabulary and style in accordance with high English--this is not a "dumbed-down" translation like many other popular ones out there. The result is that the Bible still reads like sacred scripture--which it should. Now, some of you may be indignant of the fact that the NKJV relies on the Textus Receptus, a Reformation Era-variant of Byzantine text-type manuscripts compiled by Erasmus. Instead, you may prefer your NT to be translated from the substantially older but far less prevalent Alexandrian text-type manuscripts--the "Critical Text." Well fear not, my friends, for though the OSB maintains TR renderings in the body of scripture, all variations from the Majority Text as well as the Nestle-Aland/UBS editions are comprehensively footnoted--you still get the best of both worlds.
The case for the commentary:
If you're strictly an academic, you may find this to have a limiting appeal; but if you consider yourself a member of the faithful laity, you'll get quite a lot out of this. Even if you're a Christian of Reformation descent, you'll appreciate the uniqueness in character of the OSB commentary because it's the only modern one available that doesn't depend on the historical-critical method to explain passages. Instead, it's comprehensively Christological, even in the OT where it succeeds in pointing out both significant and obscure messianic prophecies. The result is an OT commentary that approaches scripture with the same Christ-centered worldview that is readily present in the NT. If you're an Eastern/Greek Orthodox Christian, my guess is that you're more likely to love it than not despite its simplistic nature when compared to the depth and breadth of the writings typical of Church Fathers. In my humble opinion, the OSB commentary's simplicity is its strength for ordinary study or prayerful reading. As someone who occasionally refers to the Haydock edition of the Douay-Rheims Bible for shedding light on certain difficult scripture passages, I find the OSB's concise, pointed commentary to be a refreshing change, in contrast to Haydock's sometimes excessive wordiness for normal use. Sure, for more in-depth study you'll certainly want an additional source, but the vast majority of the time, and for the vast majority of people out there, the OSB's solidly patristic commentary is a sight for sore eyes. If you're an Eastern Rite Catholic, this will fit you like a glove since it has the various apocryphal books not even included in the deuterocanon--it even has scripture notes referencing the Chrysostom Liturgy. If you're a Roman Rite Catholic, like me, trust me: there's no better modern, complete Bible out there that's made to bolster your faith like this one. The single-volume Navarre Bible is hopefully in the works and, as of this writing, the NT of the Ignatius Catholic Study Bible is available for pre-order with the OT probably years away. The potential benefits to such future volumes would be references to papal encyclicals, pertinent teachings from the Catechism, and explanations by intellectual giants like Dr. Scott Hahn, Curtis Mitch, or other faithful scripture scholars. The OSB commentary, along with the introductions to each book, purposely limits its scope to the wisdom of the Holy Fathers and the Ecumenical Councils of the first millennium. While this may sound like a detractor at first, it has one substantial benefit: these are the teachings that predate any Reformation, or subsequently needed Counter-Reformation, as well as the Great East-West Schism. Essentially, these are the teachings of Christ's Church when that Church was One: singular and united.
Formatting notes:
Again, as someone who reads significant amounts of literature, I have a real appreciation for the OSB's adherence to Modern Language formatting--it's something that goes largely unnoticed by most, but you'll appreciate it once you have it. Why is this important in the first place? Proper formatting allows for increased reading speed, comprehension, and overall pleasure. Now, the NKJV, itself, conforms to standard spelling, punctuation, and usage, as would be expected. However, this is the only Bible I've ever found that is paragraphed correctly. This is huge, and once you experience it, you'll loathe to go back to anything else, especially verse-by-verse Bibles. Sure, there are alternatives out there that paragraph the text according to content--even my old NOAB or the Cambridge Paragraph Bible does that. But not even these highly respectable editions provide line breaks during conversations where there's an extensive exchange in dialogue; John 8:12-40 provides a great example. Other alternatives don't paragraph for lengthy quotations either; take a look at Acts 2. Likewise, the full biblical text is set in a two-column format to aid reading speed as well as to assist in skimming, if needed; it's also graced with section headers within the chapters themselves for easier searching. The font is a nicely-readable 11-point for the text and about 8-point for the footnotes and commentary. Overall, the page layout is among the most practical and beautiful I've seen in any study Bible.
Other observations of note:
One major upshot to the beneficial formatting choices is the page thinness. In order to pack the wealth of information contained in this veritable library into a single volume, the pages evidently had to become nearly tissue-paper thin. Despite this, text...Read more›

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The Love of My Youth: A Novel Review

The Love of My Youth: A Novel
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If ever you've considered revisiting the lost love of your youth...or have actually done it, then this is without question a book I think you'll want to read and will long remember.
Superbly constructed and beautifully written by master storyteller Mary Gordon, this is the tale of Miranda, now an epidemiologist, and Adam, now a music teacher, who fell in love at 16 only to watch a mutually presumed "forever" blow up in their faces in their early twenties. There's been no contact since and, now, 36 years later, all that remains are the not-quite-buried residues of gnawing anger for her and gnawing guilt for him. Both have families, have done well for themselves and are about to turn 60. When a mutual friend from college days learns, quite serendipitously, that both Adam and Miranda are in Rome, where she now lives, she invites them to her family's apartment for dinner. Each of them is wary, discomfited and not at all sure this is a good idea, but the invitations are accepted and eventually the apology that one came looking for and the forgiveness the other sought will become something more: a search for understanding and an answer to the unanswerable questions "Am I the person who I was?" and "What has become of me?"
To that end, our protagonists will devote a part of each day of Miranda's three-week stay to walking and talking together and gradually coming to terms with their past and each other while exploring many of the glories that are Rome. Each of the present-day chapters features a different Roman destination...a church, a museum, a restaurant, a garden, an iconic statue ...while every now and then the author's voice interrupts to insert a chapter of backstory. I loved it.

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New and Selected Poems, Volume One Review

New and Selected Poems, Volume One
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Every poem in this book is a gem, and the collection made me want to read her complete works. While this is definitely not "religious poetry" of the greeting card variety, it is an expression of a deep spiritual awareness. Oliver's poems often reveal an amazement and wonder at being alive. Poetic skill and heightened awareness are so well-integrated, those who are looking for well-crafted poetry will certainly find it, and those who are looking for an awakening of consciousness may also find that.
Although Oliver's environment, her field of play, is nature, I wouldn't reduce her to a "naturalist poet." Nature is always interpreted and absorbed by her vision. Nature reveals its secrets to her, but they are the secrets of her own soul. In her poetry, nature is the oracle that reveals the human psyche.
But I should include Oliver's own words, because no prose critique can do justice to the intoxicating natural imagery of her poems. In the poem "Peonies", the richness and fertility of nature mirror the same qualities of the imagination:
This morning the green fists of the peonies are getting ready to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers
and they open-pools of lace,
white and pink- and all day the black ants climb over them,
boring their deep and mysterious holesinto the curls,
craving the sweet sap,...
The poem ends with a challenge that reverberates through the book. In spite of the sense of death looming sometimes on the edge of the poem (and our lives), sometimes at the center, are we willing to fully experience life?
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?
Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,
with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing forever?

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The Sea Around Us Review

The Sea Around Us
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Wow!!! It is amazing that this book is over 50 years old. As a high school student, I had to read this book for Ecology. Rachel Carson's book is an eye-opener. It was some 50 years ago. And, it still is. "The Sea Around Us" is truly a classic. Carson gives us all an insight on what would happen if we mistreat the natural environment -- especially the oceans around us. Sadly, today, some of these prophecies are becoming a reality. I agree with a fellow reviewer. This book should be mandatory reading for all students. Maybe if more people read this book, we would all respect nature just a little better.

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Moss Gardening: Including Lichens, Liverworts, and Other Miniatures Review

Moss Gardening: Including Lichens, Liverworts, and Other Miniatures
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Impressively illustrated with glorious full color photographs of the many & various moods of moss gardening from a tilled sand Zen meditation complete with mossy stones to wild, serene woodlands carpeted with lush colonies glowing in slanting sunshine, this is one Edenesque read. If you know of anyone with moss on their minds, this is a unique love story of one fellow who bent down to earth to study these little green plants. As magnificent as the subject itself. Very well done!

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